The full shortlist for the inaugural Nordoff and Robbins Northern Music Awards has been announced, and Tim Burgess is set to receive a huge honour.
The first-ever Northern Music Awards, set to take place in Manchester next month (before moving to different host cities in subsequent years), will be honouring the incredible talent of the northern music scene.
Across 15 awards categories, the event will champion everything from artist to venue to event to individual, who have all helped to make our corner of the UK such a global force in the music industry.
Created by the UK’s largest music therapy charity, Nordoff and Robbins, the awards will be taking place at the Albert Hall in Manchester on 23 April, with tickets on sale now.
And ahead of the glittering event, the Northern Music Awards have announced that indie superstar Tim Burgess will be honoured with the headline Northern Music Award 2024.
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The Worsley-born Charlatans frontman has five solo albums under his belt, as well as 13 with the indie rock band, and brought people together online (first in lockdown) with his ingenious Listening Parties.
The shortlist for the favourite northern festival award, sponsored by us here at The Manc, has been announced today as Sounds From The Other City in Salford, Beatherder in Lancashire, Tramlines in Sheffield, Kendal Calling in Cumbria, and Moovin in Stockport.
This is the only publicly-voted award, with voting closing on Wednesday 27 March.
Also announced today are the winners of the Disruptor in Music Award, sponsored by Notion Magazine, which goes to Rotherham’s indie-rock juggernauts The Reytons.
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Both The Reytons and Tim Burgess will be there to collect their awards in person on the night.
And the new shortlist for Music and Culture for Wellbeing highlights the power of music provision across the region, recognising projects that use music and culture to support and connect with people that face health, wellbeing, and socio-economic challenges.
Supported by the Greater Manchester Combined Authority, the shortlist for this award is Barnsley Libraries – Biblio Beats Festival; DanceSyndrome – Everybody Dance, Lancashire; Kirklees Council – Kirklees Year of Music; Manchester Camerata – Music in Mind; Royal Liverpool Philharmonic – Music and Health Programme; and Oyé Active Zone, Liverpool.
10 northern live music venues are in the running across two Inspirational Venue of the Year categories, sponsored by Skiddle.
The award for under 500 capacity sees Brudenell Social Club in Leeds, Future Yard in Birkenhead, Trades in Hebden Bridge and Manchester’s Night and Day, and Yes all shortlisted for the prize.
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Night & Day Cafe in Manchester. Credit: The Manc Group
The larger venues in the running for(under 2,000) are Albert Hall, Band on the Wall and New Century Hall – all in Manchester – along with Barbican in York and City Hall in Newcastle.
Nordoff and Robbins is the UK’s largest music charity and hopes that the event will be an essential fundraiser for a new centre in Salford, as well as kickstarting a new chapter celebrating the breadth of talent across the north of England.
Tim Burgess said: “It’s incredible to be recognised with the inaugural Northern Music Award. Music is important on so many levels, and I’m a firm believer in the unique way that it can connect people.
“It means a lot to me to be able to support the great work of Nordoff and Robbins, who use music therapy to unlock life for some of the most vulnerable people in society – and through the funds raised by everyone coming along to the Northern Music Awards we’ll be opening up music therapy to even more people across the North.”
Nadra Shah, Director of Engagement and Communications, Nordoff and Robbins, said: “Music is powerful, it’s universal, it breaks down barriers and it allows us to communicate in ways that otherwise some may not be able to – it’s the heartbeat of our organisation.
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“The Northern Music Awards is a chance for us to shine a light on those who work tirelessly to make sure live music is available and accessible throughout the North of England.
“We are excited to honour some of the industry’s much loved venues and festivals alongside an array of live performances and appearances from some of the most celebrated artists from the region.”
Sarah Slater, vice president – music and festivals, Ticketmaster UK, said: “We’re proud to be supporting the first ever Northern Music Awards and celebrating everyone who helps to bring live music to the north of England.
“It’s also an honour to be helping to raise funds for Nordoff and Robbins’ life-changing music therapy work, it has such an astoundingly positive impact for some of the most vulnerable people in society.”
You can find out more and book £40 public tickets for the inaugural Northern Music Awards here.
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Premium package tickets are also available to book. The package includes access to both the industry and public awards, live performances, canapes, a two-course evening meal and an alcohol and non-alcohol drinks package. Tickets are £250 with packages available. Email [email protected] for details.
The full list of nominees for the 2024 Nordoff and Robbins Northern Music Awards
Special Recognition Award, Sponsored by SJM Concerts
Melanie C
Northern Icon
Lisa Stansfield
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Northern Music Award 2024, Sponsored by Live Nation
Tim Burgess
Newcomer of the Year, Sponsored by PizzaExpress Live
Inspirational Venue of the Year (under 500), Sponsored by Skiddle
Brudenell Social Club – Leeds
Future Yard – Birkenhead
Night and Day – Manchester
Trades – Hebden Bridge
Yes – Manchester
Inspirational Venue of the Year (under 2,000), Sponsored by Skiddle
Albert Hall – Manchester
Band on the Wall – Manchester
Barbican – York
City Hall – Newcastle
New Century Hall – Manchester
Music Moment of the Year, Sponsored by Raymond Weil
TBA on the night
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Industry Icon, Sponsored by Tysers Live
Michael Adex, NQ
Music and Culture for Wellbeing Award, Supported by the Greater Manchester Combined Authority
Barnsley Libraries – Biblio Beats Festival
DanceSyndrome – Everybody Dance, Lancashire
Kirklees Council – Kirklees Year of Music
Manchester Camerata – Music in Mind
Royal Liverpool Philharmonic – Music and Health Programme
Oye Active Zone, Liverpool
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Lead singer of Aussie band blasts mystery Manc café for rude and ‘aggressive’ treatment by staff member
Danny Jones
The lead singer of Australian indie and alternative band, The Buoys, has come out to criticise a mystery Manchester café after receiving rude and ‘aggressive’ treatment from a member of staff.
Lead vocalist and rhythm guitar player, Zoe Catterall, hopped on the band’s TikTok account to vent and indirectly inform others about the as-yet-unnamed coffee shop ahead of the group’s show at Gorilla in the city centre this week.
Noting that much of her family originates from Manchester and she usually gets “excited” by the “sense of home” away from home whenever she comes here on tour, her visit this time around was sadly marred somewhat by the treatment by one unknown member of staff.
As Catterall details in the video, despite going out of her way to be polite and familiarise herself with a new city centre spot as a tourist, she was unfortunately met by the purportedly blunt female worker, who “rolled her eyes” at a simple question and a general rude demeanour. Here’s how she says it went down:
Admitting she “was not expecting the response that I got”, she goes on to detail the woman finger-pointing and exhibiting just a generally rude tone.
Initially suspecting that she might be holding up a queue or irking the staff in some other way, she eventually goes on to describe her behaviour as “being an arsehole for no reason” and reiterating that you “don’t have to be that mean”.
Adding that she was welling up and feeling overwhelmed by the whole incident after a jet-lagged morning without any breakfast or caffeine in her system yet, she eventually felt so uncomfortable that she decided to grab her coffee and go decompress elsewhere.
Moreover, after explaining that she ended up going on to the café’s Google reviews out of curiosity, it turned out that the Manchester spot had racked up quite a few people who also had negative experiences and rude or ‘aggressive’ treatment by staff.
We’re not going to join in on the speculation but the comments have some ideas.
To Zoe and anyone else who may have unfortunately been on the receiving end of this rude individual’s service, we’re sorry you had to put up with that and we assure you it doesn’t represent the majority of Manchester hospitality.
And for those trying to help get to the bottom of who the mystery Manc coffee shop/employee was, we hope it serves as a kick up the backside for whoever it may be and a reminder that it takes virtually nothing to be nice.
All that being said, we can’t think of any better way of helping Zoe and co. shrug it off besides plugging their gig supporting fellow Aussie alt-rockers Vacations at one of our favourite venues on Thursday night.
If you fancy going along you can grab a ticket HERE. Oh, and if you think you know which Manchester café might be, don’t go and be rude to anyone yourself – we’re better than that. We’re sure they’ll come across it themselves soon enough, don’t worry.
Take That shine at the AO Arena in an over-the-top spectacle of a show that we’ll never forget
Danny Jones
Iconic 90s boy band and homegrown heroes Take That played the first of their five-night run at the AO Arena this Tuesday night and boy do these lads know how to put on a show.
I’m going to start this off by admitting I wasn’t necessarily the biggest Take That fan going in – the hordes of huns, mums and tipsy grans firmly won that – but I did walk out with my headphones full blast listening back to all the greatest hits I’d just had brought to life in front of me in glorious technicolour.
At one point, it looked like they might not get to play their truly massive Manc arena shows after the drama with Co-op Live’s ‘opening’ fortnight was derailed but, fortunately, the AO Arena were there to rescue this week’s performances and put together the frankly barmy production in just a few days.
So, first of all, big props have to go to them and they rightly did on the night; the venue helped keep lots of people’s dream gig alive, with both the headliners themselves and support act Olly Murs encouraging a huge round of applause from the packed-out 23,000 cap arena.
Take That first night at Manchester’s AO Arena was pretty special, can’t lie.
‘Olly olly’ opening (yes, he did chant get the entire crowd to chant that)
Speaking of Olly, again, I can’t pretend to be the biggest Murs fan but two things are true, I knew most of the words to his biggest hits as he played a medley of his career from start to finish and the man has bundles of energy.
He cut a George Michael and almost Harry Styles-esque figure at times (even if a few years older, sure), sprinting from one side of the stage to another, cycling through the whole roster of dance moves and giving the crowd exactly what they wanted: that cheeky chappy vibe that got him where he is.
While the 2010s UK chart-topper was a deeply unserious performer for the most part, simply having fun and pratting about as he wished – he even had a fun little stunt where people could call his number on stage – we’re not mad at it because make no mistake, he showed everyone a good time.
And it wasn’t all just playing forgotten pop tunes to his main and admittedly adoring demographic, he he paid a touching tribute to his late friend Caroline Flack with a slower ballad and gave plaudits to his live band who helped bring plenty more. And then these three other lads emerged through the fog…
Olly Murs opens for Take That at the AO ArenaIt was never going to be just an ordinary show…Credit: The Manc Audio
Non-stop shenanigans and we loved every second of it
Quite literally, we mean: Take That’s entrance felt like some kind of weird second coming and, to be fair, it looked to be a biblical experience for the die-hards who began to scream at pitches we’ve rarely heard as they walked out to ‘Keep Your Head Up’, the opener from their last year’s album.
An obvious way to start their Manc tour dates off, we had some idea of the shenanigans about to happen after spotting a few videos on social media but in no way we’re prepared for the thematic whiplash that was about to take place. Or how much we were going to enjoy it.
We’re not joking when we say we lost track of how many costume changes there were, how many times the set design shifted from a set of stairs (think of a Vegas-style cabaret show, only at one point they were on fire) to a walkway descending from the ceiling and so much more madness.
The overarching narrative, in short, was a slightly sardonic twist on a Take That TV show, with Gary, Mark and Howard introducing and flicking through all the big moments down the years. It reminded us of The 1975 stage production at times, only a little less artsy and a bit more wink-wink, nudge-nudge.
If we had to give you a top-line summary of the show overall, it’s intentionally camp, over-the-top and often silly by design, but all with plenty of self-awareness underpinned by the lads who, just like Olly did beforehand, did nothing but have a laugh on stage. Oh, and yes, Gary did ‘the thing’, don’t you worry.
Be it marching up and down stairs in synchronicity before running out of breath when they remember they’re 50, to delivering dance routines galore and getting the rest of the band to come and sway side-to-side with everyone sitting round a sofa, they pull out of the stops when it comes to pageantry.
It also has to be said that no matter how big a Take That fan you are, hearing a full AO Arena belting out ‘Patience’, ‘The Greatest Day’, ‘Never Forget’; ‘Rule The World’, ‘Back For Good’, ‘Relight My Fire’ and oh my they really do have a shed load of absolute bangers, don’t they?…
I mean, just look at this:
Probably the best moment of the night – even if they were wearing strange, Daft Punk-type space helmets.
To cut a long story short, while Take That obviously wished “all the best” to the Co-op Live for when it hopefully opens next week, it felt rather fitting for them to return once again to the venue that first started playing decades ago and still how the record for having played the most shows at.
Better still, the whole bells and whistle spectacle did add something to the experience and it wasn’t as gratuitous as it perhaps looks in some of the clips that have been memed up online. Still daft, don’t get us wrong, but they know it is and it made moments when the vocals were front and centre memorable.
It doesn’t matter how many years on they are, Take That’s latest show proves exactly why your mum, grandma, auntie and probably your uncle loved them in their heyday, why it was such a big deal when they came back in the noughties and why they’re still selling out arenas to this day.
They’ve been doing this for years and they’re absolute pros – we don’t see them going away again any time soon. Roll on the next few nights!