2:22 A Ghost Story has begun its UK tour in Manchester, and it’s a production certainly not for the faint hearted.
Since its premier on the West End back in 2021, 2:22 A Ghost Story has firmly established itself as a must-see.
It’s a production that promises to get your pulse racing, your palms sweating and the hairs stand up on the back of your neck – and believe me, it does just that.
Based on the personal experiences of playwright Danny Robbins, this spooky tale delves into the supernatural themes of love, loss, and enduring connections.
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The script is fast paced and keeps the audience on the edge of their seat, infusing dark themes with unexpected turns and moments of humour – it’s a perfect recipe for success.
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Set against the backdrop of a middle class dinner party there are no set changes, instead we focus on the four characters and their evening until the dreaded time comes around…2:22.
Jenny and Sam, played by Stacey Dooley and Kevin Clifton, are joined by their old friend Lauren (Shvorne Marks) and her new boyfriend Ben (Grant Kilburn).
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There was not one weak link in the cast, each player kept up to speed in the fast pace game as the plot unfurled around them.
The standout performance for me was by Grant Kilburn as Ben, a cocky chino-wearing, loafer-sporting builder who turns out to be more than meets the eye (no spoilers, I promise).
Stacey Dooley’s Jenny was gentle and strong in equal measures, whereas Kevin Clifton’s performance was exactly as you wanted it to be – ridiculously obnoxious and at most times incredibly unlikeable.
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The syncopated score added to the tension of the plot perfectly, as did the red lighting that framed the performance throughout.
Again, I won’t give too much away but the jump scares dotted through the performance sent waves of terror throughout the audience. Followed by chuckles of laughter as grown adults came to realise they’d dropped their popcorn on the floor out of fright.
The ending of course brought it all together, and was the sort of ending that you had speaking to strangers walking out of the auditorium after the final curtain call.
So if you’re looking to get your pulse racing with a theatre production like no other, 2:22 A Ghost Story is at the Manchester Opera House until Saturday 16 August and you can your tickets here.
One of Manchester’s grandest restaurants has finally reopened TWO YEARS after fire
Daisy Jackson
One of the most historic restaurants in Manchester has reopened at last, two years after a fire forced its closure.
Mount Street Dining Room & Bar – which many of us may remember as Mr Cooper’s – stands within the Grade II-listed Midland Hotel.
The grand dining room dates all the way back to 1903, when it opened with the hotel as the Grill Room.
The restaurant was at the epicentre of the Industrial Revolution and was frequented by railway travellers, perhaps best-known for hosting a lunch between Charles Rolls and Henry Royce in 1904, who went on to form the world-famous Rolls-Royce brand.
The Midland’s restaurants has gone through several changes in the decades since, undergoing a major £14 million refurb in 2020 to relaunch as Mount Street Dining Room & Bar.
Its interiors are inspired by the hotel’s early 1900s art deco and railway heritage, with a menu that focuses on locally-sourced British produce.
But the restaurant has been shut since early 2024, when a fire damaged the entrance and trellising around its main entrance on Mount Street.
The beautiful bar areaA glimpse of the menu at Mount StreetCocktails and British food
The Midland has finally managed to get the restaurant back open again this month, with a new food and cocktail menus, which aims to offer refined but simple British dining.
Expect dishes like pork and black pudding bonbons, white onion soup with crispy potatoes, smoked British salmon with lemon gel and dill mascarpone, and slow cooked beef daube with confit garlic mash.
Plus desserts such as rice pudding with Anise glazed pearsand Bakewell pudding with cherry syrup.
It’s been a long time since we’ve seen inside this beautiful, storied dining room – and it looks just as beautiful as we remember.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Clementine Hall -
14th August 2025 
