Stockport’s proudly independent Moovin’ Festival is back on the farm this summer for its 10th anniversary edition.
The beloved local music event, which takes over Whitebottom Farm in the picturesque Etherow Country Park, has announced its full line-up for this year’s celebration.
Moovin’ Festival 2024 will include headline performances from Leftfield and legendary DJ Laurent Garnier, plus Sampa the Great, Erol Alkan, Crazy P, David Rodigan, Souls of Mischief, Mr Scruff, Greg Wilson, Jaguar Skills, Congo Natty, Ray Keith, DRS, Nicky Blackmarket, Nubiyan Twist, K Klass and many more innovative bands, DJs and live acts from across the spectrum.
Taking place over the August bank holiday weekend, Moovin will also bring together up and coming local performers and events like circus performances, yoga sessions, holistic treatments, and ethically sourced cuisine.
Widely considered one of the region’s best music events, Moovin has gone from being ‘Manchester’s best kept secret’ to a staple in the calendar every year.
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The festival pitches itself as an ‘exceptional celebration of sonic brilliance, eclectic music, and quirkiness, set in a beautiful and intimate environment’.
Moovin Festival has announced its 2024 line-up. Credit: Supplied
The packed line-up will take places in the stunning surroundings of the eco-friendly Whitebottom Farm, where spaces to be discovered include a hidden oasis adorned with lush trees, serene lakes, and a captivating gorge plus stages like the iconic Barn Stage, a spacious cow shed with cosy hay bales for relaxation.
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The ‘adult playground of music and magic’ features state-of-the-art sound systems and a relaxed ambiance.
French techno legend and scene hero Laurent Garnier will be among the headliners – a rare chance to catch this pioneering artist who isn’t frequently touring these days.
He will be joined by Leftfield, fellow icons in the scene who have put out seminal albums, lay down heavy techno beats and have endless classic hits in their arsenal.
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Iconic hip-hop group Souls of Mischief and reggae legend David Rodigan, along with Afro beats pioneer and global star Sampa The Great are also on the bill for Moovin’ 2024.
Moovin regular and Hacienda legend Graeme Park makes a welcome return to celebrate 40 years in the scene, Congo Natty celebrates 30 years as a pioneer of the jungle revolution, Erol Alkan brings his raucous mix of indie dance sounds, Crazy P will play a DJ set that explores all forms of disco, and Prince Fatty & Horseman will lay down their dub sounds.
The line-up continues with the captivating sounds of Nubiyan Twist, the infectious beats of K Klass, and the mesmerising performance artistry of Oh My God It’s the Church and their unique gospel sound.
Dub FX is set to deliver an electrifying performance that will keep the crowd moving, while Moovin residents DJ Paulette, Mr. Scruff, Krafty Kuts, Greg Wilson, and Jaguar Skills are back to showcase their unparalleled talents on the turntables as they traverse the world of disco, funk, hip hop, breaks, soul, jazz, and plenty in between.
Fans of drum & bass and jungle music are in for a treat once more with heavyweight offerings from DRS, Ray Keith, DJ Randall, Nicky Blackmarket, Mark XTC, and many more.
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DJ Paulette says: “Whenever I get to play Moovin Festival it’s a highlight of my festival calendar. As soon as I see the waterfall I feel like I’m home.The crowd is just beautiful and tech energy is electric.”
Groove Armada said: “At the bottom of a tree lined valley, a hay barn with a fat sound-system. A freewheeling crowd, no VIP red ropes, no hassle , just music and good vibes. 90s free party? No its the brilliant Moovin’ festival.”
And Graeme Park commented: “I absolutely adore DJing at Moovin’. It’s truly a unique and magical experience with totally incredible vibes!”
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: