And here we are: it’s officially time for the final round-up of Manchester bands and artists for 2024 and what a year it’s been for tunage.
We started this feature back in January and each month we’ve given you five different acts, be they big, small, unsigned or unsung, new on the scene or veterans that deserve more attention.
Fast forward to December and now we’re ready for our last batch of suggestions for new music from around Greater Manchester that you may or may not have heard yet.
The question is, are you ready? Let’s give it one last spin around the turntables.
New Manchester music you should check out to start the new year
1. Morgan Seatree
Speaking of turntables, it seems only fitting to start with a Manchester-based DJ Morgan Seatree, whose tunes have already queued up at a fair few tunes ready for our New Year’s Eve playlist. Born and bred in 0161, not only has he smashed the likes of The Warehouse Project but his sound is already going global.
His inspirations include Kerri Chandler, Paul Woolford, Disclosure, Larry Heard and more, and his catchy brand of mixes has already attracted attention from other big names in the electronic scene, including Patrick Topping, Folamour, Jamie Jones and more.
Music made for nothing but dancing and good times, his ear for easily recognisable hooks and infectious beats means you’ll only be hearing more of his as time goes on. Our picks to start with include ‘Hit It!’, ‘Good Life’ and his ‘Say My Name’ remix. He’s also responsible for this iconic clip from a Fallowfield flat:
The kind of vibes we're after this #NewYearsEve. 🙌😅
Next up to bat are the truly brilliant Dirty Laces who have been going for a few years now but we still think are criminally underrated on the Manc music scene. Not only do they blend a great mix of American rock and roll influences with 90s and 2000s UK roots, but their latest work looks to be a real evolution.
There have always been proto-punk elements to their sound and wonderful guitar solos, as well as what we would liken to Led Zeppelin, Queens of the Stone Age, Shed Seven, and even hints of Velvet Revolver on tracks like ‘These Days’ – imagine ‘Slither’ mixed with She Builds Quick Machines’.
However, it feels like we’re starting to hear them pulling in a slightly new direction and trying new things; there’s no better example of this than their recent singles, ‘Quiet Space’ and ‘If I Go’, which we’ve had on repeat for a few weeks now. ‘Seeker’, ‘Midnight Mile’ and ‘Old Friend’ are where we’d start though.
Third on our list is the immense throwback that is a young man called Elliot James Reay: the 22-year-old singer-songwriter from Bury but with a sound harkening back to the end of America’s ‘Golden Age’, where pop rolled into rock and vice versa.
Taking inspiration from the likes of Elvis Presley and deep obsessions with Roy Orbison, not only in terms of the music but look and overall style, this up-and-coming solo artist feels like he was born in the wrong era but will happily keep the fight alive with the help of vintage jackets, slicked-back hair and a guitar.
He’s only got a small handful of tunes so far, so it won’t feel too overwhelming to get through his discography either but you can also enjoy a selection of his old world covers including tracks by Orbison, Elvis, Paul Anka and more.
A Manchester artist with a straight out of the American South.
4. Florentenes
Number four of December 2024 is Florentenes from Bolton – well, Westhoughton to be more specific; are they named after the old tea room and bakery in the centre? We couldn’t possibly say, all we know is they’re very a talented group of young lads helping put the town’s music scene on the map.
Their debut EP 14:17 dropped back in November and there’s already a very clear stylistic idea in their heads even at such a young age. Melancholy nonchalant vocals that burst into shrieks and rip-roaring guitars are reminiscent of The Stokes, The Hives, Palaye Royale and even Frank Carter at times, but there are also early Arctic Monkeys drumming as well pacey Surf Curse-esque guitar riffs. There is a lot of different stuff going on, basically.
Again, they’ve only five tunes to get through just yet so this would be a great time to latch onto them before they inevitably start gaining more momentum next year. You don’t write build-ups, breakouts and literal screams like the one lead vocalist Will Smith (not that one) delivers in ‘Glue’ and not go anywhere. Watch this space.
And our last pick of the year goes to local lads Bayboards who are another local outfit that we’re getting very excited about going in 2025, for a couple of reasons. Let us explain…
Maybe it’s just how we process music or some weird serendipity, but we happened to discover these guys not long after hearing the news of Sundara Karma calling it a day and, fortunately for anyone who has been a fan of them, you’ll get a lot of that vibe from this quartet and plenty more range too.
You’ll get notes of Circa Waves and Vistas, as well as plenty of other contemporary British indie bands, not to mention some more shoegazey moments at least in those distorted guitar tones. We’re excited to see where they go next and if it’s anything like ‘Push Against The Blue’, ‘Moving to America’ or ‘Fire and Air’ we’ll be there every step of the way.
One of the most exciting new artists coming out of Manchester at the minute.
And for the last time this year, that really is all she wrote.
We sincerely hope you’ve enjoyed coming along with us on the voyage of discovery and have genuinely cottoned on to new bands and artists from Greater Manchester that you’d never heard of before and perhaps familiarised yourself with a kind of music you never thought you’d enjoy up until now.
It goes without saying that this sort of stuff – discovering and championing local, up-and-coming bands – is the lifeblood of Audio North and genuinely keeps us going all year round.
You best believe we’ll be back with more in 2025 (so long as you’ll have us) and until then, we urge you to go back through previous months and above all else, happy listening!
Featured Images — Em Cole (supplied)/Bayboards (via Facebook)/Press Shot (Facebook)
Audio
US rising star Reneé Rapp announces huge Manchester arena gig as part of European tour
Emily Sergeant
Reneé Rapp has just announced a European leg to her upcoming tour, and she’ll be stopping off in Manchester for a huge arena gig.
In just a few short years, Reneé Rapp has become a star… and her star is only rising higher.
At just 25-years-old, the critically-acclaimed musical theatre and TV actress has pivoted to become an undeniable pop sensation and film star – and an iconic figure in interviews too… which isn’t a job, but it should be – after landing her breakout role as Regina George in the Mean Girls musical on Broadway back in 2019.
Even though she chose to reprise her role as Regina George in the 2024 movie adaptation of the Mean Girls musical, since 2022, Rapp has largely turned her attention to her solo music career.
Reneé Rapp will be performing at Manchester’s AO Arena next March / Credit: Supplied
2022 saw Rapp release her debut EP, Everything to Everyone, before she then went on the channel her raw talent and authentic voice even further, and release her first full-length studio album Snow Angel in 2023.
Both 2024 and 2025 have been big musical years for Rapp too – so much so that she has now amassed more than 1.4 billion streams and counting across her entire discography.
An already-successful 2025 is about to become even more successful, as Rapp’s second album, Bite Me, is expected to be released on 1 August, and she’s also heading out on a highly anticipated US tour from late September through to late October.
Following on from her US tour, Rapp has today announced that she’ll be heading across the pond to Europe in the new year, and will be making her way over to Manchester to take to the iconic AO Arena stage in March 2026.
Amsterdam, Berlin, and Paris are just some of the other cities Rapp will be visiting before Manchester, ahead of closing out the tour at London’s Wembley Arena.
Reneé Rapp will be playing a huge gig at the AO Arena in Manchester on Wednesday 18 March 2026 as part of the ‘Bite Me Tour’, and tickets officially go on sale next week – with both pre-sales and general sale available.
The Three+ presale will begin on Wednesday 30 July at 10am, and the AO Arena presale will start on Thursday 31 July, again at 10am, before general sale launches on Friday 1 August at 10am.
Oasis are clearly doing something very deliberate for the as-yet-unconfirmed Live ’25 reunion album
Danny Jones
We’ve still not emotionally recovered from Oasis’ five homecoming nights in Manchester, and after seeing that the band just released a live recording of ‘Cigarettes & Alcohol’ from Heaton Park, it’s taken us right back to Friday, 11 July, and we can’t stop thinking about a Live ’25 album.
In fact, while the live record of the reunion world hasn’t been confirmed just yet, we’re becoming increasingly convinced that this is exactly what fans are going to get – and following the second Live ’25 concert capture dropping this week, we’re almost certain we know what they’re doing.
And if so, you can consider the vinyl of the ‘Oasis Live ’25‘ LP already in the basket.
Many of you might have already thought the same thing, but for anyone it hasn’t yet clicked for, let us explain; we got the live taping of ‘Slide Away’ from the Principality Stadium in Cardiff to start with, i.e. the first stop on the world tour. Here’s a snippet of how it sounds:
Have we listened to it pretty much non-stop ever since? Yes, but concentrate, that’s not the point we’re getting at; we think Oasis are doing something very specific for their almost inevitable Live ’25 album.
Up next was the aforementioned ‘Cigs and Alcohol’, performed and recorded on home turf right here in 0161, and released in honour of their magnificent Manc comeback.
More accurately, the live version of the song is plucked from their unforgettable opening evening at Heaton Park, as opposed to any of the other five dates.
Can you see where we’re going with this yet?…
With their place of birth having waited more than a decade and a half to hear the first few iconic chords that signal the start of the timeless Oasis classic and a pure rock and roll blowout, you can literally hear the energy from the crowd in your ears.
If you haven’t heard it dozens of times already, take a listen for yourselves and feel free to Poznań wherever you happen to be reading this:
That first Poznań for #OasisManchester hit like a chuffing freight train. 🔥
Upon checking the date of the Cardiff recording of ‘Slide Away’ was taken from, we noticed that they had also chosen the inaugural night of the entire Live ’25 tour, i.e. their very first live show in 16 years.
While we’re aware an official Oasis reunion tour album is technically still TBC, if you see a third live track released after the first of their SEVEN shows in the capital get underway this Friday (25 July), you can pretty much bank on the special live release being all but nailed on.
So, not only are we getting an Oasis Live ’25 reunion documentary from the man behind Peaky Blinders, but it looks like they’ll be providing fans with a virtual tour and a chance to experience/relive the gigs aurally, with each of the 23 tracks on the setlist being pulled from a different city on the world tour.
Now, while this isn’t an entirely unheard of idea in the world of live albums, that’s not all.
Better still, if our suspicions are correct and the next drop is taken from night one of Oasis Live ’25 in London (bonus points if you can guess which tune they go for), then the entire thing will capture the sonics and atmosphere at its best: propped up by the utter euphoria of a dream finally being realised.
We’re sure they could pull the audio at any part of the set, from any old date, and it would sound great, but nothing is like the palpable ecstasy you could quite literally hear on the opening nights in Cardiff, Manchester and, no doubt, Wembley. Having said that, the final farewell was pretty biblical too.
Put simply, isolate any night of the world tour and there’ll be something unique in the master.
Die-hards have been waiting what feels like a lifetime to finally see their favourite band in the flesh again; actually, like many of us here in Greater Manchester and indeed all over the world, some were simply too young to experience the Britpop craze and ‘Oasis Mania’ the first time around.
They obviously have a huge following not just in the UK and Ireland, but all over: the US, Japan, across South East Asia and throughout most of South America – you only have to watch clips or even hear Noel Gallagher talk about Buenos Aires to not how ‘mad fer it’ they are over there.
For a lot of fans, this IS their 1990s moment, and even those who sadly didn’t manage to get tickets have a chance to almost feel like they were there.
One thing’s for sure: if/when the Oasis Live ’25 album arrives, that Manchester buzz will take some beating in the unofficial contest to see who loves the legendary British rock band the most.