If you haven’t watched the recent adaptation of One Day on Netflix, first of all: congrats on not being emotionally tormented like the rest of us and, secondly, leading man Leo Woodall might have just given you an extra little incentive by declaring Mancunian as the most attractive accent.
‘Soft’ Manc, to be specific. We’re not exactly what that sounds like or where about in Greater Manchester he’s referring to it, but we’ll get into all that later.
The much-adored piece of contemporary romance was previously made into a film back in 2011 but a whole new generation of viewers are now stumbling across the love story thanks to the 14-part Netflix series which was released this February.
Don’t worry, we won’t go into too much detail on the plot as there’s no way we’re spoiling this for you but, as it turns out, actor Leo Woodall — who plays the heart-throb everyone loves to hate, Dexter Mayhew, in the show — told journalist Olivia Marks in a recent interview with that he loves Manc accents.
As you can see in the short clip, taken from Marks’ chat with Woodall and co-star Ambika Mod, who plays female lead Emma Morley, after receiving some praise for voice in the show, the pair are then asked what accents they find most attractive in real life after Timmy Chalamet went viral for his answer.
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While Mod, who delivers a virtually flawless Leeds accent, admits she’s a sucker for an Irish accent (aren’t we all?), ‘Dex’ himself says that “a soft Mancunian [accent] is great” — yet another reason to jump on the bandwagon and watch One Day, this guy clearly knows his stuff.
Jumping at the chance to let the 27-year-old actor that she’ll “take that” as she is also a Mancunian, though she did admit she may have “lost it a bit because [she’s] been in London for so long”.
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Again, similar to Leo’s very specific answer, we’re not exactly sure whereabouts in the region Olivia is from, but come back up North whenever you’re ready, mate — we’ll get the kettle on.
So yeah, do ignore our blushing but you heard it here first, a very undeniably good-looking bloke off the telly said that we have the most attractive accent and he should know a thing or two about that, just look at the state of the bugger.
Of course, he’s not the first person to state what we deem as a simple fact of human nature at this point; in fact, a survey of over 2,500 Brits carried out in 2023 officially voted us in the ‘sexiest accent in the UK’ and we’re taking that straight to the handsome bank with all the other pretty people.
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Seriously though, you should all go and watch One Day on Netflix and not just because Dexter—sorry, Leo, said we sound nice. Just make sure to buy a big box of tissues and be ready to message all of your loved ones saying you need a hug.
As for the interview itself, you can watch ‘r Liv’s full chat with the cast of One Day down below:
Featured Images — Olivia Lily Marks (via TikTok)/Hits Radio (via YouTube)/Netflix
TV & Showbiz
ITV is reviving an iconic music trivia gameshow Name That Tune from the 70s
Emily Sergeant
ITV is set to revive one of the most iconic music-themed gameshows of all time for a new generation.
That’s right – Name That Tune is making a comeback.
Based on the successful US format of the same name, and airing in the UK on its original run from 1976 through to 1987, before being rebooted for the first time by Channel 5 from 1997-98, Name That Tune is being revived for the third time and is set to hit screens on ITV early next year.
If you’re unfamiliar with the premise of the show, Name That Tune sees contestants pitted against each other as their music knowledge is put to the test in a series of fast-paced rounds that featuring tracks from some of the world’s best-loved music artists and bands across every genre, all building towards a nail-biting finale.
Competitors will be tasked with correctly deciphering iconic riffs, melodies and lyrics from some of the biggest songs on the planet.
Set to be presented by Alison Hammond, and with a studio audience singing along, the show’s reboot will invite viewers at home to play from their living rooms, making it the ultimate soundtrack for all generations.
Every round is designed to challenge music enthusiasts by asking them just one simple question – can you name that tune?
“As a massive music lover, my biggest challenge as a host will be trying not to grab the mic and start singing along when one of my all-time favourite tunes comes on,” commented Alison Hammond as she was announced as the host for the reboot.
“And trust me… that will take serious self control.
“I grew up absolutely loving the original show so being part of this now feels like a real full-circle moment. I cannot wait to get into the studio, put the contestants through their paces, and see who really knows their music.”
ITV has told viewers to expect the show to be ‘bigger, louder, and more feel-good than ever’ once it returns in January.
Featured Image – ITV
TV & Showbiz
BBC cancel three hit shows, including legendary stand-up series, Live at the Apollo
Danny Jones
The BBC have reportedly cancelled three of their hit TV shows, including the long-standing Live at the Apollo.
With the company facing even more cuts and the television industry facing the ever-changing obstacles set about by increasingly dominant digital platforms, the hit live stand-up series, which has run for over two decades, is the latest big IP on the chopping block.
But that’s not all: joining them in cancellation after long stints on the box are Celebrity Mastermind and the most recently rebooted version of British favourite, Blankety Blank, brought back with Bradley Walsh as host back in 2020.
With roughly 65 full-length seasons between them, and literally hundreds of episodes under their belt, the unfortunate trio have fallen foul for varying reasons.
At first I read that as Celebrity Masterchef, but that show is immortal.
Really surprised to see Live at the Apollo go. It can't cost much and has been instrumental in giving many comedians their big TV breaks. https://t.co/BrT8k2hoYd
While Walsh announced that he was quitting the programme after three series (the fourth was set to begin recording later this year) largely due to scheduling conflicts, the driving force behind the decision is the aforementioned cutbacks.
In case you hadn’t heard, the BBC has seen an approximately £500 million reduction in annual spending, which has meant that one or more productions were always going to be hit hard as a result.
They are aiming to save upwards of £100m annually, which is set to come in the form of 100-150 hours less originally telly by the end of 2028.
Issuing an official statement, they say: “We are incredibly proud of all three of these much-loved shows and would like to thank everyone involved, both in front of and behind the camera, for bringing them to screen and making them such a success over many years.
“Unfortunately, we have to make some really tough choices in light of our funding challenges, and these savings have been identified from the entertainment genre.”
With Live at the Apollo, in particular, having served as an important proving ground and spotlighting stage for rising comics, the UK mainstay originally hosted by Jack Dee is sadly going the way of Mock the Week by being pulled after 22 years on the air.
As you can see, it’s already been heavily mourned by performers around the comedy circuit and fans alike. It goes without saying that those within the industry know all too well how important it’s been.
Unfortunately, more announcements and cuts are expected throughout the remainder of the year as the BBC‘s entertainment arm tries to regain profitability.
This means that these three likely won’t be the last to be axed; who knows? Given that even the biggest of IPs don’t seem to be safe, maybe even mainline Mastermind could be in trouble…
It’s also worth noting that this news comes not long after the media giants launched their big campaign to reassert their domestic significance and beyond, with more and more people straying away from the TV licence in favour of modern streaming.
You can read the full ‘savings’ update right HERE.