If you’ve passed through Manchester Piccadilly of late, you might have noticed two things: one, it’s really quiet, and two, there’s loads of cool Britpop merch and memorabilia on display, including original Oasis, The Verve, Inspiral Carpets art and more – all courtesy of Microdot.
Set up as part of the city’s own BRITs celebrations, along with a raft of other nationwide festivities, as the annual music award ceremony prepares to make its Manc debut at the Co-op Live this month, the showcase features special edition frames and more, all pride of place in the middle of the train station.
This collection, simply entitled ‘A Microdot Design’, is all done by the legendary Brian Cannon, the graphic designer and art director behind so much recognisable visual material within the genre.
We recently had the honour of speaking to the man himself in person ahead of Piccadilly’s temporary closure; you can see our interview with him right here:
The Wigan-born artist and visionary didn’t just make promotional materials for some of the biggest bands in the 1990s; he’s responsible for what has gone on to become some of the most familiar iconography in British music history.
With this pop-up exhibit available for a limited time only, we strongly urge you to go along and, for once, take your time rather than rushing around the station as you peruse the boards placed right near the main entrance.
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Charting his work from circa 1990 up until now, it’s crazy to see just how many of Brian and Microdot’s fingerprints are all over so many different bands and artists.
From native names like Oasis, The Verve and the Inspirals, as mentioned, as well as the likes of Cast, Super Furry Animals, Suede and Ash, plus so many more, this guy has been nothing short of prolific over the past few decades.
Audio North took a little tour of the King Street South unit last year in the lead-up to Oasis Live ’25 reunion world tour, and we felt like kids in a Britpop sweetshop.
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While this site has sadly since closed, shutting up shop back in July, Brian’s mini, modest, but nevertheless magic Microdot Boutique up in the Lake District is still standing.
Located in the popular North West town and tourist attraction, Kendal, it’s worth a trip there to see more of his portfolio alone.
Currently on display at Manchester Piccadilly ahead of the full 2026 BRITs Week and shindig at Co-op Live, it’s one of the best completely free things you can do in town at the moment – but the exhibition finishes on Sunday, 1 March, so make sure you don’t miss it.
Speaking of the BRIT Awards, if you’re wondering what else is on as 0161 gets ready welcome them for their two-year stint (at least), look no further…
Morrissey claims sole credit for The Smiths’ iconic Salford Lads’ Club photo shoot idea
Danny Jones
Morrissey is once again raising the issue of credit and disputes over The Smiths’ legacy, as the controversial former frontman has now claimed that their iconic photo shoot outside of Salford Lads’ Club was entirely his idea.
The 66-year-old lead singer turned solo star from Urmston is no stranger to sparking debates and attracting controversy, and it seems his latest is to do with one of the most iconic images in British music history, let alone just Greater Manchester.
The Davyhulme-born bard and divisive artist goes on to claim that the other co-founding members of the iconic Manc band initially viewed as more of his “lunacy” – the suggestion seemingly being (as it often is with Morrissey) that they simply didn’t understand the ‘genius’ at the time.
Many of his most die-hard fans still believe that most don’t and never will.
He even jokes that, in another life, it could very well have been something entirely different and random, such as the Kellogg’s factory in Trafford, basically suggesting that other members would have simply followed suit.
In his words, he argues that “now millions of people come from all over the world to be photographed on that very spot, it is claimed as a Smiths idea. It wasn’t, it isn’t, and it never shall be.”
Once again, this is by no means the first time he’s called into question, ‘who did what’ and/or who owns what bit of intellectual property; in fact, there was apparently another one of these instances with Johnny Marr only recently.
‘Moz’ and Marr have been at loggerheads pretty much ever since the group disbanded back in 1987, and still look to be far away from seeing eye to eye on virtually anything.
Manchester Museum to close much-loved section for ‘major’ £200k redevelopment
Emily Sergeant
Manchester Museum has announced that it’s planning to close of its best-loved exhibitions.
Thanks to a grant of £200,000 from the Department of Culture, Media and Sport’s (DCMS) Museums and Galleries Improvement Fund, Manchester Museum is planning a major redevelopment of its much-loved Vivarium.
The Vivarium has sat at the heart of Manchester Museum for more than 60 years, and is a centre for globally-significant conservation projects, caring for around 30 different amphibian and reptile species – many of which are critically endangered – in a bid to inspire generations of visitors.
Thanks to a pioneering partnership with Panama Wildlife Conservation Charity, which is just one of many projects designed to safeguard the future of endangered species and develop learning programmes that raise awareness of threats to biodiversity, Manchester Museum houses the world’s only captive ‘back-up’ population – which is why the redevelopment of the Vivarium is so important.
The funding grant will help to ‘revitalise’ public displays, and create new state-of-the art facilities and bespoke naturalistic environments for the amphibian and reptile species cared for by the Vivarium.
It will also allow the development of dedicated facilities for schools, teaching, and visiting tour groups, which the Museum hopes will ‘further enhance’ the gallery’s potential for learning.
During the redevelopment – which has been named the ‘Habitats of Hope’ project – new permanent displays will also be created that explore the connections between its wider collections and the animals it cares for.
Manchester Museum is set to close one of its much-loved sections for ‘major’ £200k redevelopment / Credit: Supplied
“Habitats of Hope speaks to how wonderful and how vulnerable the world’s rarest amphibians are” commented Georgina Young, who is the Head of Collections and Exhibitions at Manchester Museum.
“Major investment means Manchester Museum can match the highest standards of animal care with a more accessible visitor experience, while weaving stories of research, conservation, partnership and action that stretch from thriving ponds in Manchester to hyper-biodiverse ecosystems in Costa Rica and Panama.”
Danny Jones -
20th February 2026 
