Rarely-seen photos of Amy Winehouse are to go on display in Manchester to mark the late singer’s 40th birthday this month.
The exclusive images of the legendary vocalist – who was considered to be one of the voices of her generation, but sadly passed away back in 2011 at the age of 27 – will form part of an exhibition showcasing work by critically-acclaimed music photographer Richard Kelly that’s currently happening down at the Kimpton Clocktower Hotel in the city centre.
The exhibition, titled Richard Kelly: A Time and Place, features never-before-seen images of some of music’s most-talked-about talents – including local legend John Cooper Clarke, Arctic Monkeys, and Florence + The Machine.
Up-and-coming Manchester music talent like Anthony Szmierek and Akemi Fox also feature as part of the popular exhibition.
And now, following its unprecedented popularity, with dozens of eyes having been able to clock eyes on the photos over the last couple of weeks, the hotel has announced that the exhibition‘s stay in our city has been extended.
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It will now close at the end of October.
As well as the extension, two new rarely-seen framed photos of Amy Winehouse taken by Kelly are also being added to the one already on display in the exhibition as a special homage to what would have been the star’s 40th birthday – which is on 14 September.
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Rare Amy Winehouse photos to go on display in Manchester to mark the late singer’s 40th birthday / Credit: Richard Kelly
“When taking people’s pictures, I always try to distance myself from the celebrity and just see and capture the person,” Richard Kelly said of the two new additions to the exhibition.
“The images of Amy Winehouse I’ve added are from the time she supported the Arctic Monkeys at Old Trafford a few years back. I managed to catch her just before she went on stage, as it seemed to be a brief respite from the whirlwind that seemed around her at the time, [and] she then went on to lead the crowd in a singalong of ‘Valerie’ – it was magical.
“She was one of a kind, and is definitely missed.”
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As the long-standing official photographer of the Arctic Monkeys, and as a celebrated music photographer in general, Kelly has been highlighting the best in British musical talent for over 25 years now, and has captured some of the most-famous names in the industry.
He also prides himself on scouting local Mancunian talent, which makes this exhibition – and its now extension – all the more important.
The images are part of the Richard Kelly: A Time and Place exhibition at the Kimpton Clocktower Hotel / Credit: Kimpton Clocktower Hotel
David Steel, who is the General Manager of Kimpton Clocktower, said the hotel is “proud” to be extending the exhibition to give people the chance to see never-before exhibited shots.
“We know Amy Winehouse made such an impact on so many people’s lives with her extraordinary talent,” he added, “So we’re hoping to help people feel connected with her art and memory, at a time that would have been a celebration for her.”
The two new Amy Winehouse photos as part of the free-to-view Richard Kelly: A Time and Place exhibition will be on the walls at The Refuge from 14 September.
The exhibition has been extended to end in October 2023.
Featured Image – Richard Kelly
Art & Culture
Sterephonics frontman Kelly Jones reveals that Noel Gallagher is back in the studio
Danny Jones
Stereophonics lead singer Kelly Jones has graciously revealed to music fans that new Gallagher tunes could be on the way, as he confirmed that Noel has been back in the studio and working on new material.
The big question is, has Liam been in there with him?…
Broken rather nonchalantly in an interview with NME, Jones didn’t so much let the news slip as much as he seemingly just casually dropped it into conversation, mentioning that he bumped into the older Gallagher brother recently.
As he puts it – frustratingly briefly, might we add (sorry, fanaticism will do that to you) – the Oasis icon and High Flying Birds frontman has been doing some songwriting, but the details were scarce.
The 50-year-old ‘Phonics frontman, who was discussing the release of their 13th studio album as well as his own solo project last year, was asked his thoughts on the legendary Britpop band’s upcoming reunion shows and the impact they had on his own career.
“Funnily enough, I found some old pictures of me and Noel rehearsing when he used to have a studio down in Windsor recently, just before we toured America”, said Jones. “We were having a laugh about them and I asked him what he’d been up to and he said he’d been doing some writing in the studio.
The unmistakable Welsh vocalist went on to add: “I’m assuming he’s doing some writing for either his stuff or if they’re [Oasis] gonna bring out a couple songs, I don’t know.”
It seems the pair are still more than friendly, though he gave little away about his relationship with Liam Gallagher; the two British rock groups did share somewhat of a rivalry in the 90s and 2000s, with Stereophonics making no secret of Oasis inspiring their own music.
Describing the band in their heyday, Jones described the period “kind of chaotic and mayhem but it was all very joyous”, insisting that things are very different nowadays but that he is not the less excited than a whole new generations of fans are going to be able to see them live for the first time
As for whether he and his bandmates will be able to find the time, he revealed in a subsequent chat live on Radio X that their own tour clashes may mean they’ll miss out on the Live ’25 tour experience.
Further reflecting on the age of streaming, content overload and what some would argue is an overabundance of media, Kelly said of art and music in particular that “people need it now more than they’ve needed it in a long time.”
We don’t know whether or not Noel’s return to songwriting is for the next High Flying Birds record or whether the rumours are true and new Oasis music really is on the way.
As much as we love his solo stuff, PLEASE let it be the latter.
We do know that the siblings are said to be getting on swimmingly so far and even spent some of the Easter break together, according to LG himself. Here’s hoping they were throwing around ideas for another instant hit.
Science and Industry Museum reveals CGIs of iconic Power Hall that’s been closed for years
Daisy Jackson
One of the Science and Industry Museum’s most iconic attractions will reopen this summer – and the beloved museum has revealed a sneak peak of how things will look.
The museum has shared CGIs of the reimagined Power Hall: The Law Family Gallery, where visitors will be able to explore a lively working gallery full of engines and rail vehicles.
The popular part of the museum closed for urgent repairs in 2019 and has since been undergoing conservation work and a new look created by award-winning designers Studio MUTT.
The sounds, smells and sights of Manchester’s past and present industry will be brought to the Power Hall when it reopens.
Visitors will soon again be able to rediscover objects and learn the stories behind those who powered Manchester’s industry.
There’ll be three main themes within the Power Hall – Making More, which will explore how engines helped people make more, faster, with steam engines installed at factories and mills.
Then there’ll be Powering Lives, which will examine how engines power the electricity network we all plug into every day.
And also Connecting Places, which looks at how locomotives have connected communities around the world, starting at the site of the museum which sparked a transport revolution in 1830.
Science and Industry Museum reveals CGIs of iconic Power Hall that’s been closed for years
Kate Chatfield, Interpretation and Content Manager at the Science and Industry Museum, said: “Power Hall: The Law Family Gallery will be a must-see Manchester experience – a living gallery that showcases a unique collection of historic 19th and early 20th century working engines to tell the story of Manchester as an epicentre for the engine-driven ideas and industry that shaped the world as we know it today.
“Our most iconic objects will be available to explore like never before as we bring to life the people behind the power through stories of the engineers, makers and technicians who use their skills and senses to create and care for engines, both today and in the past.”
The work on the Power Hall is part of a multi-million-pound regeneration project across the Science and Industry Museum, which is conserving and reimagining these historic buildings.
The Power Hall has been future-proofed in the six years it’s been closed to the public, including urgent roof and timber repairs.
Further information about what to see and do and the Power Hall’s opening date will be announced in the coming weeks. Sign up to the museum’s mailing list to be among the first to hear more.
Power Hall: The Law Family Gallery project has been made possible with support from The Law Family Charitable Foundation, the Wolfson Foundation, The National Lottery Heritage Fund, The Headley Trust, Royal Commission for the Exhibition of 1851, Atmos International, The Beaverbrooks Charitable Trust, The Zochonis Charitable Trust and other donors who choose to remain anonymous.
Special thanks to the Department for Culture, Media and Sport for their significant contribution to the gallery, and to the Department for Energy Security and Net Zero for funding the decarbonisation of the Power Hall through the Public Sector Decarbonisation Scheme, delivered by Salix Finance.