Just as advertised, OVO had those in attendance at Manchester’s AO Arena last week and over the Easter bank holiday utterly enthralled as they watched over a “colourful ecosystem teeming with life – where insects work, eat, crawl, flutter, play, fight and look for love”.
While the already pre-fascinated audience made their way to their seats, a lone giant egg occupied the stage before being soon replaced by an array of bright-coloured insect-like performers, resembling crickets, spiders and other critters.
The captivating introduction to the world of OVO was then followed by what may very be one of the most beautiful and breathtaking shows to grace the AO Arena in many, many years.
A showcase of acrobatics, skill and sheer mind-blowing talent, the production takes you on a journey of awe, shock and bewilderment. As the insects and bugs swung around the stage, being thrown through the air and contorting their limbs those watching on were left gasping. Nothing but exclaim and applause.
If we had to sum up Cirque du Soleil’s return to Manchester succinctly, mind-bending doesn’t even begin to cover it.
From stunning set to stunning set, each performer evoked emotion from those in their presence. Soloists left the stands in stunned silence as they moved oh so gracefully around the stage, telling the audience a story they may not always quite understand but are simply left with no choice but to feel every moment.
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Ethereal violins are the perfect accompaniment for the physical movement that had emotions swelling, chests tightening and eyes widening all around the AO.
Such moments were still broken up with more traditional comedic circus craft, as heads flew back in laughter in response to the rather hilarious love story of the travelling blue fly and ladybird love interest.
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They even got members of the audience up on stage to create further amusement for all the family.
But then, before you know it, things whip straight back into a world of high-risk stunts you’ll struggle to believe you’re witnessing live — we certainly did.
Performers are thrown from trapeze to trapeze, basically being caught by pinky fingers and little toes, twisting and turning through their air and even flying between the support struts of the apparatus, before the cast are then thrown into the air and dive into the netting below.
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Crickets throw themselves up walls, tumbling back down towards trampolines only to rebound right back to the top, as their counterparts tumble towards the crowd performing double and triple summersaults… and we’re still genuinely out of breath even just recounting it all.
The Manchester crowd absorbed every ounce of energy, clapping and whooping in sheer disbelief and wonder. As the story concludes the crowd are still left speechless but driven once again to fill the arena with applause.
After half a decade since the world-famous circus and entertainment group last landed in Manchester, Cirque du Soleil truly brought an experience unlike any other to the city.
We might have to wait another little while before they’re back but we sincerely recommend giving this other-worldly performance art a go if you haven’t before. Better still, they rock up to our friends over at The Hoot‘s territory for a run of shows later this week.
Lastly, if you want to find out more about every other big event coming up at the AO Arena in the first half of 2024, we’ve got a handy little list for you down below:
Northern Ballet’s Gentlemen Jack at The Lowry – A powerful story of queer love
Aimee Woodcock
Northern Ballet’s Gentleman Jack is a moving and beautifully crafted retelling of the life of Anne Lister, the 19th-century Yorkshire landowner often described as the ‘first modern lesbian’.
Through the stunning choreography of Annabelle Lopez Ochoa, the production captures not only Anne’s extraordinary determination to live authentically, but also the enduring power of queer love.
Gemma Coutts delivers a compelling performance as Anne Lister, embodying her confidence, intelligence and refusal to conform to society’s expectations. From the opening scenes, Anne’s strength of character shines through, setting the tone for a story that feels both deeply historical and strikingly relevant. The choreography from Ochoa allows Anne’s personality to shine through every movement.
Halfway through Act I, Saeka Shirai joins the ensemble as Marianne, Anne’s great love. Their partnership is one of the production’s highlights. The pair beautifully convey the intensity of their passion and devotion, so much so that it moved me to tears.
Surrounding them is a fascinating chorus of words, embodied by the ensemble dancers, who fill the stage and bring Anne’s famous diaries and inner thoughts vividly to life, you truly feel like you’re getting lost with the words as they take over the stage.
The romance is tested when Marianne’s husband discovers their affair. Faced with an impossible choice, Marianne chooses the security of her marriage over a life with Anne, leaving Anne heartbroken.
Credit: Tristram KentonCredit: Tristram KentonGentleman Jack is at The Lowry
Following this loss, Anne travels to Paris and returns transformed, once she’s back home in Yorkshire, she forms an immediate connection with the gentle and wealthy Ann Walker, danced beautifully by Rachael Gillespie. Their relationship becomes the emotional centre of Act II.
Together they face numerous challenges, including societal pressures and personal insecurities, yet their bond continues to deepen – a true testament to queer love.
Ochoa carefully builds their relationship through movement, creating a partnership that feels authentic and symbolic. The ballet ends in a symbolic wedding and shared flight towards a future together, a powerful affirmation of their love and commitment.
As a queer woman myself, I was completely moved by this portrayal of love. Seeing a same-sex relationship presented with such beauty, dignity and tenderness within the classical language of ballet felt deeply moving.
Gentleman Jack reminds us that queer women have always been here, and always will be. It is a powerful, emotional and uplifting production that I would highly recommend.
Gentleman Jack is at The Lowry in Salford until Saturday 6 June
Multi award-winning musical Hadestown is coming to Manchester on its UK tour next year
Emily Sergeant
Multi award-winning musical Hadestown is heading out on tour next year, and of course it’ll be stopping off in Greater Manchester.
The Tony and Grammy Award-winning production is currently playing its third smash-hit year in London’s West End, but once 2027 rolls around, Hadestown is embarking on its first-ever tour of the UK and Ireland, and tickets are officially set to go on general sale this morning (5 June).
If you’re unfamiliar with this modern-day classic, Hadestown takes you on an unforgettable journey to the underworld and back, intertwining two mythic love stories – that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone.
Described as being a ‘deeply resonant’ and ‘defiantly hopeful’ theatrical experience, audiences are invited to imagine how the world could be.
We're coming, songbirds. The journey underground begins February 2027.
Having been seen by over six million people, streamed by nearly a billion, and adored by fans around the world, critics have called this record-breaking musical ’the most exhilarating ride’… and once you watch it for yourself, it’s not hard to see why.
Hadestown will be taking to the stage at the Lowry in Salford next March, arriving in the city on Tuesday 9 March and running through until Thursday 11 March 2027.
Other northern cities the production will be visiting on its upcoming tour include Leeds, Sheffield, Newcastle, Liverpool, Hull, and Chester, while there’s many other major locations on the list before it closes in Sunderland in mid-November 2027.
Multi award-winning musical Hadestown is coming to Manchester on its UK tour next year / Credit: Marc Brenner (Supplied)
While the production is touring, the critically acclaimed West End run will still continue at London’s Lyric Theatre, more than eight years after its sold-out debut at the National Theatre in 2018.
Hadestown will be at the Lowry from Tuesday 9 – Thursday 11 March 2027.
The Manc -
2nd April 2024 
