A series of incredible independent arts and culture events will span across Greater Manchester over the coming weeks, as Manchester Independents commissions 12 amazing new works.
They are an initiative launched out of the pandemic to support local artists across all 10 boroughs, and give them a platform to showcase their projects, supported by various cultural organisations around the region including Brighter Sound, HOME, Factory International, Contact and many more.
Following on from the success of the 2021 scheme, which saw 23 new commissions, Manchester Independents are ready to present 12 new projects, from walking tours to art exhibitions to theatre.
The vast range of new work includes everything from workshops with Muslim women in Rochdale to film screenings in Levenshulme to AI-generated theatre in the city centre.
Themes will range from celebrations, love and feminism to mental health, chronic illness and dystopian Manchester.
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You’ll find the new Manchester Independents commissions at venues from theatres (like Contact and 53Two) to parks to galleries to digital spaces.
Events are going to be popping up all over Greater Manchester over the coming weeks – here’s what you need to know.
This six-minute video artwork will blend spoken word, an original soundtrack, and a choral performance of the chorus from Eminem’s ‘Cleaning Out My Closet’ to speak about absence, loss, grief and childhood rebellion.
Dance, contemporary circus, poetry and improvisation will come together in this duet. The piece looks at mysticism, Afrofuturism and Black Feminist Hauntology through our connection with the life giving element, water.
Horticultural Centre at Wythenshawe Park, 30 September
The neglected Horticultural Centre at Wythenshawe Park is going to be brought to life by visual artist Michele Selway. She’ll use Victorian photographic equipment to document the place and the people that are keeping it going, and use the unique 1951 Wet Plate Collodion process to photograph onto large format glass plates, mirroring the materials of the glass house itself.
Four Dholis And A Divorce by Hafsah Aneela Bashir, @redwizz1
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Rochdale Ukrainian Club, 29 September
This performance explores intergenerational trauma and lived experiences of divorce through five female characters from a South Asian Muslim background.
Portraits of a Poet by Princess Arinola Adegbite (BITEZ), @pabitez
The Whitworth, 5 October
A surrealist work exploring perception and the ways we perform in society for safety, love and acceptance. It begins from the perspective of a black female artist to investigate agency, spectatorship and power.
A theatre piece exploring Sam’s 12 years of visiting Manchester Children’s hospital regularly. This performance plays with comedy, sadness, perceptions and toilet humour often found in discussions amongst young patients.
A fast-moving, comedy drama about life with chronic gynaecological disease.
Cerebral Palsy Graphic Novel by Julian Gray, @juliangrayart
Published online at the end of August – available at www.manchesterindependents.org
Interviews with people with Cerebral Palsy about its representation in media and performance, culminating in an online zine.
The Anxious Photographer’s Handbook by Simon Jones, @simonjones_2000
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Book launch in September, exhibition in October. Details to be updated on www.manchesterindependents.org
A visually engaging book containing a range of interesting photographic challenges which can be used as a way to connect with the local environment and society. The work is primarily aimed at individuals that have become isolated due to issues such as anxiety and other mental health/social issues.
See www.manchesterindependents.org for latest updates.
Jova and the wave rebranding as yeguachita – EP, graphic identity and video works. yeguachita will be creating a concept album in collaboration with other musicians.
Featured image: Supplied
Art & Culture
Oasis, Joy Division and New Order named as 2026 inductees into world-famous Rock & Roll Hall of Fame
Emily Sergeant
It’s official – three of Manchester’s most iconic bands are joining history.
That’s because it’s been announced today that both Oasis, and Joy Division/New Order (as one act) are being inducted into the world-famous Rock & Roll Hall of Fame as part of the 2026 cohort, which is not only a huge deal for the bands individually, but also for our city’s music legacy.
It would not be an understatement to say that these past few years have been some of the biggest in Oasis‘ career, given the fact that they played all across the world 2025 on what is one of the biggest reunion tours of all time – including five nostalgia-drenched gigs in Manchester’s Heaton Park last summer.
But despite everything they’ve done over the past three decades, this could still be one of the iconic Manchester band’s greatest achievements.
Announcing Oasis’ induction this week, a statement on the Rock & Roll Hall of Fame website reads: “Oasis are one of the most successful and influential acts of all time. Exploding out of the 1990s UK music scene, they reclaimed big, brash, hook-filled rock & roll with their anthemic sound, cool swagger, expertly crafted lyrics, and electrifying live performances – eventually selling over a hundred million records.
“Their songs have become England’s go-to anthems, sung in unison by fans at sporting events and social gatherings and inspiring countless bands.”
The Gallagher brothers reunion last year was also noted by the Rock & Roll Hall of Fame as being one of the key reasons for their induction, proving that the band’s influence ‘remains as strong as ever’.
I wanna thank all the people who voted for us it’s a real honour ever since I was a little kid and singing in the shower I’d dream about 1 day being in the RnR hall of fame it’s true what they say anything is possible if you have a dream LG x
It’s not just celebration for Oasis, of course, as two of Manchester’s other most revered bands, Joy Division and New Order, have also been chosen as 2026 inductees into the Rock & Roll Hall of Fame.
A statement on the Rock & Roll Hall of Fame website about Joy Division and New Order’s joint induction reads: “Joy Division and New Order were postpunk pioneers and electronic dance-floor innovators, inspiring thousands of bands and becoming a beacon for millions of listeners.
“Spearheading the late 1970s Manchester music scene, their story is a remarkable tale of revolution, metamorphosis, and influence.
“Their dark and droning transmissions ‘Love Will Tear Us Apart’ and ‘Blue Monday’ were foundational to both dance music and alternative rock, and they still resonate deeply with outsiders and adventurous souls.
“They were innovative musicians who created something revolutionary and massively influential – not once, but twice.”
The 2026 Rock & Roll Hall of Fame induction ceremony will be held on 14 November at the Peacock Theater in Los Angeles.
Featured Image – Jill Furmanovsky (Publicity Picture)
Art & Culture
Morrissey claims sole credit for The Smiths’ iconic Salford Lads’ Club photo shoot idea
Danny Jones
Morrissey is once again raising the issue of credit and disputes over The Smiths’ legacy, as the controversial former frontman has now claimed that their iconic photo shoot outside of Salford Lads’ Club was entirely his idea.
The 66-year-old lead singer turned solo star from Urmston is no stranger to sparking debates and attracting controversy, and it seems his latest is to do with one of the most iconic images in British music history, let alone just Greater Manchester.
The Davyhulme-born bard and divisive artist goes on to claim that the other co-founding members of the iconic Manc band initially viewed as more of his “lunacy” – the suggestion seemingly being (as it often is with Morrissey) that they simply didn’t understand the ‘genius’ at the time.
Many of his most die-hard fans still believe that most don’t and never will.
He even jokes that, in another life, it could very well have been something entirely different and random, such as the Kellogg’s factory in Trafford, basically suggesting that other members would have simply followed suit.
In his words, he argues that “now millions of people come from all over the world to be photographed on that very spot, it is claimed as a Smiths idea. It wasn’t, it isn’t, and it never shall be.”
Once again, this is by no means the first time he’s called into question, ‘who did what’ and/or who owns what bit of intellectual property; in fact, there was apparently another one of these instances with Johnny Marr only recently.
‘Moz’ and Marr have been at loggerheads pretty much ever since the group disbanded back in 1987, and still look to be far away from seeing eye to eye on virtually anything.
Daisy Jackson -
31st August 2023 
