Mimi Webb is one of UK pop’s leading ladies right now and if her latest singles are anything to go by she will continue to be a staple for many more years to come.
The singer, who is 24, has been steadily growing her fanbase since 2020. Releasing her debut EP ‘Seven Shades of Heartbreak’ in 2021, then setting our homes ablaze with the smash hit ‘House On Fire’ in 2022, later releasing her debut album ‘Amelia’ in 2023, she is building quite an impressive portfolio.
Known for her endless pop roster like ‘Good Without’, ‘Ghost Of You’, ’24/5’, Webb recently visited our glorious city and has big plans on returning soon.
We sat down for a chat with the Canterbury superstar days after her Manchester gig at Co Op Live where she’s supporting the Jonas Brothers on the remainder of their European tour.
Mimi Webb | The Interview
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What is it like touring with the Jonas Brothers?
It’s going so well. I just love this show, because I’ve been able to sink my teeth into it and really go for it. I’m just happy that we’re being able to have the kind of opportunity to expand our own show.
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Manchester was one of the first dates on the tour, how did that set you up for the rest of the shows – How good was the Manchester crowd?
Manchester is just one of the main cities in the UK that just goes so hard for me at shows, I had the best time. It was such a cool, cool show. And I think it’s great to keep growing and growing the show every night and trying to figure out new things I want to do on stage and just kind of building the blocks of my performance.
So having played Manchester quite a few times now, do you have any favorite spots that you like to go to?
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My friend actually lived in Manchester for a bit, and she was always telling me about Blank Street (Coffee) so we popped in there, because I was like, I need to go and see it. We normally just go for a nice dinner and drinks, wherever we can. There was a really nice Italian called Fumo too.
You’ve played lots of Manchester venues, what did you think of playing Co Op Live for the first time?
Well, it’s crazy, because there they were telling me how new it was, and the backstage is gorgeous, you can tell it’s new, and they’ve really got into it. It was really cool to be there and be one of the first, among other artists to play that arena, it was so cool!
Now I know that you have a song called ‘Red Flags’, does Manchester have any red flags?
The traffic. I remember, I went out for a massage and on the way I was like get me there now, this is too long!
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‘Erase You’ is your latest single – Talk me through it?
I’ve been writing a lot of my new music in LA so it’s like a change of environment. And it was really cool to go into the room and just kind of write a song where it’s kind of the last farewell. I remember saying,, I just want to erase this person and have them completely gone. I wanted to write a song about that, but I don’t want it to feel too angry. I wanted to have that sassy fun to it too.
We really achieved that with this song. And it was fun to be in LA. And I feel like when I’m there I I’m the same person, but with a different energy. It’s perfect to tap into the feeling that you’re done with all the BS.
What can we expect from your second album?
I feel like I’m the 2.0 Mimi Webb. With house on fire, I loved the whole process of the writing, the recording, the video and then releasing it. That’s just the whole vibe. I want to write stuff that really locks me back into that feeling that I had when ‘House On Fire’ dropped. So a lot of the new songs are very upbeat pop, sassy, and they’ve also got a lot of darker meanings and emotions running through them.
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I’ve dipped into a little bit of country, writing country songs, it’s coming together really nicely, it’s a little album of everything I wanted all in one place. I’m coming into my popstar era.. I’ve always been the loudest one in the room and I feel like now I’m able to really show me, as a person and an artist.
You’re working with Ryan Tedder (known for Greedy – Tate McRae, Welcome to New York – Taylor Swift), he’s been involved on the past two singles, ‘Mistake’ and ‘Erase You’ – How did that come about?
So I met Ryan in Malta at an MTV show there two years ago. Me, One Republic, and a couple more artists were performing. It was so cool because I could just easily meet him. I went up and just said “Hi”. My mum was like “Go, and you can do it” . I was nervous, but I pulled through. And yeah, I was like, “Right, how are we doing? Can we,get a session in the studio?”. He was like, “Yeah, this is so cool. Like, nice to meet you. I’ve heard a lot about you”. Then four months later, I got the call, we got the session, and I was like, “Oh my god”, I went to LA andthen we started writing.
When you’re in tour mode, what things do you have to bring with you?
My steamer, my hair products, makeup and I really love a robe and then a good tracksuit for sound check.
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After touring with the Jonas Brothers, what can we expect from yourself?
Christmas! Christmas shows. I might drop a new song before the year ends. Then next year, it will all just be about finishing up the album and tying it up, figuring out what we’re going to release next.
And finally, when can we catch you in Manchester again?
Hopefully, very soon! I loved it. Manchester was such a great show, it was a really good night.
Having a chat with one of the main artists who is currently leading the soundscape of the 21st century music scene is very fascinating. It’s great to see that Webb genuinely loves what she does and it’s noticeable through the songs she writes and the ability she has to command any stage. Bring on 2025 and bring on the sophmore project – you can never have too much Mimi Webb!
Oasis’ (What’s the Story) Morning Glory? named biggest UK studio album EVER by Official Charts
Danny Jones
You’re damn right: Oasis continue to be MASSIVE as new figures from the Official Charts Company have confirmed that (What’s the Story) Morning Glory? has clocked in as the biggest UK studio album of all time.
The Britpop icons and history go hand in hand.
Yes, according to the latest numbers by our domestic chart-crunchers, only two other albums surpassed Oasis‘ second LP – and they’re both greatest hits collections.
The announcement was made on Wednesday, 22 July, just over a whole year on from those reunion world tour shows at Heaton Park. How fitting.
Starting off by channelling Liam Gallagher energy and quipping that “Oasis vibes are in the area”, they go on to explain the colossal cumulative record.
“Oasis claim one of the biggest honours in British music history, they write, “as (What’s the Story) Morning Glory? is named the UK’s Official biggest studio album of all time, according to new Official Charts Company data.”
Combining UK sales of the record – both physical and digital over the years – along with modern streaming statistics, the sophomore outing from the Britpop giants has amassed approximately 6.2 million UK chart units. Staggering stuff.
Last year’s Live ’25 shows have no doubt helped give an added boost to their metrics, but it’s still gargantuan stuff from the local band.
Yet another incredible stat not just for the Burnage boys but the Manchester music scene as a whole.
2026 looks to be just as big a comeback, by the looks of things.
In case you were wondering who beat them out in the race for the top spot, they were pipped to the post by Queen’s Greatest Hits and the same again from ABBA, two worthy opponents to take third place after.
You can see the rest of the list in full right HERE.
Oh, and Definitely Maybe also made the list, too, coming in at number 39 – making that two in the top 50 even amongst all the compilations.
It feels like last July all over again, doesn’t it? And if now isn’t the perfect time to stick on the title track, we don’t know what is.
Actually, sod it – we’re sticking the full thing on…
Beat-Herder Festival 2026 – the wonderfully weird festival we can’t stop coming back to
Emily Johnson
Another weekend done in the magical, mystical world that is Beat-Herder.
For one weekend every year, a farm in Clitheroe transforms into what the organisers describe as “a place full of beats and barminess” – and honestly, they couldn’t have summed it up any better.
Big enough to keep you discovering something new all weekend, yet small enough that you’ll keep bumping into the same friendly faces, Beat-Herder strikes the balance perfectly.
Every corner has something different going on, every stage has its own personality, and every sound system is absolutely dialled in.
Where else can you go for a swim, get a tattoo, pop into church, visit Paris and dance until sunrise? No, we’re not describing a chaotic stag-do… we’re talking about Beat-Herder.
Every stage deserves a mention, but a few really stood out this year.
Julie’s Barn, a.k.a. ‘Gay Paris’, remains one of the festival’s best-kept secrets. Hidden away in the woods, it’s worth every wrong turn trying to find it.
A glowing dancefloor, disco balls hanging from the trees and a crowd that somehow never seems to leave. We even stumbled across a secret ‘Samurai Breaks SSBB’ set that had the place bouncing all the way through until sunrise.
Credit: The Manc Group
Over at Stumblefunk At The Factory, Breakage delivered one of the sets of the weekend. The bass rattled the roof, the crowd never stopped moving, and the whole place felt like it was about to lift off.
It’s also home to one of Beat-Herder’s many weird little surprises, with hidden missions and the chance to spy on other festival-goers. If you know, you know.
The Garage is another annual favourite. DJs squeezed into the front seat of a car while everyone else danced on the bonnet of old scrapped cars, bouncing to the bass that rattled from White Noise Audio’s soundsystem. It’s those ridiculous little details that make this festival unlike anywhere else.
Then there’s Beat-Herder’s Got Talent, which has become a non-negotiable part of our weekend. The winner earns a slot on the main stage, so every act gives it everything. This year’s line-up featured everything from incredible harmonica performances and live bands to rap duos.
But one contestant completely stole the show.
She walked on stage, admitted she wasn’t sure her talent was quite as impressive as everyone else’s, and the crowd fell silent. No instrument. No backing track. You could hear a pin drop. What on earth was this contestant about to do? And then she proceeded to fit her entire fist in her mouth.
If that doesn’t sum up Beat-Herder, we’re not sure what does. The wonderful woman didn’t win the contest unfortunately, but let’s hope she can get booked for next year, ey?
One of this year’s new additions was The Dub Tub, which quickly became one of our favourite discoveries. Artists like Woody Cook swapped high-energy sets for slower, dub-inspired sessions, creating the perfect place to reset before diving back into the madness.
Oh, and of course, in true Beat-Herder fashion, the DJs were performing in a bathtub, of course.
And speaking of madness… all the classics are still there. The famous tunnel leading to hidden stages, the weird and wonderful walkabout performers, the random discoveries you’ll never find on a map, the hidden swimming pool, fancy dress costumes, and the constant feeling that you’re about to stumble across something completely unexpected.
Massive credit has to go to everyone behind the scenes. From the organisers to the volunteers and crew, everything runs incredibly smoothly, despite how wonderfully chaotic it all feels. Beat-Herder, you’ve done it again; roll on 2027.