Over in Stockport, there’s a warehouse filled with all manner of Star Wars props – from Storm Trooper suits to Dak helmets – all created by a team of fans with a special set of skills.
Known officially as RS Propmasters, unofficially as the ‘King of Troopers’, they’ve created some incredible original Star Wars trilogy replica props for the silver screen and have had their work featured in some big Hollywood movies and at London’s V&A museum.
No strangers to the fantasy worlds of superheroes, they all met years ago in the replica prop community – a combination of painters, sculptors, mould makers and researchers.
Image: The Manc Group
That community, once comprised of secret groups and closed forums, is now very much out in the open – with the team going from fans making the cult props as a hobby, to becoming professionals in the movie prop world.
Brought together by their shared love of all the original Star Wars trilogy, they combined their passions to start creating what they saw on the screen – working from original moulds used in the 1970s.
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Those replicas got them noticed and, years later, the working prop studio has now worked with a large number of productions, including big studio movies.
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Image: The Manc Group
Image: The Manc Group
Image: The Manc Group
Today, together the studio can make two full Storm Trooper outfits in a day with a team of six people working on it at once.
And if that wasn’t impressive enough, they also recently produced 50 replica guns over six weeks for a new Hollywood superhero film.
In total, RS makes five different Star Wars characters at its Stockport studio – and so much research goes into making these props exactly how they would have been made for the films 45 years.
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The studio’s SnowTroopers, for example, have a direct lineage to the original movie. These helmets are cast from an original studio-made helmet they managed to get their hands on back in 2017 – the only time this has ever been done.
Not satisfied with that, though, they even journeyed to LA to visit a private collection in order to find the most accurate cowl fabric to do the helmet justice.
Let’s just say there are no cutting corners here.
Image: The Manc Group
A community born out of fans with a shared passion, today the studio is run by a team of ten – all with their own individual skillset.
From ‘amour guy’ Pete O’Rourke, who it’s said has probably built more accurate Stormtroopers than anyone else in the world, to Becka Albrecht, who comes from a Fine Art and Humanities background and paints and weathers all the props, every single one of them has a true passion for the stories behind the props they are creating.
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Avid Star Wars collector Simon Windus, meanwhile, puts the ‘S’ in RS – having launched the company in its early days with his original Stormtrooper suit. As for his partner Rob McCormick, he was making props before RS was just a twinkle in their eye – but back then, it was all about Boba Fett.
So well-respected and knowledgeable are Simon and Rob, they were even invited down to the Victoria and Albert Museum in London to help create a replica suit from an original costume piece back in 2015 as part of a British Film Institute exhibit.
And they’re right here on our doorstep, making magic from original cult prop pieces dating back to the 70s.
Progressing from hobbyists to esteemed industry professionals at the top of their game, it just goes to show if you are really passionate about something you can make anything happen.
To see more of the team’s work, follow them on Instagram here.
Feature image – RS Propmasters
Art & Culture
ENB’s Romeo & Juliet at Palace Theatre Manchester – the world’s most famous story expertly reimagined | Review
Emily Sergeant
Every now and then you experience a bit of a full circle moment… and for me, this was one of them.
Back in 2011, when I was a dance-obsessed 14-year-old, taking and assisting classes countless times a week, I became enamoured by a BBC documentary series called Agony & Ecstasy: A Year with English National Ballet. As one of the country’s premier ballet companies – celebrating its 60th anniversary at the time of the documentary – ENB allowed cameras behind the scenes, from the rehearsal room to backstage, giving audiences a previously unseen inside look on what it takes to stage some of the most spectacular productions your eyes will ever meet.
One of the ballets being staged in the year the BBC followed the company was Romeo & Juliet.
Based on a story known around the world and with an unmistakable score by Prokofiev, it’s a ballet I was already fond of prior to the documentary, but seeing the work that went into making the show a reality, up close like never before, it turned into one of my favourites.
Over the years, I have been fortunate enough to see several different dance stagings of Romeo & Juliet – but last night, at the Palace Theatre in Manchester, was the first time I got to sit in the audience and see English National Ballet’s production live with my own eyes.
And it was just as magical as I was hoping it would be.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre / Credit: Laurent Liotardo
Right off the bat, I’m just going to presume you already have somewhat of a grasp on the story of Romeo & Juliet, right? Given the fact it’s arguably Shakespeare’s most famous work and one of the most iconic plays of all time.
And you’ll be pleased to know, even if you’re not seasoned in watching ballet, that the story we all know and love remains largely intact for this production, therefore making it easy for audiences of all ages and interests to follow along and admire.
The two title characters, the star-crossed lovers themselves, were embodied expertly by Rentaro Nakaaki and Julia Conway as Romeo and Juliet, who had the audience captivated from the second they entered the stage – with undeniable chemistry and enviable technique.
Fabian Reimair took on the role of Tybalt with ease, Noam Durand was Mercutio, and Rodrigo Pinto was Benvolio, all while Elvis Nudo and Minju Kang stepped into the shoes of Paris and Rosaline.
But the lead roles are nothing without the wider cast of supporting dancers and character actors, who really help transport you to 14th century Verona and help bring the authenticity a production as epic as this requires.
The world’s most famous story has been expertly reimagined / Credit: Bill Cooper | Laurent Liotardo
Aside from the dancing, it would be remiss not to praise the expert sets and costuming here from Ezio Frigero and Franca Squarciapino.
And I suppose I should also give a shoutout to little-known name, Rudolf Nureyev, who choreographed this version of Romeo & Juliet all the way back in 1977. Something tells me he would’ve had a great career… I could be wrong, though.
Romeo & Juliet really is one of the most tragic love stories of all time, and the power of that is not lost through dance. It’s still as raw and heartbreaking in this production as it always is.
And that is truly a credit to every single person forming part of it – both on the stage and off.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre until Sunday 25 October, and you can book your last-minute tickets here.
Featured Image – The Manc Group
Art & Culture
Tickets officially go on sale for rare 70mm IMAX screenings of Dune: Part Three in Manchester
Emily Sergeant
Tickets have now officially gone on sale for rare 70mm IMAX screenings of Dune: Part Three in Manchester.
Arriving on screens from 18 December and gearing up to be one of the most anticipated films of the year, Dune: Part Three – which is the third and final instalment in director Denis Villeneuve’s Dune franchise – will be screening in IMAX 70mm at Vue Manchester Printworks, one of only three venues to show it in this format nationwide.
There are only 40 other venues across the globe showing the film in IMAX 70mm, and Manchester is the only city outside of London to screen the blockbuster this way too.
Based on the novels of Frank Herbert and set nearly two decades after the previous film, Dune: Part Three features an ensemble cast of all-star names led by Timothée Chalamet and Zendaya.
Alongside them will be Jason Momoa, Florence Pugh, Anya Taylor-Joy, Rebecca Ferguson, Robert Pattinson, Charlotte Rampling, Javier Bardem, and Josh Brolin.
After seats for a special early screening of the film in IMAX sold out in less than 30 minutes last month, the IMAX 70mm showings – which officially went live today (20 October) – are expected to be snapped up fast by film fans in Manchester.
“A decade in the making, Denis Villeneuve’s epic Dune trilogy is reaching its dramatic conclusion this December,” explained Dean Cross, who is the Senior Screen Content Manager at Vue.
“As the only venue outside of London to be screening Dune: Part Three in IMAX 70mm, it’s a privilege for us to offer this unique way to experience the film.”
Georgina Pellant -
25th March 2022 
