Be it a bloke with a guitar in the pub, countless buskers on the street or even big names touring in Manchester, we’ve come across a lot of Oasis covers in our time and plenty of takes on ‘Champagne Supernova’ too – but this one by Middle Kids is up there with the best we’ve ever heard.
Alternative Australian band Middle Kids have been going since 2015 and we hear at Audio North have been enjoying the Sydney export for a good long while now.
Released back in 2019, their debut album Lost Friends had us hooked from the off, as have their two follow-up records, Today We’re The Greatest (2021) and Faith Crisis Pt 1, which dropped earlier this year.
The latter was recorded right here in England by Jonathan Gilmore, who has famously worked with The 1975 and other artists on the Dirty Hit label, so there’s no surprise you can hear some of those UK influences in their sound – but we weren’t expecting them to nail such an iconic Britpop song so easily.
Middle Kids perform a very different kind of cover of ‘Champagne Supernova’ by Oasis.
What do you reckon – pretty bloody good, right?
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Now, imitating a song well is one thing but reimagining it in a totally different way is another and, in our opinion, often what makes a really good cover stand out.
Plenty of music fans tend to agree too as the comments underneath the video speak for themselves. One person wrote, “Her voice is entrancing, this sounds great”, while another added: “Classy cover, brings new meaning to the track for me. Melancholy magic.” High praise indeed.
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To be honest, most of the comments are just various different ways of saying, “We must have this on Spotify immediately” – and if you enjoyed it too, you’ll be glad to know they listened and added it to the streaming platform right off the bat, where it’s already boasted countless plays in less than a fortnight.
By the way, this isn’t their first ‘Like A Version’ cover for the national radio station and popular online channel that has impressed, having previously done their own takes on everything from Crowded House and even Olivia Rodrigo.
A good triple j cover – which often go viral on social media – can do wonders for a band’s profile.
The Aussie indie rockers clearly have a real penchant for covers and not just trying to recreate what’s gone before but actually put their own twist on stuff.
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As for Middle Kids’ version of ‘Champagne Supernova’, we’ve had it on repeat for the past week; we’re not sure whether it’s lead singer Hannah Joy’s soft and soothing vocal take on the classic Manc hit or the cleverly vocoded keys creating those harmonica sounds underneath everything, all we know is we love it.
It’s more pared-down and stripped back than the original as you can often expect from the likes of triple j and Live Lounge sessions but it turns out a lo-fi version of the legendary song is something we never knew we needed.
More importantly, if you’ve never given the talented trio a listen before then we urge you to give their own discography a go when you come up for air from all the Oasis excitement of late.
It’s not the only cover involving a Greater Manchester band we’ve enjoyed recently either…
Featured Images — triple j (screenshot via YouTube)
Audio
Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms have just done their second of five shows in Manchester, this time at the O2 Ritz. Credit: The Manc GroupBlossoms on stage at the O2 Ritz in Manchester. Credit: The Manc Group
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.
The Warehouse Project reveals return to Rotterdam for second-ever overseas event
Danny Jones
The Warehouse Project has confirmed it will be returning to Rotterdam in 2025 for just its second-ever overseas event.
After debuting abroad in 2023 with an action-packed few days in the city of Rotterdam – whose art scene, music culture and even canal network bears lots of similarities to Manchester – Warehouse Project is coming back for more.
There’s just over a month left of the 2024 WHP calendar; you’d think they’d be getting ready to wind down and enjoy the Christmas breather, but not so: the organisers are already planning what is set to be one of their biggest and best long weekends to date.
Set to take place over the early May bank holiday, the Dutch port city will once again play host to one of Manchester’s legendary club nights.
The second biggest city in the Netherlands behind Amsterdam, the next edition of Warehouse’s international series is set to return to Rotterdam RDM – a warehouse space very reminiscent of both Depot Mayfield and their original home at Victoria Warehouse.
WHP x RDM II is already being billed as an “unforgettable weekend” and if any of this year’s mainline events here in Manchester are anything to go by, they’re bound to live up to that promise.
There’s also a full FAQ page for anyone looking to find out more information regarding Rotterdam, the venue itself, travel and more.
As well as revealing the dates (2-4 May 2025), the organisers have already teased a good chunk of the lineup, with the likes of Chris Stussy, Peach, Four Tet b2b with Sammy Virji, salute and many more already confirmed.
With a slew of incredible acts, multiple afterparties on boats and other local venues, as well as plenty of opportunity to see the rest of Holland’s ‘Manhattan on the Maas’, this is going to be SO good.
We were lucky enough to have been sent to sample their inaugural Rotterdam date back in April of 2023 and, we have to say, it was an absolute blast.
Take it from us, if you’re considering being a part of this next event you won’t regret and we’ll be putting together an extensive guide to help you feel prepared for raving overseas. Registration for early access is already live, so sign up fast if you want to give yourself the best chance of being there.
Limited presale and accommodation packages will be available to those who have applied at 9am on Monday, 2 December (UK customers only). General admission tickets will go live from 9am n Tuesday, 3 December sale for UK and Dutch customers starts Tuesday 3rd December at 9am GMT/10am CET.
Rotterdam 2025 will be here before you know it, so take a boots-on-the-ground at what an international Warehouse Project date looks like down below:
Danny Jones -
30th October 2024 
