Manchester Museum has returned 174 cultural items belonging to an Australian Aboriginal community back to them this week.
Manchester Museum – which officially reopened back in February after a two-year £15 million transformation project – has been working collaboratively with the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) and the Anindilyakwa Land Council over the last three years to determine where these items should live, and where they would stand the best chance of “inspiring future generations”.
It was decided that this would be within the communities of their origin.
The Museum says building “a greater understanding and empathy between cultures” is central to its mission, and in this, it’s committed to the “unconditional return” of collections and belongings to origin communities as important way of creating a more “equitable and hopeful future” for museums.
It follows in a 20-year history of returning items to Indigenous communities, and is guided by Manchester Museum’s values of “inclusivity, imagination, and care”, which it says is “underpinned” by the University of Manchester‘s own commitment to social responsibility.
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The Museum says it takes great pride in working together with relevant Indigenous communities to tell their stories in “different” ways.
And so, continuing on with mission, earlier this week, a delegation from the Aboriginal Anindilyakwa community of Groote Eylandt – which is an island located approximately 50km from the north coast of mainland Australia in the Northern Territory – joined staff at Manchester Museum.
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The community delegates were present for the formal return of the 174 cultural heritage items that were previously in the Museum’s possession.
One of the highlights of the collection that was returned is a group of dolls made from shells – Dadikwakwa-kwa in the Anindilyakwa language – which have not only unlocked a rich cultural history, but also inspired the Dadikwakwa-kwa Project led by ten talented women artists from Anindilyakwa Art Centre.
Two of the artists, senior elder Noeleen Lalara and emerging leader Maicie Lalara, were a part of the delegation of Anindilyakwa women that will be present at Manchester Museum for the handover, alongside emerging leader Amethea Mamarika.
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The Dadikwakwa-kwa Project was partly-inspired by the conversations that took place with Amethea’s grandmother (Old Lady Edith Mamarika) on Groote Eylandt around her memories of the shell dolls now being returned.
Traditionally painted by parents for their daughters using intricate ochre designs, they have helped to strengthen cross-generational bonds within the Anindilyakwa community.
Some of the items that have been returned to the Aboriginal Anindilyakwa community / Credit: Manchester Museum
The Museum says the return of these items is already supporting Anindilyakwa in “cultural strengthening” and “revitalisation” – with descendant generations using the items to connect with their heritage.
Speaking as the items were returned, Georgina Young, who is the Head of Exhibitions and Collections, Manchester Museum, said: “Having spent time on Groote Eylandt at the invitation of the Anindilyakwa People makes reaching this point of handover feel momentous in a different way to any of Manchester Museum’s past returns.
Sitting with Elders and hearing them discuss this collection on their land in their terms has enabled me to understand and care in ways not possible in a store room in Manchester, and brought us to a place of understanding together.
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“We are excited by all that this return makes possible in terms of future partnership, but more so by how it supports Anindilyakwa cultural strengthening for years to come.”
Stephen Smith, who is the Australian High Commissioner to the United Kingdom, has also praised the Museum for the items’ return, adding: “The return of these significant cultural heritage items is important for Australia’s reconciliation process.
“It also helps renew cultural practices and safeguard such practices and items for future generations.”
Featured Image – Manchester Museum
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Olivia Dean at Albert Hall – star stuns in every way in Manchester
Abbie Bartlett
24-year-old neo soul singer Olivia Dean was in Manchester last night performing her Mercury prize-nominated album effortlessly with a voice and style made for the stage.
Fans of the star have watched her go from strength to strength over the past year, from being nominated for three Brits, performing at Coachella and now preparing for this year’s Glastonbury festival.
As someone who frequents gigs like they’re going out of fashion, it’s a bold statement but I think this may be one of the best I’ve ever experienced, and Olivia Dean can only be described being a star.
Before we dive into the performance, it’s only fair to take a minute to shoutout what an incredible venue for music the Albert Hall is. The former Methodist hall projects and echos acoustics perfectly and the raised stage and balcony area mean everyone in the building has a good view.
It’s no surprise that given her recent success the show at the Albert Hall was a complete sell-out, appearing on stage in a stunning floor-length silk dress the sea of fans filled the venue with admiring applause.
Olivia looked stunning in a floor length dress.The crowd was mesmorised.
With a seven-piece band behind her, the star jumped straight into an atmospheric UFO before a cheery ‘How are we Manchester?’ and raising a can of Red Stripe. She quickly follows with Ok Love You Bye – a track that gets the whole crowd singing along and contemplating their past love decisions (maybe that last bit was just me).
The singer seamlessly glided through her set with ease, tambourine in hand, wowing fans with gorgeous melodies and relatable lyrics.
Gracefully sitting at the piano the room fell to silence as we heard Everybody’s Crazy and ICould Be a Florist, I’d predict I wasn’t the only person crying at this point.
As the evening rolled on and the songs kept coming the genuine talent Olivia has, not just as a singer but as a lyricist, had the crowd hooked on her every word. Of course she ends with Dive, the standout track from the album that perfectly depicts how it feels to fall in love.
Olivia Dean 2024 setlist
UFO
Ok Love You Bye
Echo
Danger
Cross My Mind
Be My Own Boyfriend
What Am I Gonna Do on Sundays?
No Man
Messy
Touching Toes
Everybody’s Crazy
I Could Be a Florist
Ladies Room
Reason to Stay
The Hardest Part
Carmen
Saying her goodbyes with a ‘I’ve had such a lovely evening’ and telling the crowd how happy she is to be back home in the UK after recent shows in America.
Experiencing Olivia Dean at Albert Hall felt genuinely special, the star is destined for a life time of deserved fame but her voice was made to be experiences in an intimate venue. The opportunity to enjoy her talent in such a perfect venue was nothing short of a divine evening.
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2024 Manchester Marathon raises £29 million for local economy and over £3.7m for charity
Danny Jones
Just under a fortnight on from the 2024 Manchester Marathon and the numbers are finally, with the annual race generating nearly £30 million for the local economy and raising over £3.7m for charity.
This year’s Adidas Manchester Marathon saw record numbers of runners and spectators as over 30,000 took part in the popular race, up by roughly 6,000 from 2023, and more than 125k turned up to line the streets of Greater Manchester.
As a result, these huge crowds spent upwards of £29.2 million at business around the city centre and around the 10 boroughs last weekend, serving as one of the most significant contributions to the local economy on the annual calendar.
Not only was this an approximately £8m increase on last year’s tally but, most importantly, a sizeable chunk of that went straight into both regional and national charities.
The 2024 adidas Manchester Marathon was a spectacular day for the city and its economy.
Beyond the boost to local vendors, the hospitality sector and retail businesses, over £3.7 million were allocated to charities such as Alzheimer’s Charity, Cancer Research UK, British Heart Foundation and The Christie.
Over £32,000 was also raised for the Trafford Active Fund, with £1 from every paid entry to the Adidas Manchester Marathon and Manchester Half donated directly to the initiative that benefits local sports clubs and organisations through Trafford Council.
Better still, with City of Trees selected as the chosen ‘Green Runner’ charity, the eco-friendly drive saw roughly 7% of participants opt out of receiving either a finisher t-shirt, medal or both.
The money saved in production goes towards maintaining woodlands and wildlife across Greater Manchester.
Together you have raised over £3.7 million for charitable causes, adding even more meaning to those 26.2 miles 💕 Well done and thank you to all those who fundraised and donated! 🌟Tag us in those charity top pictures from last weekend 😍😍#ManchesterMarathonpic.twitter.com/5gsi6NtFzB
This year’s Manchester Marathon also helped produce some of the highest number of passengers on public transport in the city’s history, with a over 175,000 journeys made on Metrolink alone – the highest number of journeys ever recorded on a single day.
This was a 20% increaseon 2023’s race day (145k), spotlighting how the event continues to be more environmentally conscious as years go by.
With the 2025 adidas Manchester Marathon confirmed to be taking place on Sunday, 27 April next year – and over 12,000 places already sold – the city can already look forward to reaping the economic and social benefits of hosting one of Europe’s largest, flattest, friendliest and most-loved marathons.