Mesmerising set design, champagne casting and glistening costumes, Disney’s international hit ‘Aladdin’ has finally landed in Manchester.
We all know the story, young Aladdin is down on his luck in his life as a ‘street rat’ until he bumps into Princess Jasmine in a market and everything changes. After a run in with baddie Jafar, a trip into a spooky talking cave and the discovery of a magical lamp, Aladdin’s life changes completely.
Gavin Adams perfectly portrays a lovable Aladdin with energy you’d expect from the opening show, not this far into the tour. His vocals are exceptional, absolutely nailing his solo ‘Proud of your boy’ and keeping the audience rooting for him for the whole show.
The gorgeous Desmonda Cathabel plays Princess Jasmine, radiating warmth and kindness throughout she really is giving princess. She looked amazing in the iconic turquoise two-piece and honestly if they sold adult sizes in the gift shop, I’d have been all over it.
Desmonda Cathabel as ‘Jasmine’Gavin Adams as ‘Alladin’
The chemistry of the two actors shone in their performance of ‘A Whole New World’ as the magic carpet flew through the stars. My failed attempt to understand how the illusion worked through this scene led me to one conclusion – that carpet was actually magic.
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Champagne castings doesn’t even do justice to Yeukayi Ushe as ‘The Genie’, an absolutely spellbinding performance that had the audience missing him the second he left the stage.
‘Friend Like Me’ was nothing short of jaw-dropping and i found myself on the edge of my seat with a huge grin throughout, all those around had similar reactions.
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Yeukayi Ushe as ‘The Genie’
His charisma and incredible vocals were the highlight of the show no doubt, the audience in the palm of his hand from start to finish.
A shoutout has to be made to Aladdin’s three friends, replacing the original sidekick ‘Abu’ the monkey i’m assuming due to animal cruelty related concerns. Nelson Bettencourt as Babkak, Adam Taylor as Omar and Nay-Nay as Kassim; they absolutely shine and add a perfect touch of comedy to the plot.
What’s a Disney show without an evil villain? Adam Strong makes for a very devious Jafar that you love to hate.
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The set design plays a huge part in the success of the show, transporting the audience to Agrabah through 4D illusions and attention to detail. The cave is really something, the whole stage dripping in gold and creating the perfect backdrop from the musicals best number, ‘Friend Like Me’.
It would be fair to say the show teeters on the edge of pantomime, but I mean that in the best way possible. If you ask me, pantomimes shouldn’t just be for Christmas so watching this in May felt like a real treat.
In classic Disney style, the target audience is of course children but there are enough jokes and stunning musical numbers to make it great for adults to. Colourful set designs, stunning costumes and high-energy from start to finish – you ain’t never seen a show like this.
Popular grassroots music festival to return to hidden Manchester street with new fringe events
Emily Sergeant
Manchester’s much-loved grassroots music festival is back next month, and this year, there’s some new fringe events too.
Set across a handful of popular venues up on Deansgate Mews – including The Lion’s Den, Low Four Studios and The Mews Bar – Deansgate Mews Festival is returning for its sixth year this late May bank holiday weekend.
More than 40 music artists will be performing on a mix of outdoor and intimate indoor stages.
But that’s not all, as in what’s set to be an exciting new chapter for 2026, the festival is expanding beyond its core programme with the launch of the first-ever Mews Fest Fringe too.
Popular grassroots music festival Mews Fest returns this late May bank holiday / Credit: Supplied
The inaugural Mews Fest Fringe will be hosted in a large unit within Great Northern Warehouse, which will be transformed into a ‘vibrant’ hub celebrating music, art and independent culture.
Designed as a platform for Manchester’s creative community, the festival space will welcome artists, designers, collectors, and creative entrepreneurs to showcase and sell their work while connecting with festival-goers.
At the Fringe event, you can expect everything from record sellers and vinyl collectors, to vintage clothes, arts and crafts makers, independent creatives, and even bands selling merchandise.
This year there’s also the addition of the Mews Fest Fringe / Credit: Supplied
Already known for its strong grassroots ethos and growing reputation, Mews Fest continues to champion local talent and independent culture – but now with the addition of the Fringe event, the stage is set for its most ‘ambitious and inclusive’ edition to date.
Oh and the best bit? Both festivals will be free to attend, with no need to book tickets beforehand.
Mews Fest and Mews Fest Fringe will take over Deansgate Mews next month on late May bank holiday weekend from Friday 22 – Monday 26 May.
Featured Image – Supplied
Manchester
You can now have dinner in the actual dressing rooms at Co-op Live
Daisy Jackson
Co-op Live has now launched exclusive backstage dining experiences – which means you could be having dinner inside the very dressing rooms that have hosted music megastars.
These new groundbreaking new Backstage Private Dining experiences feature menus curated by Simon Rimmer.
This will be the first time that the arena’s most exclusive artist areas have been open to guests.
There’ll be 10 selected dates from May 2026, where ticket-holders can eat dinner in dressing rooms that were previously occupied by the likes of Lady Gaga and Bruce Springsteen.
Guests will be able to choose from several packages, from intimate receptions and private three-course dinners inside the dressing rooms, to lavish extras like a Bentley chauffeur-driven arrival, live entertainment, and extended backstage access.
The most premium package will also offer access to Co-op Live’s adidas Originals recording studio.
Proceeds from the Backstage Private Dining will go towards supporting Co-op Live’s official charity partner, the Co-op Foundation, which tackles inequality and supports communities across the UK.
Chef Simon Rimmer commented: “Having worked with Co-op Live for some time, it’s incredibly exciting to now be involved with this unique series of Backstage Private Dining.
“It’s a rare opportunity to further combine the world-class music venue with exceptional food, and I can’t wait to showcase how these experiences can come to life together, creating truly unforgettable evenings for our guests.”
Becci Thomson, Chief Commercial Officer at Co-op Live, said: “From day one, our ambition has been to challenge expectations of what an arena can deliver, and we’re now delighted to introduce a new dimension of premium hospitality at Co-op Live.
“This collaboration unlocks new creative potential within the venue, offering experiences that have not previously been possible. It reflects our commitment to innovation and meaningful impact within the communities we support.”
Designed and delivered in partnership with Taylor Lynn Corporation (TLC), Founder and CEO Liz Taylor said: “Opportunities like this are rare. Co-op Live is a venue built for scale, spectacle and ambition — and that’s exactly how we are approaching these events.
“Whether it’s an intimate milestone celebration or a brand hosting at the highest level, these will be immersive, one-night-only experiences designed to deliver real impact. We are proud to have been chosen to help shape this next chapter, bringing creativity, precision and bold thinking to a space that demands nothing less.”
Abbie Bartlett -
24th May 2024 
