We recently got time to chat with UK solo artist Rag ‘N’ Bone Man around the release of his new album What Do You Believe In?
The Uckfield-born soul and pop singer, best known for tracks like ‘Human’, ‘Giant’ and ‘Skin’, dropped his third studio album earlier this month and is ramping up for a UK tour this November.
Real name Rory Graham, the 39-year-old has entered a new chapter both musically and personally, and that evolution can certainly be heard in his current sound.
We covered plenty in our recent discussion over on Audio North.
So straight off the bat, your new record What Do You Believe In? is finally here, how buzzing are you for the world to finally get to grips with it?
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Well, it’s been a hot minute since I’ve released an album and, you know, I just really hope people take it in as as a whole record. I think it’s hard in this day where people consume music totally differently and you know people don’t have much patience when it comes to music.
It’s all about like 40-second clips and stuff like that, but I think that I have this great fan base where you know they’re into vinyl and stuff, so I’m hoping that those people at least take the record as a whole.
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That means that I can go and play the record as a whole and when I come out on tour they might know some of the songs I don’t know.
Yeah, it’s one of those things, isn’t it? I feel like the album experience is sadly dying off a bit – with that in mind have you made it to be enjoyed as a start-to-finish piece?
I mean, I would like it but I didn’t make it like that; I just try and write the best songs that I can. The album does take a bit of a journey and it’s very different in parts but it does have an overall vibe to it.
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There’s kind of early 2000s neo-soul mixed with a bit of hip-hop and then later on it gets very dancey with some disco and funk in there too, but you know, I’m always the same: I just want to write good songs regardless of what the genre is.
What a great mix. Who are some of the artists you’ve been listening to lately and do you think they’ve left their fingerprints on the sound a little bit?
Well, the first person I worked with on this record was Jamie Liddell and he’s f***ing genius. When I explained to him what I was trying to do and how I wanted it to be sample-based but to try and make our own samples, not just so we don’t have to pay anyone, but like so even the samples are original.
It very much harks back to the era of hip-hop samples that pull from ’60s kind of soul music. You even hear it later on in the record on ‘Rush Of Blood’, where we sampled our own first part and put it in a tape machine and slowed it down, so I think it carries on like that throughout the record.
I think I referenced a lot of kind of early 2000s neo-soul people like Angie Stone and stuff like that. Some of the horns were referencing Rick James and Heatwave and stuff like that, so yeah, it takes some twists but it’s just got a real air of like sunniness.
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Even in the songs that are a little bit deeper and are maybe a little bit sadder or whatever, they don’t really feel that way musically: they still feel quite positive and uplifting – not that I was trying to make a happy album on purpose or anything, yeah, but I guess your life and the way your soul feels at a time kind of reflects, you know, on what music you make.
I’ve been very content in my personal life so, you know, touch wood everything’s been going pretty well and that’s definitely reflected in the record.
Although Rory is recently engaged and is clearly enjoying his life both in and outside of music lately, he’s not been without hardships to write about:
Yeah, there’s always been that uplifting gospel feel to your sound too, would you say you were trying to push in a different direction this time or is it more just a continuation for you?
No, there is a continuation a little bit but I think with this one, especially, I was thinking about live [performance] way more when I was writing it.
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Sometimes I’ll play like three or four songs and I think f***ing hell, they’re all in a minor key and, you know, I think all the time I’m spent writing and in production of the song I’m thinking ‘How’s this gonna sound live?’ That’s where I am most of the time when I finish a record.
Absolutely. And speaking of live shows, you’ve got a whole bunch of Northern shows coming up in Manchester, Leeds and Glasgow – is it a region that you feel like affinity to playing in?
I mean, I love playing down South and obviously Brighton’s like my home crowd and London’s great albeit sometimes tough, but I don’t think I’ve ever found the North like a difficult place to tour because I just always feel like I have confidence going into places like Manchester.
Whether it was like playing like Gorilla or the Ritz or whatever, because I’ve spent so many years coming back I never seem to have had a bad crowd.
Yeah, we don’t do bad crowds. What about favourites off the record then?
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I really like ‘Hideaway’: it’s like the second song that I wrote for the record and the one where I was like this is it – this is the sound that I feel like is going to kind of eke its way through the rest of the record.
There’s a really great horn sound on it that I actually just recorded doing whilst doing a stupid little impression with my mouth to try and explain to my trumpet player and then we ended up using it alongside real instruments, which I just think sounds really cool.
Credit: Supplied
It’s got a great sort of super happy vibe, so it’ll be great to play live, especially in a sort of summer festival situation.
The opening track [‘The Right Way’] is something that’s actually been knocking around since 2018 too. I went to Nashville to play a festival called Bonnaroo; me and Jamie decided to record some stuff and came up with a song which I’ve been in love with ever since but I didn’t fit on the second record, so I just needed to wait for the moment. This record was the right time for sure and it’s got a great sample too.
Ace. Just out of curiosity, you were famously on the FIFA soundtrack a few years back and plenty of artists have spoken about the impact that has had on their careers in the past. Is it something you recognised at the time or was it just flattering?
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No, it felt like a massive deal at the time and I understand what artists are saying about that because I remember discovering songs through it and even remember hearing ‘Pumped Up Kicks’ for the first time on FIFA.
I mean even football in general: I must have had some friends at Sky Sports or something because every time I turned on the channel when ‘Human’ was first out it was always on. Hopefully one of the new ones will end up in the next few games, who knows?
And lastly, if you could sum up the new album in three words, what would they be?
You can grab tickets to see Rag ‘N’ Bone Man in Manchester at the O2 Apollo HERE.
Featured Images — The Manc Group/Fiona Garden/Press Images (supplied)
Audio
Review | We need Neigbourhood Weekender every year – and so does the North West
Danny Jones
Neighbourhood Weekender returned for 2026 this late May bank holiday, and after its second consecutive edition following an admittedly brief hiatus, we’re more confident than ever that we want this music festival on the calendar every single year.
Actually, we’d go so far as to say that lots of people around the North West and beyond NEED it.
We know plenty of people are understandably wary of potential hyperbolic declarations like that, but let us explain ourselves…
For starters, getting an opportunity to see the likes of criminally underappreciated Northern names like Richard Ashcroft playing the big slot on the main stage is a good place to start.
Many of you will have no doubt seen the Wigan legend on solo tours – not to mention serving as the pitch-perfect support act for Oasis’ reunion tour last summer – but topping the bill on Saturday night of NBHD Weekender 2026 served as yet more proof that he is, in fact, a headline act.
Maybe that changed a little for lots of people post-Live ’25, but his set was one of several over the course of the two-day festival in Victoria Park that served as a reminder of just how good lots of these long-standing acts both were and still are.
Kaiser Chiefs, Razorlight, The Fratellis, Mel C, Shed Seven, and so on: they’re not just nostalgic acts that those of a certain generation get to enjoy as a throwback – they’re all still incredible, seasoned performers in their own right.
They boast a wealth of experience and aptitude for playing to live crowds that you only get by being very good at what you do for a long time. You only have to look at the countless youths who quickly realised they knew more choruses than they realised, and got to sample hearing them in person for the first time.
Strong crowds from 12 noon until curfew. (Credit: Audio North)
And then speaking of the younger, more up-and-coming section of the lineup, the next generation absolutely smashed it as well. Let’s just say there were more than a few rising stars on show.
Westside Cowboy are clearly at the start of something very special and got a healthy dose of shout-outs from punters on the day; Keo were as frenetic as everyone knew they would be, Brooke Combe was on top form as she has been every time we’ve seen her, and Cassia were class.
More Mancs rose to the challenge in the form of The Guest List’s biggest show yet, too – they were also left super humbled when we spoke to them afterwards – and fellow regional band The Royston Club were nothing short of excellent, simple as.
Hearing thousands belt out ’52’ and ‘Cariad’ at the top of their lungs was one of our highlights of the entire weekend, to be honest.
Of course, then you’ve got the likes of the already established DMA’S, who were absolutely box office and made it plain how much affection they have for “their second home” up here in this part of the UK, and Sunday’s headliners, Blossoms, have proven time and time again that they’re the real deal now.
But aside from banger after banger, it was a conversation we overheard near us during the Stopfordians’ set that helped us come to this revelation.
Somewhere between their walk-out on stage and the second/third song, a bloke and his mate behind us shared an intimate moment we felt almost rude for having accidentally eavesdropped on, right up until the point it made us well up ourselves.
Without going into too much detail, this very stereotypical-sounding Northerner dropped all pretence and confessed to his friend that he’d had a tough couple of months, and that he’d been looking forward to this for weeks – not simply because Blossoms are his favourite artist, but because he needed it.
Call it a release, that hour or so of sheer abandon, or just sharing a special music memory with his best mate: whatever it was, this evening was much more than a gig to him. People throw the phrase ‘lifesaver’ around about music a lot, and it never feels like an exaggeration in moments like this.
It was also apparent that he was a working-class Warrington native who was lucky enough for his postcode to help him afford to go to Neighbourhood Weekender and have this embrace with his pal, who was in an ideal setting to have perhaps a long overdue heart-to-heart. THIS is what it means to people.
Music is therapy, and when done in its purest form – i.e. played live to people who live and breathe the stuff – it can do more good than you’ll ever know.
Doja Cat at Co-op Live, Manchester – tickets, times, setlist and more for UK tour
Thomas Melia
One of the 2020’s leading female artists, Doja Cat, is heading to the UK for a stop on her newest tour and has chosen to host it at Co-op Live in Manchester.
American recording artist Doja Cat is making her long-awaited return to Manchester and an arena debut, with this artist’s first and only visit to the city being back in 2024, headlining Parklife.
Heading to the UK as part of her Ma Vie World Tour, the California-born star is recognised for her spellbinding performances, extravagant outfits and array of UK Top 40 hits.
Not afraid to blend genres, Amala Dlamini, better known by artist moniker Doja Cat, has lent her voice to rap, hip-hop, pop, R’n’B, and now 80’s synths on her newest LP, Vie.
Gig guide | Doja Cat at Co-op Live, Manchester
Doja Cat is coming to Co-op Live in Manchester for one night of her Ma Vie Tour / Credit: Publicity Picture (Supplied)
Doja Cat UK tour dates
Sat 23 May – Manchester, UK – Co-op Live
Tues 26 May – Birmingham, UK – Utilita Arena
Fri 29 May – London, UK – The O2
Are there any tickets left for Doja Cat at Co-op Live?
Do you ‘Need to Know’ about grabbing tickets to see this multi-hyphenate performer live? Well, you’re in luck…
After seeing this iconic ‘Woman’ live on stage in Manchester? Well, if I’ve got your ‘Attention’, you can find tickets and more info HERE.
All you ‘Need to Know’ about Doja Cat’s Ma Vie World Tour in Manchester / Credit: Greg Swales (Supplied) / The Manc Group
Doja Cat setlist for 2026 UK tour
Lipstain
Cards
Get Into It (Yuh)
Kiss Me More
Gorgeous
Couples Therapy
Take Me Dancing
Woman
Acts of Service
Agora Hills
Make It Up
All Mine
Ain’t Sh*t
Paint the Town Red
Silly! Fun!
Juicy
Need to Know
Streets
Wet Vagina
WYM Freestyle
Demons
Tia Tamera
AAAHH MEN!
Boss B*tch
Stranger
Happy
One More Time
Say So
Jealous Type
What are the stage times for Doja Cat in Manchester?
Doors for Doja Cat’s Ma Vie Tour at Co-op Live in Manchester are set to open from 6:30pm with a kick-off time of 7pm from one very good warm-up act.
Supporting the rapper and performer on her UK and EU leg of the tour is alternative-r&b artist Naomi Sharon with singles like ‘Better Days’ and ‘Bittersweet’.
How to get to Co-op Live
Tram
For those of you heading to Co-op Live, you’ll be glad to know it’s right next door to a rather famous big blue stadium and its integrated Metrolink stop.
Head along the light blue or orange lines directly to the Etihad Campus or Ashton-under-Lyne, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Trams run frequently on the Ashton-Eccles line to the Etihad stop, with services leaving every six minutes from the city centre and until 1am on Fridays and Saturdays.
Bus
You can find the full list of bus routes HERE, with the one in closest proximity to the venue being the 53 bus, which runs from Cheetham Hill through to Higher Crumpsall, Old Trafford and Pendleton, leaving just a two-minute walk to Co-op Live.
If you’re driving, there is limited parking available at the venue, but this must be pre-booked ahead of time, and there are designated drop-off areas.
The postcode is M11 3DU, and you can follow the signs towards the wider Etihad Campus as you get closer; directions to the adjacent drop-off points will also be signposted.
Keep in mind that congestion on the roads close to the stadium is expected to gather around two hours prior to any event, so if you are travelling on the road, these are the suggested times they provide on event day, though estimates will obviously vary:
Alan Turing Way (both directions): plan an additional 20 minutes into any journey by road.
Hyde Road (eastbound): expect an additional 15 minutes to be added to your journey.
Mancunian Way (westbound): plan for an extra 10 minutes of travel time.
There are also three park-and-ride facilities near Co-op Live, but be advised that the Velopark and Holt Town stops will be closed post-event to help safely manage crowds:
Ashton West (Ashton line) – 184 spaces and 11 disabled spaces
Ladywell (Ashton-Eccles line) – 332 spaces and 22 disabled spaces
Walk/cycle
Lastly, Co-op Live is only a half-hour stroll from Manchester Piccadilly, and you could even walk along the canal all the way to the front door if you fancy taking the scenic route.
Greater Manchester now also offers the option to hire bikes on the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app. There are hire points just near the south-west corner of the Etihad Stadium on Ashton New Road.
For more information on all travel options, you can check out the enhanced journey planner.