We recently got time to chat with UK solo artist Rag ‘N’ Bone Man around the release of his new album What Do You Believe In?
The Uckfield-born soul and pop singer, best known for tracks like ‘Human’, ‘Giant’ and ‘Skin’, dropped his third studio album earlier this month and is ramping up for a UK tour this November.
Real name Rory Graham, the 39-year-old has entered a new chapter both musically and personally, and that evolution can certainly be heard in his current sound.
We covered plenty in our recent discussion over on Audio North.
So straight off the bat, your new record What Do You Believe In? is finally here, how buzzing are you for the world to finally get to grips with it?
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Well, it’s been a hot minute since I’ve released an album and, you know, I just really hope people take it in as as a whole record. I think it’s hard in this day where people consume music totally differently and you know people don’t have much patience when it comes to music.
It’s all about like 40-second clips and stuff like that, but I think that I have this great fan base where you know they’re into vinyl and stuff, so I’m hoping that those people at least take the record as a whole.
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That means that I can go and play the record as a whole and when I come out on tour they might know some of the songs I don’t know.
Yeah, it’s one of those things, isn’t it? I feel like the album experience is sadly dying off a bit – with that in mind have you made it to be enjoyed as a start-to-finish piece?
I mean, I would like it but I didn’t make it like that; I just try and write the best songs that I can. The album does take a bit of a journey and it’s very different in parts but it does have an overall vibe to it.
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There’s kind of early 2000s neo-soul mixed with a bit of hip-hop and then later on it gets very dancey with some disco and funk in there too, but you know, I’m always the same: I just want to write good songs regardless of what the genre is.
What a great mix. Who are some of the artists you’ve been listening to lately and do you think they’ve left their fingerprints on the sound a little bit?
Well, the first person I worked with on this record was Jamie Liddell and he’s f***ing genius. When I explained to him what I was trying to do and how I wanted it to be sample-based but to try and make our own samples, not just so we don’t have to pay anyone, but like so even the samples are original.
It very much harks back to the era of hip-hop samples that pull from ’60s kind of soul music. You even hear it later on in the record on ‘Rush Of Blood’, where we sampled our own first part and put it in a tape machine and slowed it down, so I think it carries on like that throughout the record.
I think I referenced a lot of kind of early 2000s neo-soul people like Angie Stone and stuff like that. Some of the horns were referencing Rick James and Heatwave and stuff like that, so yeah, it takes some twists but it’s just got a real air of like sunniness.
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Even in the songs that are a little bit deeper and are maybe a little bit sadder or whatever, they don’t really feel that way musically: they still feel quite positive and uplifting – not that I was trying to make a happy album on purpose or anything, yeah, but I guess your life and the way your soul feels at a time kind of reflects, you know, on what music you make.
I’ve been very content in my personal life so, you know, touch wood everything’s been going pretty well and that’s definitely reflected in the record.
Although Rory is recently engaged and is clearly enjoying his life both in and outside of music lately, he’s not been without hardships to write about:
Yeah, there’s always been that uplifting gospel feel to your sound too, would you say you were trying to push in a different direction this time or is it more just a continuation for you?
No, there is a continuation a little bit but I think with this one, especially, I was thinking about live [performance] way more when I was writing it.
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Sometimes I’ll play like three or four songs and I think f***ing hell, they’re all in a minor key and, you know, I think all the time I’m spent writing and in production of the song I’m thinking ‘How’s this gonna sound live?’ That’s where I am most of the time when I finish a record.
Absolutely. And speaking of live shows, you’ve got a whole bunch of Northern shows coming up in Manchester, Leeds and Glasgow – is it a region that you feel like affinity to playing in?
I mean, I love playing down South and obviously Brighton’s like my home crowd and London’s great albeit sometimes tough, but I don’t think I’ve ever found the North like a difficult place to tour because I just always feel like I have confidence going into places like Manchester.
Whether it was like playing like Gorilla or the Ritz or whatever, because I’ve spent so many years coming back I never seem to have had a bad crowd.
Yeah, we don’t do bad crowds. What about favourites off the record then?
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I really like ‘Hideaway’: it’s like the second song that I wrote for the record and the one where I was like this is it – this is the sound that I feel like is going to kind of eke its way through the rest of the record.
There’s a really great horn sound on it that I actually just recorded doing whilst doing a stupid little impression with my mouth to try and explain to my trumpet player and then we ended up using it alongside real instruments, which I just think sounds really cool.
Credit: Supplied
It’s got a great sort of super happy vibe, so it’ll be great to play live, especially in a sort of summer festival situation.
The opening track [‘The Right Way’] is something that’s actually been knocking around since 2018 too. I went to Nashville to play a festival called Bonnaroo; me and Jamie decided to record some stuff and came up with a song which I’ve been in love with ever since but I didn’t fit on the second record, so I just needed to wait for the moment. This record was the right time for sure and it’s got a great sample too.
Ace. Just out of curiosity, you were famously on the FIFA soundtrack a few years back and plenty of artists have spoken about the impact that has had on their careers in the past. Is it something you recognised at the time or was it just flattering?
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No, it felt like a massive deal at the time and I understand what artists are saying about that because I remember discovering songs through it and even remember hearing ‘Pumped Up Kicks’ for the first time on FIFA.
I mean even football in general: I must have had some friends at Sky Sports or something because every time I turned on the channel when ‘Human’ was first out it was always on. Hopefully one of the new ones will end up in the next few games, who knows?
And lastly, if you could sum up the new album in three words, what would they be?
You can grab tickets to see Rag ‘N’ Bone Man in Manchester at the O2 Apollo HERE.
Featured Images — The Manc Group/Fiona Garden/Press Images (supplied)
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Parklife 2026 – stage times, line-up, tickets, travel, and everything else you need to know
Daisy Jackson
Parklife 2026 is heading back to the fields of Heaton Park in Manchester this month, for another huge instalment of the legendary local festival.
Tens of thousands of fans will be making their way to the park ready for the party of the year, which attracts the biggest names in dance, electronic, pop and house music.
With headline sets this year from Zara Larsson, Calvin Harris, Skepta and Sammy Virji, it’s shaping up to be another epic year.
Parklife is consistently one of the biggest events in the Manchester cultural calendar and has lined up plenty of new developments this year.
From brand-new stages to that fancy VIP area unveiled last year, plus all the travel, tickets, and other info you need to know is below.
When is Parklife 2026?
This year’s Parklife is taking place on Saturday 20 June and Sunday 21 June.
As a reminder, this is a non-camping festival, so you’ll need to navigate your way there and home again each day.
Gates will be open between 12pm and 11pm on Saturday, and 1pm and 11pm on Sunday.
Last entry will be strictly 5pm on both days.
Stage times
Parklife 2026 will bring huge names back to Heaton Park. Credit: Sam Neill
Parklife has shared its full list of stage times and splits ahead of the big weekend, with live updates dropping on the app over the weekend.
You can see the full list of stage times HERE, but I’ll round up the major headliners below too.
On Saturday, East End Dubs will headline the new Panorama Stage from 9.30pm, with Rossi. on stage beforehand from 8pm.
Sammy Virji will headline the main Valley Stage from 9.30pm, with Skepta performing between 8pm and 9pm.
As for Sunday, the Valley Stage will be headlined by Calvin Harris from 9.25pm, Zara Larsson from 7.40pm, and Rudim3ntal from 6pm.
The Panorma Stage will have KETTAMA on from 8pm and Chris Stussy from 9.30pm.
Tickets for Parklife 2026
Parklife tickets are £100.75 each for Saturday, and £105.85 each for Sunday, with tickets still on sale.
You can see the latest availability and grab your tickets for Saturday HERE or Sunday HERE.
Weekend tickets for both days are also still available at £161.75 – see those HERE.
VIP and Backstage tickets and upgrades
The new ‘Backstage’ VIP viewing area at Parklife 2025The new ‘Backstage’ VIP bar area at Parklife 2025
Last year, Parklife unveiled its new-look VIP and Backstage areas right in the heart of the festival site, with dedicated viewing areas overlooking The Valley stage.
A VIP ticket also gets you fast-track entry to the festival, posher loos, a VIP cocktail bar, a separate street food market, and even access to a hair and makeup salon.
If you really go all out on the Backstage ticket, that gets you an even posher VIP zone to hang out in, backstage toilets, covered seating areas, a pamper station, and a premium backstage bar.
You can upgrade to VIP for £46.05 on Saturday HERE, or Sunday HERE, or make your whole weekend VIP for £62.85 HERE.
Travel pass and how to get to Parklife
Parklife takes place up at Heaton Park, and while a lot of festival-goers do choose to walk home after the music stops, there are a lot of public transport and dedicated services to help you get home safe too.
The Parklife Travel Pass offers the best flexibility and the quickest ways to get to the festival as it covers any bus or tram service, including the direct Parklife Shuttle Bus.
The Travel Pass costs £8 for one day, or £14.95 for the weekend, and you can purchase it on the Bee Network app.
Trams will operate every seven minutes between Victoria and Heaton Park – use the Heaton Park stop for entry to the festival, but bear in mind this stop will close from 9pm so you’ll need to use Bowker Vale to get home after this time.
The Parklife Shuttle Bus runs throughout the day, departing from Minshull Street to right outside the festival site. The first bus will leave at 10.30am on Saturday and 11.30am on Sunday, while the last buses will go at 4.30pm on both days. For return, departures are from outside the Woodthorpe pub by the West Gate to Shudehill, starting from 6.30pm and continuing until everyone is off the festival site.
Official car parking is available through the Parklife app, for spaces in the Sheepfoot Lane car park. Bear in mind there’ll be a number of road closures which may cause delays leaving the car park.
There is no longer an official pick-up point, with Sainbury’s no longer in use for pick-up and drop-off. Instead, those being collected from the festival should organise an area at least 1km away from the park.
Weather forecast
It’s looking like pretty great weather for Parklife 2026 so far (which is a relief because the last few years have been wet).
According to the Met Office, Manchester will remain rain-free throughout both days of Parklife.
On Saturday, you can expect some cloud and lots of sunshine, with highs of 22º and lows of 14º.
Sunday will be much warmer, reaching 26º and getting as low as 17º.
The Hangar stage is so 2025 – this year, Parklife will be debuting a brand-new Panorama Stage, with a whopping curved 100m LED screen.
The festival’s new arrival will also have on-stage and behind-booth access, plus multi-tiered dance platforms right across the surrounding festival site.
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Parklife has shared new CGIs and a video of how the stage will look and this looks like it’s about to push the festival to a new level.
Banned items, lockers, and more
The list of banned items for Parklife 2026 is long, and includes the obvious (no drugs, no weapons, no glass) and the less obvious (no bikes, dogs, or hover-boards).
You are allowed to take an umbrella but it must be a compact one, can take sun cream but it needs to be in a 200ml or less original container, and you can take in an empty plastic bottle up to 500ml which you can refill at water points around the festival site.
Make sure you check the full list of banned items HERE so you don’t get caught out.
There are also lockers on site this year that you can pre-book, which you can access throughout the day for peace of mind while you party.
Inspiring new 360° immersive David Bowie experience to open in Manchester
Emily Sergeant
Music lovers will get a glimpse inside the mind of a creative genius when a new immersive experience opens later this year.
Factory International has this week announced its programme of events for the upcoming autumn-winter season, and by far one of the stand-outs on the list has to be the return of Lightroom for a new 360° experience called David Bowie: You’re Not Alone – which is set to immerse audiences in the iconic performances and creative mind of one of the world’s most visionary and influential artists.
Bringing together a wealth of visual material from a wide range of sources, the experience combines rare performance footage, photography, drawings, lyrics, personal notes, and audio recordings from the late Bowie himself.
You’re Not Alone will showcase some of Bowie’s landmark performances that redefined popular culture, using a mix of iconic, rarely seen, and even never-before-exhibited material.
Selected from thousands of hours of film in the vaults of the David Bowie Archive in New York, you can expect to see everything from Space Oddity and Diamond Dogs, through to Heroes, Black Star, and more.
Each track has been newly reconfigured by multiple Olivier and Tony award-winning sound designer, Gareth Fry, to utilise Lightroom’s specialised spatial audio system.
The 360° experience is set to be both a multimedia spectacle and an intimate self-portrait in one, giving audiences a unique insight into Bowie’s perspective on the subjects that were most important to him, like theatricality, spirituality, songwriting, and the transformative power of creativity.