Another bit of very well-deserved recognition for our city as the Manchester Museum has been shortlisted for the 2024 Art Fund Museum of the Year.
Organised by the independent and membership-based British charity, which raises funds through the collection of important works and artefacts, it’s world the single largest museum prize in the world.
Shining as one of the crown jewels in Manchester’s cultural scene, the museum has been named among five other impressive finalists for this year’s award, which is evaluating inspiring projects from autumn 2022 through to winter 2023.
This wonderful news comes at a good time for Manchester Museum, which recently welcomed its one-millionth visitor since reopening to the public in February last year, following a £15 million values-led redevelopment. It really is back with a bang.
With Art Fund keeping audiences and communities at their heart, the highly revered accolade has a particular focus on community engagement, sustainable ways of working, and demonstration of ambition by reinventing what it means to be ‘the best’ museum for the audiences of today and tomorrow.
ADVERTISEMENT
For context, the Manchester Museum (which sits as part of the University of Manchester) was the most visited indoor museum in the North of England throughout 2023, despite being shut for an entire month, welcoming a total of 790,332 people through their doors.
Speaking on this year’s selection, director Jenny Waldman, who heads up the 2024 judging panel, has applauded each of this year’s finalists for delivering “something for everyone” and keeping “community at the very heart of their programming.”
ADVERTISEMENT
“Their commitment to innovative partnerships whilst operating within an extremely challenging funding environment is incredible”, she added. “I’m so pleased to see the way they support and centre young people through their work.
“Across a wide range of size and scale, these organisations are all real leaders in their field. I urge everyone to go and visit these extremely special spaces.” So do we.
We’d recommend going along to Stand the T-Rex aloneYou’ve got to see the giant Japanese spider crab(Credit: Manchester Museum/Matthew via Flickr)
As for the museum themselves, DirectorEsme Ward said of the announcement: “Manchester Museum’s redevelopment was the result of 10 years’ collective endeavour, so being shortlisted for Art Fund Museum of the Year is a moment of joy for everyone to share in, from staff and partners to our communities and Manchester itself.
ADVERTISEMENT
“It is an affirmation of museums’ power to bring people together in building a more inclusive, hopeful future.”
Built on self-proclaimed values of “inclusion, imagination and care”, the museum’s recent reopening has positioned it at the forefront of the sector here in the UK, with new galleries, partnerships, visitor facilities, sector-leading programming and digital innovations.
These updates, along with their existing and award-winning South Asia Gallery – the largest and first permanent gallery in the UK to celebrate the experiences and contribution of the South Asian diaspora co-curated by members from the community itself – are what have helped put it in the running for this prestigious prize.
Visitor numbers for the first year following reopening were up 157% on 2019/20, with 57% of those being new attendees and more than one in seven’s first trip to a museum ever.
The other four shortlisted museums are the Craven Museum in Skipton, North Yorkshire; Dundee Contemporary Arts, the National Portrait Gallery in London and the Young V&A – Victoria and Albert Museum, also in the capital.
ADVERTISEMENT
The winning museum will be announced at a ceremony at the National Gallery in London on 10 July and will receive £120,000 to put towards internal projects and cultural work. Better still, £15,000 will be given to each of the four other finalists, so everyone’s a winner in a way.
Congratulations again to everyone at Manchester Museum and well done for all your incredible hard work – we can’t wait to be right about you again in a couple of months when we’re confident you’ll be rightly named as the winner of the 2024 Art Fund Museum of the Year.
Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
News
Peaky Blinders confirm title and release date of upcoming film
Danny Jones
After what feels like an age since it was first announced, Peaky Blinders and Netflix have finally confirmed the title and release date of the upcoming feature-length film.
It was revealed that the global streaming giant secured exclusive rights to the movie last year, and it has now been revealed that it will also be released in selected theatres before it hits the platform.
With production on the long-talked-about project getting underway in September 2024, we’ve heard little else from creator Steven Knight, who has also been booked to deliver the Oasis reunion documentary chronicling their Live ’25 world tour.
However, we now know not only the official title of the film, Peaky Blinders: The Immortal Man, and that it will be dropping early next year. They’ve even shared the first poster.
Clearly referring to the series’ most famous lead character, Thomas Shelby – played by now fully-fledged Hollywood A-lister Cillian Murphy since 2013 – the teaser shows him sat astride a horse, not to mention covered in a fair amount of dirt and/or blood.
Alongside the suit and the trademark newsboy cap with blades inserted in the brim (the calling card of both the fictional and the real ‘Peaky Blinders’), it’s quite a classic look of Tommy’s.
Scheduled to release in limited cinemas on 6 March before arriving on Netflix on 20/3/2026, this will not only be the first film in the wider franchise but the first to air separately from the BBC.
While its parent network is still involved as collaborators on the flick, this is the first instalment in the IP to be distributed directly by Netflix after they bought the rights to release the show in the US.
Another look at a seemingly older Tommy Shelby (Credit: Publicity picture via Netflix)
As for The Immortal Man, both new and returning members of the cast include:
Cillian Murphy (Oppenheimer, 28 Days Later)
Rebecca Ferguson (Dune, Silo)
Tim Roth (Reservoir Dogs, The Hateful Eight)
Sophie Rundle (After the Flood, Gentleman Jack)
Ned Dennehy (Culprits, The Peripheral)
Packy Lee (Blue Lights)
Ian Peck (His Dark Materials, Robin Hood)
Jay Lycurgo (Steve, Half Bad: The Bastard Son & The Devil Himself)
Barry Keoghan (Saltburn, The Banshees of Inisherin)
Stephen Graham (Adolescence, A Thousand Blows)
Speaking in a full press release, Murphy said: “It seems like Tommy Shelby wasn’t finished with me. It is very gratifying to be re-collaborating with Steven Knight and Tom Harper on the film version of Peaky Blinders. This is one for the fans.”
Returning four years after the end of the mainline series, but catching up with Tommy at the outset of WWII in terms of the actual timelines, Netflix say that the Shelby patriarch “is driven back from a self-imposed exile to face his most destructive reckoning yet.”
Safe to say we cannot wait to be back in the world.
In the meantime, you can find out more about the next season(s) of Peaky Blinders coming to the BBC very soon down below.
Danny Jones -
2nd May 2024 
