Two-time BRIT Award-winner Lewis will be taking to the stage on Friday 25 August.
The announcement comes after the release of his new single Pointless, co-written with Ed Sheeran, which is taken from his upcoming album Broken By Desire To Be Heavenly Sent, set for release in May.
Lewis Capaldi. Credit: Alexandra Gavillet
His new album will follow a similar template to his debut, Divinely Uninspired To A Hellish Extent, which was the biggest-selling UK album of both 2019 and 2020.
Lewis Capaldi will perform tracks from his new album as well as previous hits including number one single Hold Me While You Wait and Before You Go.
The Glaswegian artist – a huge hit on social media thanks to his self-deprecating humour and honest story-telling – first emerged in 2017 with the record-breaking single Bruises.
It shot to 28 million plays worldwide, making him the fastest-ever unsigned artist to reach 25 million plays on the platform.
Since then, he’s been nominated for both Grammy and Ivor Novello awards, and sold out an arena tour before even releasing his debut album (another world record).
Lewis Capaldi will perform at Wythenshawe Park on Friday 25 August.
Pre-sale will go live on Thursday 19 January and general sale will go live on Friday 20 January. Tickets will be available from See Tickets, Gigs and Tours and Ticketmaster.
Featured image: Alexandra Gavillet
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A huge house and disco music festival is taking place just on the border of Greater Manchester
Danny Jones
Not ready for Oasis fever or festival season to be over? Well, lucky for you, there’s still plenty more live music happening this summer – and if you’re into your house, electronic, disco and dance music, there’s an event happening just outside of 0161 next weekend.
Fancy a little trip out to Cheshire?
Yes, over in the lovely suburb of Wilmslow, the increasingly popular House and Vocal Disco Fest returns for 2025, promising plenty of energy, loads of local food and drink vendors, as well as non-stop tunage all day long.
Speaking ahead of their comeback this year, the organisers say: “Whether you’re reliving the glory days of clubland or discovering disco classics for the first time, House & Vocal Disco Fest 2025 is set to deliver the ultimate summer soundtrack.”
Hosted at the Phoenix Sports Club (no, as funny as it would be, there’s no connection to Peter Kay or Paddy McGuinness) near Styal, only a short drive from the town centre,
Booked for this year’s festival is chart-topping headliner DJ and Kiss FM presenter, Majestic, best known for his huge remixes and viral house hits.
Speaking of which, local artist, producer and co-creator Jon Fitz, who has recently opened his own bar, Fizpatrick’s in the heart of Stockport, will also be performing 20 years on from the release of his timeless classic, ‘I Just Can’t Get Enough’.
Legendary DJ Allister Whitehead and fellow veteran, Lifford – the velvety voice behind many soulful house music favourites – will also be alongside Fitz and co. as they turn those old market village vibes into one big dancefloor.
Excited to get back behind the decks, Fitz told The Manc: “Now in our third year — and our biggest yet — we’re bringing something truly spectacular to Cheshire. People can expect boutique vibes, intimate energy. This isn’t just a festival, it’s an experience. House & Vocal do things differently”
Once again, festival-goers can expect a day packed with uplifting tunes, a feel-good North West crowd living it large not too far from Greater Manchester, as well as all the perks of a local boutique festival setup too.
Taking place on Saturday, 26 July at Wilmslow Phoenix Sports Club from 12 noon until late, all early bird and VIP passes have sold out, but general admission is still available for £38.75 – and that’s including your booking fees.
You can find out more on House and Vocal Disco Fest 2025, as well as grab your tickets, right HERE.
The Maccabees’ Orlando Weeks on Gavin and Stacey, Glastonbury and comeback tour
Thomas Melia
UK indie band The Maccabees announced their comeback tour earlier this year alongside a very impressive All Points East headline date.
Since rocking into the music scene in 2007, The Maccabees have a Mercury Prize nomination to their name as well as three UK top 40 singles and one chart-topping album, Marks To Prove It.
Just last year, the band ingrained themselves into UK pop culture for eternity thanks to the inclusion of their single ‘Pelican’ in the finale of the much-loved TV classic Gavin and Stacey.
The Maccabees have been a staple in British culture and indie music alike, and it’s safe to say fans were overjoyed when the news of a comeback tour was announced.
The Maccabees are coming to O2 Victoria Warehouse in Manchester on 21 and 22 August.
After nearly a decade apart, the lads are ready to hit the road again with a string of UK tour dates, which are in preparation for their huge All Points East headline date at the end of August.
Lead vocalist for The Maccabees, Orlando Weeks, sat down with us to talk reuniting with fellow bandmates after almost a decade, as well as all things Glastonbury and the upcoming All Points East headline slot.
Orlando Weeks from The Maccabees | The Interview
The Maccabees have played Manchester almost 20 times since entering the music scene in 2007. What is it about our Manc crowds that keeps pulling you back?
Manchester has a musical heritage, which means there are enough venues that we can come back to so many times and people not be sick of us. The crowds are great, it’s always a good gig and always a good night out.
Having that kind of heritage and pride in your city makes it the kind of place [bands] want to come back to.
This will be the band’s first time playing O2 Victoria Warehouse, and after playing a variety of Manchester City centre music venues, how excited are you to be playing this one for the first time?
I’ve had friends that’ve played it, and everyone said that it’s a good gig. I have no doubt it’ll be good.
Due to incredible demand, you’ve had to add a second date after the first show sold out – what’s it like for you hearing news like this?
The original offer for us was to play All Points East, and so when we got that, it made up our minds to play these summer shows.
Getting to play once in Manchester will set us up [for this headline slot], and getting to play twice will set us up even better. I love being in Manchester anyway, so to have a little bit longer to have a wander and a drink is great.
What was it like getting back into the rehearsal process with the rest of the band after nearly 10 years of not performing or touring together?
It’s very odd how powerful muscle memory is. It’s crazy how quickly all of the songs, structures and playing came back to us.
When we used to play, I invented so many completely useless little triggers for me to help remember lyrics or a chorus that I’d get stuck on, and I still remember those foot taps and placements that bring it all back.
Felix [White] boasted before we even started rehearsing that he remembered everything off by heart, and he could go straight into a gig. To be fair to him, it’s amazing how much his brain has retained.
At your first show in nearly a decade at The Dome in London, you created artwork to raise funds for theMS (Multiple Sclerosis) Society. Will fans be able to buy your artwork and support this charity at both the Manchester dates?
There will be an MS charity stall as well as one for Doctors Without Borders. If you’re reading this or coming to either of the gigs and have anything that you can contribute to either of those charities, then we as a band would be extremely grateful.
This 2025 tour sees support from indie rock band, Sorry – how excited are you to head out on the road with this talented group?
The Maccabees have always been very lucky to travel around the world with other bands who are amazing, and Sorry are definitely part of that list.
You have a reason to get down early, because if you’re a fan of The Macs, you’ll be a fan of Sorry. I can guarantee that you’ll have a good time.
The Maccabees are taking part in some of the biggest events in the British music calendar[Glastonbury, All Points East]. How does it feel to have such immense support nearly 20 years into your career?
20 years in and 10 years off. There are a few people who aren’t in the band but have been such a big part of it, even through the 10 years that we weren’t really doing anything. They would say if you ever did wanna do something, there’ll be people there.
I just didn’t know that [The Macabees reunion] would be as popular as it has been. It’s very hard to explain or get your head around, really.
On the topic of Glasto, how surreal was it to be playing this major music festival for the third time?
I think we’ve been at least four times, maybe five times.
Headlining ‘The Park’ stage was special, and it was also the first time my son came and saw me on a stage singing. It was a great ‘take your son to Work Day’. We had Florence [Welch] coming out and singing with us, too.
I’ll remember all of The Maccabees’ Glastonbury experiences, but I think that’s the one I’ll hold onto for the longest.
Speaking of surreal moments, your song ‘Pelican’ featured in the finale of British favourite, Gavin and Stacey. How did this opportunity come about?
I think Matt might’ve texted me, but it was Christmas and I was swept up in all sorts of celebrations. We got a lot of messages after it aired because an insane number of people watch the show.
It’s all thanks to James Corden and Matt Horne, who have always been fans from early on. It was very flattering and very nice to be part of [Gavin and Stacey].
And finally, after playing Manchester so many times, are there any shops or special spots that you always make sure to visit when you’re in the city?
I remember when we were in Manchester last time for ‘The Farewell’ tour, I’d started running by then – and I loved the canals.
Usually, I defer to local friends and I’ll just let them take me to whichever pub or place they recommend – Wherever they go, I go.
The Maccabees are set to play two nights at O2 Victoria Warehouse in Manchester, and there are still tickets available for their second date HERE.