Ahead of their upcoming tour next year, we got the chance to one-half of legendary DJing duo, Fabio and Grooverider, who’ll be coming to Manchester early next year.
‘The Godfathers of Drum and Bass’ were there at the very start of it all and have been able to see how the genre, along with offshoots like jungle, has evolved over the years — so it’s only right that they be the ones to deliver a real education to ravers and newcomers this January.
Bringing their ‘History of Jungle and Drum & Bass‘ to the Manchester Academy on Saturday, 13 January, 0161 is just one of three places that have been chosen for the limited run of shows and, as Fabio told us on the call, it because this city has a rich relationship with the genre and pioneering underground music in general.
So you’ve got the tour starting in the New Year and it’s a very limited run of shows — what can you tell us about what you’ve got in store?
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What we’ve got in store is the best of live drum and bass and something very unique. It’s a great show and honestly, even if I wasn’t involved in this I’d go along and definitely enjoy it.
It’s everything that we expected and with a project like this, it’s not something that’s not really been done before, especially not with an orchestra of this size, anyway.
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We want it to sound authentic and that’s what’s happened with the band; The [Outlook] Orchestra‘s amazing, the musicians are great and it’s a very entertaining two hours.
How have you found building this as a full production with the Orchestra and fine-tuning everyone’s performances on stage?
Well, over the course of our careers in general, it’s just got a lot tighter and we’ve all got a lot more confident. You’ve got to remember when this all started we’d never done anything like it before, you know — we’re DJs and we were on BBC Radio 1 for 14 years and then Kiss for seven.
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Public speaking is a completely different thing than speaking in front of a mic, so that was really daunting at first, I’ve got to say; the first one we did I was really nervous and we still get that sense of anticipation, but where it was a bit around the edge at the start, the audience didn’t know that and now I’d say it’s almost 100% the way we want it.
We’ve been doing it two years now and, yeah, it’s just a process of tweaking those fine margins and getting your timings right — when you’ve got 40 musicians, even if you’re a millisecond off it can kind of throw everything.
Sounds like you’ve really nailed it. The idea of a ‘History of Jungle and Drum & Bass’ — how far back are you going into the genre and how do you think it’s changed over the years?
So we go back to 1992. It’s crazy for us to think that was 31 years ago, but yeah, we’re going right back to the beginning and we literally break up the set into years: ’92-93, 94-96 and so on into the 2000s.
I think it has changed over time and you can certainly hear it when you compare the likes of the first track we do, Johnny L’s ‘Hurt You So’, which is kind of like jungle techno, to the modern-day stuff which gets on the radio now, it’s different. But that’s the great thing about both genres, they move on real quick.
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Say if you’re a drum and bass head now and took a year off and then came back, you’d be like, ‘What is this?’ but drum and bass is always like that, every single year.
It’s going through a great time at the moment, probably the best in three decades. It’s bigger now than I think that it’s ever been and I think it’s because it’s been accepted by the public get it; they understand it more and it’s less of a niche.
People have always known about house music but now people actually recognise the big names like Chase and Status, Pendulum and so on. It’s in a very healthy place and I know some of the real purists are a little bit p*ssed and feel it’s gone a bit commercial but the underground scene is still there and I don’t think that will ever die.
Yeah, and I suppose that’s what the beauty of events like these is you can play to both of those crowds. Do you find the audience has that mix?
Well, that’s why we’ve tried to get that fine balance between big tunes that your everyday, casual listener will recognise as well as keep some underground stuff in so the real ‘heads’ can come and dive into it.
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It’s been very deliberate and we’ve sat down to really think about how to strike that combination and it’s another thing that’s been done really well.
And, obviously, you guys are London kings but how big a role do you think Manchester has played in the scene and how it’s progressed?
Oh man, it’s always been really important. Going back to A Guy Called Gerald who was one of the first truly big English producers, when people listened to ‘Voodoo Ray‘, even the Americans thought was a guy from New York and he’s a bit of an unsung hero really.
He made some of the first jungle tunes as well, so we’ve always felt the influence and link with Manchester, especially over the last 10 to 15 years when it’s been really, really strong here.
You know, you’ve got DRS and, of course, had Marcus Intellect, God bless his soul, who always flew the flag for Manchester, you know what I’m saying? And, um, you know, there’s a really healthy, uh, seed in Manchester.
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Strategy, Dogger, Mindstate: a lot of those guys are very important to drum and Bass and a lot of them grew up knowing each other as well, which is cool. We’ve also got Jenna G in the show and not only is she from Manchester but she’s one of the real highlights of the show, she’s absolutely amazing.
Also, it’s really important that we put on a good show because the Manchester music crowd know their sh*t as well — you can’t really con them.
Absolutely, and in terms of artists right now, whether they’re from Manchester or elsewhere, who’s really exciting you at the minute?
I mean, the staple is obviouslyChase and Status who have helped get [the genre] some radio play to the point where there were four drum and bass tracks in the top 40 just last year. Absolutely insane.
Hedex and all those guys are also helping grow the underground scene but, honestly, there’s too many names to mention that lifting up others so we’re in a real good spot at the minute.
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Are there any favourite Manchester venues that come to mind?
Band on the Wall — I LOVE it in there and, of course, Warehouse Project which is basically flying the flag for drum and bass across Britain right now. WHP is possibly the hottest venue in the UK so, yeah, Manchester was always a no-brainer and we’re really looking forward to coming there.
Nice, and lastly, if you could describe the upcoming shows in three words what would they be?
It was a pleasure chatting with Fabio; both he and Grooverider are not just radio veterans but drum and bass royalty.
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From the glimpses we’ve caught of what the set looks and sounds like with the full might of The Outlook Orchestra behind them, this thing is going to be blockbuster.
There are still tickets left to see all three live at Manchester Academy on Saturday, 13 January HERE.
Featured Images — Supplied/@matthiggs (via Instagram)
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Let’s all stop pretending Nickelback are anything but mint – their gig at Manchester’s AO Arena proved it
Danny Jones
Don’t ask us how, why or when, but once upon a time, long, long ago, half the world decided that they didn’t Nickelback and that’s just the way it’s been ever since.
In fact, they’re probably one of the most Marmite, not to mention most memed bands on the planet – they even have a new documentary called Hate to Love – but we’re here to put a stop to that today.
Who knows what it was that put a bee in the collective bonnet when it came to Nickelback all those years ago, all we know is that we’re bored of it and you shouldn’t waste a second more of your life pretending to hate them.
This isn’t even a guilty pleasure thing: we have absolutely no shame in ‘confessing’ that we think Nickelback are mint and their gig at the AO Arena in Manchester on Monday night proved it.
Exhibit A: it all started with an absolutely perfect choice of support act in The Lottery Winners. While you could argue their brand of indie rock doesn’t necessarily line up with what you’d expect most Nickelback fans to listen to, their pop sensibility and love of proper catchy hooks definitely do.
The local band from just down the road in Leigh continue to be one of our favourite Manchester bands at the minute not least because of their banter and energy up on the stage.
Yes, their tunes are great and we particularly loved the audience participation they got going for ‘Start Again’ (we would have really loved Frank Turner to suddenly appear for his bit), but it was Tom’s effortless Manc chat and jokey but sincere energy throughout the set that won over the crowd.
By the time they were about to leave the stage they managed to get the crowd jumping arguably just as much as they did when the headliners came out. Speaking of…
After a short little intro from a running VT of a getaway van leading a police chase that looked like a cutscene from some kind of late 2000s PS3 trailer (you just have to chuckle at the over-the-top Americana of it all), they erupted on stage to kick things into fifth gear.
They say Canadians are famously polite but there was nothing reserved about this entrance; they smashed the doors down to set the arena to full party mode with banger after banger and, honestly, we forgot just how many they had.
It’s not often you hear this phase unironically, but this was, as Chad put it, a good old fashioned ‘rock show’ and the roughly 20,000 fans were all ‘rocking out’ from start to finish.
The four-piece were very much enjoying a little bit of naughtiness from the Manchester crowd too, with the camera panning to a woman holding a sign that read ‘I like my pants around my feet’ – the first line from ‘Figured It Out’ – to which the frontman replied, “me too” before proceeding to play the song in full.
Plenty more shenanigans
Those little moments of funny nonsense didn’t stop there either – not even close.
From jokingly introing the song as ‘Look at this graaaph’ and confessing that they do have the internet, to getting a member of the crew on stage to serve shots as they got the crowd to chant his name, they were just having fun and throwing some very good tunes in between.
That slightly odd and nostalgic visualiser kept popping up in the background every now and again too but the icing on the cake had to be when they got a literal Chad Kroeger lookalike on stage to sing ‘Rockstar’ with them.
You’ve not quite lived until you’ve seen a somewhat tipsy Manc with the original long, blonde Nickelback hair in a black band tee tucked into blue jeans and a big shiny belt buckle genuinely make the actual bloke from Nickelback want to grow his back.
A shining moment
There were lots of highlights and particularly memorable moments to pick out amongst all the fun.
Be it rhythm guitarist Ryan Peake explaining how the QR code on the screen was to help raise funds for wells in the third world before they played ‘When We Stand Together’, or hearing everyone roll back the years as they raspily sang ‘How You Remind Me’, we were spoilt for choice.
Watching the AO Arena bouncing to ‘Burn It to The Ground’ was also up there with some of the standouts, but there was no more beautiful sight than seeing the band bring The Lottery Winners back out on stage to have an arena full of Mancs belting out ‘Don’t Look Back In Anger’.
Chad said at the time, “Now we know you can sing”, and true to form we were in full voice from that moment on, singing every word, every line and every song from what suddenly felt like a greatest hits tour because the truth is, Nickelback are great and you’re just lying to yourself if you think otherwise.
We were slightly gutted we didn’t get to hear ‘This Means War’, ‘Never Gonna Be Alone’ and a fair few others, but that’s what happens when you take a band that has been around for nearly three decades, with a discography this rich, and try to cram everything into a couple of hours.
So we’re hoping that puts an end to his nonsense that the rock veterans are rubbish because they’re not, they’re mint. Come on, join us – the dark days are over and we’re saying it’s ok to admit you like them.
And just wait, we’re coming for you Coldplay haters next…
Featured Images — The Manc Group/Supplied (via AO Arena)
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Noel Gallagher says he’d be ‘bang up’ for an Oasis reunion… kind of
Emily Sergeant
Noel Gallagher has given fans fresh hope, yet again, after he’s admitted that he’d be “bang up” for an Oasis reunion in the future.
Well… kind of.
Considering it’s been going on for well over a decade, Manc music lovers worldwide are more than well-versed in the neverending Oasis ‘will-they, won’t-they’ reunion saga by now, with the Gallagher brothers known to dangle a carrot in front of fans’ noses at every chance they get, despite no concrete claims or plans ever materialising.
And by the sounds of things, Noel Gallagher‘s most recent reunion comments are no different either – but they are pretty funny, we will say that.
Oasis infamously parted ways for the final time back in 2009 after Noel made a shock exit following a fight with Liam at a music festival in France, and despite the constant calls for them to do so, the pair have never been seen on stage together since.
Now though, Noel reckons he’s found a way to reunite the band without actually having to reunite the band, and he’s “bang up” for it too.
Noel Gallagher says he’d be ‘bang up’ for an Oasis reunion / Credit: Oasis (via Facebook)
We’re talking about holograms.
“I went to see that Abba show. Have you been? It’s f**king unbelievable, Noel commented as he appeared on the Matt Morgan podcast.
“An hour and a half gig, it was very, very impressive. I genuinely thought at one point that the people on the stage, which were holograms, were… they looked that real that I thought they were actors, like playing.
“The way they walk to the stage is so realistic.”
The elder Gallagher claims the key to an Oasis reunion is a hologram / Credit: ABBA Voyage
After claiming he was “very impressed” by the show and urging everyone to go and see it if they can because “it’s well worth it”, Noel then turned the topic onto Oasis and whether or not this hologram format could be the key to getting Manchester‘s most famous band back together, adding: “If anybody wants to do an Oasis one, give us a shout. I would be bang up for it.”
The current High Flying Birds frontman then also set out his conditions for the potential hologram reunion, explaining: “I’d say ‘great’, speak to that guy over there, and then come up with a figure and then he’ll relay it to me, and I’ll say either yes or no.”
Well, could this be it then? Could this actually be the key to reuniting Oasis after all these years? It’s definitely a long shot, but not something to rule out entirely, if you ask us.