The Witcher: Blood Origin, the brand-new spin-off based on the wider Witcher books and serving as a prequel to the mainline series, has managed to earn the worst Rotten Tomatoes score ever. Yikes.
Launching on Christmas Day, the new mini-series takes place more than a thousand years before the Netflix show, the games and original books.
The expanded lore of the popular dark and gory fantasy world is vast and fiendishly studied by die-hards, so a show diving into that should be a no-brainer, right?
Well, sadly, through a combination of seemingly genuine bad reviews and people simply being outraged that the main Witcher series no longer features its star, it looks like the new show is being heavily review-bombed.
Despite being currently sat at 33% and 10%, its audience score dropped at low as 8%. (Credit: Rotten Tomatoes)
In case you were unaware of some of the latest blockbuster shenanigans happening in Hollywood over the last few weeks, Geralt of Rivia himself, Henry Cavill, recently stepped away from the show to reportedly prioritise on training for his return as Superman.
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However, shortly after, it was announced by new DC Studios chairmen James Gunn and Peter Safran that they were dropping the 39-year-old actor as they hoped to pursue a new star to take on the role — you know, the same one he’d just stepped away from his reported £350,000-an-episode deal to focus on.
Yes, we know he’s a millionaire, but die-hard Henry stans obviously felt terrible for him, leaving one dream job for another beloved franchise that essentially helped put both himself and modern DC movies on the map, only to find out that he was no longer needed.
Furthermore, fans are now speculating that Cavill quit The Witcher after two highly-successful and well-paying seasons following disputes with the showrunners. A relative on-set expert as a genuine lover of the books and the games, Cavill is said to have struggled to “see eye to eye with the producers”.
Speaking to Hollywood Reporter, the Man of Steel and Mission: Impossible – Fallout star said “the toughest part for me was finding that balance between the showrunners’ vision and my love for the books”, even going on to add that “some of the writers were not [interested] or actively disliked the books and games, even actively mocking the source material.”
If this is to be believed then it’s no wonder that showrunner Lauren Schmidt-Hissrich, who is also overseeing the Blood Origin spin-off, seems to have annoyed not onlythosewho love Henry Cavill but now Witcher fans in general.
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While plenty of the Rotten Tomatoes reviews limit themselves to calling out those involved in the production for their ‘incompetence’ and ‘lack of respect’, the online consensus beyond the popular review aggregator seems to be that the writing simply isn’t up to snuff.
i wanted to at least give it a shot and i just… i know i've seen worse shows in my life but i can't think of many right now that are worse
The CGI looks hideous & cheap. Writing & dialogue is a mess. Acting isn't very good with Michelle Yeoh's talents wasted. The story is rushed into four hours. Netflix completely changed the origin of The Witchers.
This show is yet another slap in the face to longtime fans.
2022 really has been a race to the bottom when it comes to entertainment, especially the fantasy genre. First Rings of Power, then Willow, now Witcher: Blood Origin – each of them more terrible than the last.
As always, it’s worth watching and forming your own opinion before letting other people’s takes colour your own impressions but it’s fair to say it isn’t looking good for the future of the franchise’s TV adaptations.
Whether the negativity is being largely driven by review-bombing by the Henry Cavill faithful or not, it looks unlikely that there’ll be a resolution as Liam Hemsworth has already been named as the replacement for the main character, Geralt.
Moreover, since Cavill left/was dropped from both projects, he is once again being tipped to play an equally iconic pop culture protagonist in particular. Have a guess…
More adult virgins needed for next series of Channel 4’s hit reality show Virgin Island
Emily Sergeant
Channel 4 is back looking for more adult virgins to take part in the potential next series of its hit reality show Virgin Island.
You may remember that early last year, we brought you the breaking highly-important news that Channel 4 was currently in the process of producing a new reality TV series that, at the time, had the working title of ‘The Intimacy Retreat’ and was looking for a group of adult virgins to apply to take part, if they were brave enough.
But now, well over a year on, we all know that show turned out to be the hit show Virgin Island – which has just finished airing its first series this week.
Channel 4 needs more adult virgins for the potential next series of its hit reality TV show Virgin Island / Credit: Channel 4
If you’re unfamiliar with Virgin Island, it’s unlike anything ever seen on TV before, as it follows the journey of a group of adult virgins who are whisked off to a Mediterranean island retreat to learn life-changing skills in the art of intimacy.
Working with leading international therapists, the aim is to help the young people overcome their fears and insecurities when it comes to intimacy and sex.
Channel 4 said it chose to commission the show after a recent study into intimacy found out that one in eight British 26-year-olds is, apparently, still a virgin.
Virgin Island aims to help young people overcome their insecurities around intimacy and sex / Credit: Channel 4
A casting call for the new series on the Channel 4 website reads: “Are you a virgin and do you need help and guidance with your fears and insecurities around intimacy and sex? Double Act Productions is casting adults for a potential second series of Virgin Island.”
You just need to be over 21 years of age to take part in the show.
Fancy it then? Or know someone who may be up for the ride? Applications for the potential next series of Virgin Island are now open, and there’s still plenty of time left to put your name down.
You can find out more and register your interest here.
Featured Image – Channel 4
TV & Showbiz
You can watch Twilight with a live orchestra surrounded by candlelight in Manchester
Emily Sergeant
One of the most iconic literary and film sagas of the 21st century is celebrating 20 years since the first book was published next year.
And to celebrate this milestone moment, you’ll be able to watch the first film live in dozens of cities across the UK surrounded by the beauty of more than a thousand candles while a live orchestra plays the soundtrack to accompany.
That’s right, Twilight in Concert is coming to Manchester.
Undeniably one of the most successful young adult film franchises of all time, with five films (Twilight, The Twilight Saga: New Moon, The Twilight Saga: Eclipse and The Twilight Saga: Breaking Dawn – Parts 1 & 2) to its name, The Twilight Saga has impressively grossed more than $3.3 billion at the worldwide box office.
You can watch Twilight with a live orchestra surrounded by candlelight in Manchester / Credit: Supplied
The films were adapted from author Stephenie Meyer’s acclaimed literary series that won multiple awards over its time, sold more than 160 million copies worldwide, and was translated into 49 different languages.
But no matter whether you’re Team Edward or Team Jacob, Twilight In Concert promises to be an unforgettable event for fans of the belovedfranchise, two decades on.
Set in an enchanting candlelit setting, TwilightIn Concert offers fans a unique opportunity to re-live the film that started it all, while musicians take the stage to perform the beloved score in perfect synchronisation with the original movie presented in its entirety on a cinema-size screen.
You can expect a 12-piece ensemble of rock and orchestral musicians / Credit: Supplied
You can expect a 12-piece ensemble of rock and orchestral musicians to transport you on a journey deep into the heart of Forks.
Twilight in Concert will be stopping off at 12 other major UK cities on its tour, including other northern hubs such as Sheffield, York, and Liverpool, as well as arriving at Manchester’s Bridgewater Hall on Friday 6 February 2026.