The Science and Industry Museum, one of Manchester’s leading cultural institutions, has begun work on one of its Grade II-listed buildings.
The ‘critical’ repair work will see the historic roof of the New Warehouse replaced – a roof that’s the size of two Olympic swimming pools.
In fact, if you lined up the gutters surrounding the building end-to-end, it would be the same length as London’s Tower Bridge.
The landmark museum’s New Warehouse is more than 140 years old, having first been built as essential storage space for the bustling Liverpool Road Station.
The roof work at the Science and Industry Museum is part of the extensive, multi-million-pound heritage restoration project taking place across the historic site.
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Visitors will be able to see the engineering in action, as scaffolding is erected around the New Warehouse, but the building will remain open for visitors throughout the work.
And there’ll be – as always – a packed programme of events, exhibitions and displays to explore, including the hugely popular Operation Ouch! Food, Poo and You.
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Inside the New Warehouse building of the Science and Industry Museum, there are three permanent galleries, three changing exhibition spaces, the main museum entrance, a cafe, shop, and conference space, all spread across three floors.
The Science and Industry Museum’s New Warehouse is having a new roof fitted. Credit: The Board of Trustees of the Science Museum
The urgent repairs to its roof will allow them museum to continue its incredible work inspiring new generations of scientists and innovators.
The works are taking place thanks to the museum’s £14.2m worth of capital funding by the Department of Culture, Media and Sport (DCMS).
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As The New Warehouse dates back to the 1880s, the vital work will be undertaken with Manchester-based architects Buttress, who specialise in restoring listed and historic buildings.
This will involve making the roof – a massive 100m x 40m in size (or two Olympic-sized swimming pools) – watertight, completely re-tiling it with 60,000 Welsh Slate tiles from the UNESCO World Heritage site of Blaenau Ffestiniog, North Wales.
They’ll match the original slates and will even be nailed in in a traditional way to honour the building’s heritage.
Lower Byrom street warehouse, Liverpool road station, Manchester 1983. Credit: The Board of Trustees of the Science Museum
The work will also make the building more sustainable, with masonry and windows restored and roof lights upgraded.
The final piece of work for this phase will see the gutters replaced with cast iron ones that reflect the building’s history.
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Sally MacDonald, Director of the Science and Industry Museum says: “We are delighted that the next stage of the site’s multi-million-pound restoration project is underway. This marks an exciting moment as we carry out vital repairs to our main museum building, including a brand-new roof.
“Whilst this repair work will bring some disruption to our site, including our largest scaffolding structure to date, the changes taking place now will mean visitors can enjoy our museum for years to come.
“We’ve always been a place of change and transformation and the work on New Warehouse is our next step to future-proof our historic site.”
Alex Scrimshaw of Buttress says: “This is a key milestone for the Science and Industry Museum. The comprehensive repair and renovations reflect our commitment to ensuring that the 140-year-old New Warehouse building will be welcoming visitors for many years to come.
“It’s very exciting to be re-slating the roof with a sustainable national Welsh slate. Traditional lead-lined gutters have been reintroduced, to cope with the ever-increasing pressures imposed by extreme weather.
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“The re-roofing works also provide the opportunity to significantly improve thermal performance; seeing the introduction of an innovative wood fibre insulation; as well as carrying out the meticulous masonry, stonework and window repairs required of a building of this grand stature.
“The project will also incorporate facilities which will enable inspections to monitor and check the building’s precise condition.
“Together with the project team, we are keen to embark on this journey to deliver a museum building fit for the 21st century.”
The New Warehouse work is expected to be completed by mid-2025, with the Power Hall reopening in Spring 2025.
Featured image: The Board of Trustees of the Science Museum – Lee Mawdsley
Art & Culture
Oasis are back…in surreal new Britpop comedy ‘The Battle’ at the Opera House Manchester
Clementine Hall
The greatest pop rivalry of all time has been turned into a quick-witted, razor-sharp comedy.
And do you know what? It’s a proper laugh.
Oasis vs Blur, north vs south… it really is a tale as old as time, and one that symbolised a divided nation back in 1995.
This new play, written by past record industry bod John Niven, explores the testosterone-fuelled tantrums that came after the decision to release Blur’s Country House singlealongside Oasis’ Roll With It.
Image: Supplied (Helen Murray)
We’re plunged into backstage Britpop bickering right at the very start at none other than the Brit Awards, which is quite apt for a Manchester audience who have just witnessed the city hosting the awards for the first time.
From the offset, Paddy Stafford and George Usher who played Noel and Liam Gallagher, proved themselves as standout performances.
The physical mannerisms, the vocal nuances, they both had it down to an absolute T and looked exceptional in parkas, might I add.
Images: Supplied (Helen Murray)
By portraying such icons, in Manchester no less, you’re opening yourself up to a lot of criticism but their performances, which could’ve been perceived as awkward impressions, were the highlight of the evening.
The first act explores the rivalry between the two bands in depth, featuring countless slinging matches that are peppered with quick-witted remarks and plenty of swearing.
The between-scenes animations by John O’Connor portray radio DJs stoking the hysteria with the latest gossip, which is a nice way to keep the audience in check with whats going on amidst the chaos.
Image: Supplied (Helen Murray)
But it’s in the second act when things start to get really, really weird – and equally as fun.
I’m not going to spoil it for you, because that’s the whole point.
But what I will say is if you’re going for an Oasis singalong then you’re not going to get it, but you may want to brush up on your Take That lyrics.
The Battle is on at the Opera House Manchester until Saturday 21 March and you can get your tickets here.
Review | What we made of Country 2 Country 2026, and why Manchester should be very excited
Danny Jones
Excuse me, but it looks like we might have a new favourite festival on the cards: Country 2 Country – and it’s very rare we gig in London and enjoy ourselves anyway near as much as we do up North, but now we’re already dreaming of just how good C2C Manchester could be.
In fact, scratch that, we know it is.
Billed as Europe’s biggest country music festival, there really isn’t anything quite like it here. Yes, there’s Buckle & Boots Festival closer to home, but there’s nothing in the folk and country world on this kind of massive scale, unless you go all the way to see the actual CMA Fest over in the US.
London’s also been lucky enough to host some very big names at BST Hyde Park too, but this fully-fledged arena weekender, complete with an outdoor festival hub, town square, trading post, a barn full of line-dancers, and SO much more, celebrates every single part of that culture.
By day, the aim is to make a little country town, complete with shops, food, drink and music aplenty. (Credit: Audio North)
But… We think the North can do it better.
So too did some of the acts and punters as well, by the way; we spoke to several people on-site who’d made the trip from all over because it was closer than Glasgow, Belfast or Berlin.
Up-and-coming British country rock artist, Bronnie – who was literally hours away from a move across the pond to pursue her dreams of living the cowgirl turned music artist experience down in the Southern states – said simply: “There’s always this feeling like there’s more fun to be had up North”
Moreover, the friends she’s already made over in America’s ‘Music City’, she says, have claimed that “the vibes are just better”, apparently. Not to sound too biased, but we obviously couldn’t agree more.
However, with the news that C2C is coming to Manchester city centre and Northern England for the very first time, people are already hopping mad at the idea of a Manc debut.
That’s to say that what The O2 in London isn’t special and will always be to most punters, we just know full well that our particular region is going to take to this new annual event like a duck to water.
A lot of the people we spoke to kept repeating the same: that working class connection, simple but relatable imagery, the pure poetry you’ll find not only in Nashville but creative cousins like Manchester.
The Broadway strip in Austin may be the spiritual home of this kind of music, but we Greater Mancunians lay claim to plenty of genres and some of the biggest artistic traditions ourselves.
With that in mind, we are convinced we’re going to leave a lasting impression when our inaugural Country 2 Country Festival comes to the AO Arena next year.
Our line dancing might leave a little to be desired, but we’ve got a whole year to work on it, not to mention plenty of time to dive even further into the UK’s growing country music obsession.
You can see more pictures from our 2026 C2C gallery down below.
Country fashion was everywhereThe official CMA Spotlight Stage was one of the bestNo one shyed away from a partyKruse Brothers were one of our favourite from the weekendAlana Springsteen was incredibleAnd by the evening, it’s a proper hedonist hoedown… (Credit: The Manc)
Daisy Jackson -
31st January 2024 
