Just as advertised, OVO had those in attendance at Manchester’s AO Arena last week and over the Easter bank holiday utterly enthralled as they watched over a “colourful ecosystem teeming with life – where insects work, eat, crawl, flutter, play, fight and look for love”.
While the already pre-fascinated audience made their way to their seats, a lone giant egg occupied the stage before being soon replaced by an array of bright-coloured insect-like performers, resembling crickets, spiders and other critters.
The captivating introduction to the world of OVO was then followed by what may very be one of the most beautiful and breathtaking shows to grace the AO Arena in many, many years.
A showcase of acrobatics, skill and sheer mind-blowing talent, the production takes you on a journey of awe, shock and bewilderment. As the insects and bugs swung around the stage, being thrown through the air and contorting their limbs those watching on were left gasping. Nothing but exclaim and applause.
If we had to sum up Cirque du Soleil’s return to Manchester succinctly, mind-bending doesn’t even begin to cover it.
From stunning set to stunning set, each performer evoked emotion from those in their presence. Soloists left the stands in stunned silence as they moved oh so gracefully around the stage, telling the audience a story they may not always quite understand but are simply left with no choice but to feel every moment.
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Ethereal violins are the perfect accompaniment for the physical movement that had emotions swelling, chests tightening and eyes widening all around the AO.
Such moments were still broken up with more traditional comedic circus craft, as heads flew back in laughter in response to the rather hilarious love story of the travelling blue fly and ladybird love interest.
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They even got members of the audience up on stage to create further amusement for all the family.
But then, before you know it, things whip straight back into a world of high-risk stunts you’ll struggle to believe you’re witnessing live — we certainly did.
Performers are thrown from trapeze to trapeze, basically being caught by pinky fingers and little toes, twisting and turning through their air and even flying between the support struts of the apparatus, before the cast are then thrown into the air and dive into the netting below.
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Crickets throw themselves up walls, tumbling back down towards trampolines only to rebound right back to the top, as their counterparts tumble towards the crowd performing double and triple summersaults… and we’re still genuinely out of breath even just recounting it all.
The Manchester crowd absorbed every ounce of energy, clapping and whooping in sheer disbelief and wonder. As the story concludes the crowd are still left speechless but driven once again to fill the arena with applause.
After half a decade since the world-famous circus and entertainment group last landed in Manchester, Cirque du Soleil truly brought an experience unlike any other to the city.
We might have to wait another little while before they’re back but we sincerely recommend giving this other-worldly performance art a go if you haven’t before. Better still, they rock up to our friends over at The Hoot‘s territory for a run of shows later this week.
Lastly, if you want to find out more about every other big event coming up at the AO Arena in the first half of 2024, we’ve got a handy little list for you down below:
ENB’s Romeo & Juliet at Palace Theatre Manchester – the world’s most famous story expertly reimagined | Review
Emily Sergeant
Every now and then you experience a bit of a full circle moment… and for me, this was one of them.
Back in 2011, when I was a dance-obsessed 14-year-old, taking and assisting classes countless times a week, I became enamoured by a BBC documentary series called Agony & Ecstasy: A Year with English National Ballet. As one of the country’s premier ballet companies – celebrating its 60th anniversary at the time of the documentary – ENB allowed cameras behind the scenes, from the rehearsal room to backstage, giving audiences a previously unseen inside look on what it takes to stage some of the most spectacular productions your eyes will ever meet.
One of the ballets being staged in the year the BBC followed the company was Romeo & Juliet.
Based on a story known around the world and with an unmistakable score by Prokofiev, it’s a ballet I was already fond of prior to the documentary, but seeing the work that went into making the show a reality, up close like never before, it turned into one of my favourites.
Over the years, I have been fortunate enough to see several different dance stagings of Romeo & Juliet – but last night, at the Palace Theatre in Manchester, was the first time I got to sit in the audience and see English National Ballet’s production live with my own eyes.
And it was just as magical as I was hoping it would be.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre / Credit: Laurent Liotardo
Right off the bat, I’m just going to presume you already have somewhat of a grasp on the story of Romeo & Juliet, right? Given the fact it’s arguably Shakespeare’s most famous work and one of the most iconic plays of all time.
And you’ll be pleased to know, even if you’re not seasoned in watching ballet, that the story we all know and love remains largely intact for this production, therefore making it easy for audiences of all ages and interests to follow along and admire.
The two title characters, the star-crossed lovers themselves, were embodied expertly by Rentaro Nakaaki and Julia Conway as Romeo and Juliet, who had the audience captivated from the second they entered the stage – with undeniable chemistry and enviable technique.
Fabian Reimair took on the role of Tybalt with ease, Noam Durand was Mercutio, and Rodrigo Pinto was Benvolio, all while Elvis Nudo and Minju Kang stepped into the shoes of Paris and Rosaline.
But the lead roles are nothing without the wider cast of supporting dancers and character actors, who really help transport you to 14th century Verona and help bring the authenticity a production as epic as this requires.
The world’s most famous story has been expertly reimagined / Credit: Bill Cooper | Laurent Liotardo
Aside from the dancing, it would be remiss not to praise the expert sets and costuming here from Ezio Frigero and Franca Squarciapino.
And I suppose I should also give a shoutout to little-known name, Rudolf Nureyev, who choreographed this version of Romeo & Juliet all the way back in 1977. Something tells me he would’ve had a great career… I could be wrong, though.
Romeo & Juliet really is one of the most tragic love stories of all time, and the power of that is not lost through dance. It’s still as raw and heartbreaking in this production as it always is.
And that is truly a credit to every single person forming part of it – both on the stage and off.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre until Sunday 25 October, and you can book your last-minute tickets here.
Featured Image – The Manc Group
Art & Culture
Tickets officially go on sale for rare 70mm IMAX screenings of Dune: Part Three in Manchester
Emily Sergeant
Tickets have now officially gone on sale for rare 70mm IMAX screenings of Dune: Part Three in Manchester.
Arriving on screens from 18 December and gearing up to be one of the most anticipated films of the year, Dune: Part Three – which is the third and final instalment in director Denis Villeneuve’s Dune franchise – will be screening in IMAX 70mm at Vue Manchester Printworks, one of only three venues to show it in this format nationwide.
There are only 40 other venues across the globe showing the film in IMAX 70mm, and Manchester is the only city outside of London to screen the blockbuster this way too.
Based on the novels of Frank Herbert and set nearly two decades after the previous film, Dune: Part Three features an ensemble cast of all-star names led by Timothée Chalamet and Zendaya.
Alongside them will be Jason Momoa, Florence Pugh, Anya Taylor-Joy, Rebecca Ferguson, Robert Pattinson, Charlotte Rampling, Javier Bardem, and Josh Brolin.
After seats for a special early screening of the film in IMAX sold out in less than 30 minutes last month, the IMAX 70mm showings – which officially went live today (20 October) – are expected to be snapped up fast by film fans in Manchester.
“A decade in the making, Denis Villeneuve’s epic Dune trilogy is reaching its dramatic conclusion this December,” explained Dean Cross, who is the Senior Screen Content Manager at Vue.
“As the only venue outside of London to be screening Dune: Part Three in IMAX 70mm, it’s a privilege for us to offer this unique way to experience the film.”
The Manc -
2nd April 2024 
