It takes a lot to cheer up a cloudy Manchester day – but Ziggy Alberts and his sunny Aussie folk proved to be just the ticket last weekend.
Ziggy Alberts is an Australian singer/songwriter whose music follows a very narrative structure. He’s an acoustic artist whose songs include elements of folk and Americana, with most tracks using stripped back instrumentals underneath the his prominent vocals.
For newcomers to this performer and even those who want to learn a little bit more about the star, he has a playlist on his Apple Music profile dedicated to his influences, where you’ll find artists including American band The Lumineers and Irish talent Hozier. The 90’s R&B group En-Vogue even make an appearance in the list with their song ‘Whatta Man’.
But this world tour is not a solo mission. Ziggy Alberts is accompanied by Steph Strings, a fellow Australian, who is supporting him on this 2024 concert run including at his Manchester show.
The 23-year-old even switched her setlist up for the ‘rowdy crowd’ as Mancs proved to be simply too energetic. On behalf of all Mancunians, we’ll accept the compliment.
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The Melbourne-based singer had all grounds covered, with guitar in hand, kick pedal on the right foot and tambourine on the left.
Keeping spirits high, Ziggy opened with ‘Days in the Sun’, with a steady drum kick which built adrenaline amongst the already bubbly crowd. Using the two elements he knows best – his voice and his guitar – Alberts brought the crowd to life, and replaced buses and bustling streets for sun, sand and sea much like the title of his 2014 debut ‘Land & Sea’.
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With 1.35 million Spotify listeners, the 30-year-old singer is no stranger to performing to packed out crowds, performing in this lovely city just over 12 months ago. Manchester’s Albert Hall is one of the city’s many iconic live music venues and Alberts definitely didn’t feel out of place, especially with his own iconic look… that impressive moustache.
Alberts has three rules for anyone visiting his shows “Don’t diss the moustache”, “Take care of each other” and “Sing loud”.
He may live a 24 hour-flight away from the UK, but he made sure to make it his home, rocking the stage with a snazzy rug and no footwear in sight.
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Steph Strings, who supported Ziggy Alberts at the Albert Hall in Manchester. Credit: The Manc GroupZiggy Alberts played at Albert Hall in Manchester last weekend. Credit: The Manc Group
Halfway through the show during an interlude, the Australian star ran off the stage and into the crowd. There’s a real sense of fan-love and this moment proved it. Ziggy created a call and response with an unreleased song titled ‘Where Does The Love Go?’, and fans were all for it.
The show concluded with an encore of three songs, the banjo-laced ‘New Love’ was a real highlight. The song itself opens with Ziggy Albert confessing: “Feels like I’ve been running for most my life,” and when you’re currently embarking on a world tour it’s safe to say this is more than reasonable.
His newest release and also the title of his current world tour, if Ziggy is ‘Making space for new love’ then you could say we’re making space for a permanent residency in Manchester – we don’t want him to leave.
Finishing with the Australian’s 2018 single ‘Laps Around The Sun’, Alberts found himself repeating the lyrics “Oh how much there is left to learn” with echoes from the crowd (Primary School taught us well).
The crowd have been so captivated by this man and his guitar that we didn’t realise almost two hours had passed by, and the singer’s performance had to come to an end.
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What a phenomenal show and as he said himself, he’s ‘done it all independent’.
Fast-rising alt-rock cult favourites Keo announce Manchester gig on new UK tour
Danny Jones
Up-and-coming alternative rock band Keo have just announced a new UK tour and “most ambitious chapter yet” in terms of live performances, including a Manchester gig that we CANNOT wait for.
Combining the likes of post-grunge, garage rock and more, Keo are one of the most exciting and fast-emerging new acts in the space right now, having seen their recent run of half a dozen domestic shows sell out completely.
Pulling influences from artists of The Smashing Pumpkins and Soundgarden, as well as most notably fellow contemporaries and former tour partner, Wunderhorse, they’re well-positioned at the front of the guitar-driven revival and are bound for big things. We’re by no means the only ones banking on it either…
Having been described as “already that band” by Dork and delivering “a sound that has given UK guitar its biggest kick up the fretboard in years” by Rolling Stone, you can bet tickets for these shows will be snapped up in seconds, too.
UK and Europe spring 2026. Pre-sale: 03 Nov 2025 10AM GMT On Sale: 05 Nov 2025 10AM GMT pic.twitter.com/Xz1km0Z93O
Set to play their biggest Manchester venue to date, Keo will be playing the O2 Ritz on Whitworth Street next spring, and let us tell you, that sprung floor is not ready…
Co-fronted by two brothers, Finn and Conor Keogh (originally from Devon before ultimately getting their music careers underway in the capital), the now London-based group make quite a racket for just the four of them.
That being said, they also do quiet moments well, too, as seen in several of the ‘calm before the storm’ breakouts in songs like ‘Thorn’, ‘Fly’, ‘Crow’ and many more.
If you like anything close to grunge or even just shoegazey riffs, trust us, they’ll be right up your street.
One of the most exciting parts about this lot is how feverishly their fans have packed out their audiences all over the country, somehow learning every single word to every song before most of the material had even been released on any kind of platform. They’ve led with their live reputation – and it shows.
Case and point – the crowd at The Key Club in Leeds, where our mates over at The Hoot got to witness them up close and personal as the entire room erupted in a chorus of screams about a girl called Amber:
“To be playing venues like these with only five songs out still feels surreal”, says lead singer Finn Keogh. “We always imagined we’d reach this level after years of supporting other bands, but somehow we’ve skipped that step.
“It’s mad, come March, our biggest indoor shows will have been our own. Electric Ballroom [in London] is a special one for me personally; I’ve seen some life-changing gigs there. To be on that stage this time around is going to feel unreal.”
Listing a total of 16 live show dates up and down the country throughout March and April of 2026, it’s fair to say we Mancs are excited to see them playing their biggest room in our city to date, having absolutely smashed Gorilla this past October.
Tickets for Keo at the O2 Ritz in Manchester go on sale next Wednesday, 5 November at 10am; you can get ready to grab yours right HERE.
The debut release from Keo has delighted fans and critics alike, and their Manchester gig is sure to be a stormer.
IDLES frontman Joe Talbot set for ’10 Songs That Made Me’ interview at AO Arena
Danny Jones
Cult favourite frontman Joe Talbot of IDLES fame is set to for an eye-opening sit-down interview as part of AO Arena’s ’10 Songs That Made Me’ series.
The lead singer of the politically-charged post-punk band will be joining the in-conversation event opposite BBC 6 Music host and popular radio host, full stop, Chris Hawkins.
Having often drifted into hardcore, art rock and even spoken word at times, Joe Talbot and co. have become known for the cutting lyricism and insightful songwriting in general, so we can only assume that diving into his own musical influences will be just as riveting.
Joining his fellow audophile on stage at the city’s legendary live music and entertainment venue this November, Talbot and Hawkins will be running through the tracks that quite literally helped create the musician we know today.
According to the AO, the arena will host an in-depth chat with the provocative 41-year-old artist as he walks Chris Hawkins through “the most important musical chapters of his life, his stunning musical journey from resident DJ at one of Bristol’s hottest clubs, through to headlining Glastonbury festival.”
It is quite the career he’s had when you break it down.
They go on to promise “raw honesty and trademark wit” as Joe reflects on the record, acts and cultural moments that shaped him as a young performer before breaking onto the scene with IDLES.
As for the ’10 Songs That Made Me’ series itself, it may be what it says on the tin, but most interestingly, being in the crowd and hearing it from each different group/individual changes the experience entirely.
“More than a story of success—it’s a journey of resilience, passion, and community”, they go on to add. “Expect an evening of candid conversation, unexpected anecdotes, and deep dives into the music that has not only defined Joe’s career but also resonated with millions around the world.
If you’re fans of the band or Talbot, in particular, you’ll already know they’re great orators; plus, if you caught even a small clip from his own fledgling Oh Gatekeeper podcast, you’ll know he loves nothing more than diving deep into tunes that shape not just the audio landscape but people at their core.
Just casually getting the lead singer of The Strokes on for in the first season, as you do…
On a personal note, we’ve watched the IDLES x Grammy Museum interview on multiple ocassions at this point, and know how much artistry there is behind everything they do.
The same goes for Talbot, specifically – there’s no doubt about that.
If you’re interested in being part of the audience for Joe Talbot’s in conversation event with Chris Hawkins as part of ’10 Songs That Made Me’, tickets for the date at AO Arena on Tuesday, 25 November are live now, and you can grab yours via Skiddle right HERE.
Last but not least, special mention goes to the interviewing expert himself, whose recent chat with Tim Burgess about The Charlatans getting back into the studio is also well worth a listen.
Tune in to 6 Music from 1pm today, @Tim_Burgess is my very special guest and rumour has it that we might get to hear a brand new Charlatans track… pic.twitter.com/vzoGDnvS7G
Thomas Melia -
6th August 2024 
