One of the Peak District’s most impressive landmarks is being turned into a pop-up cinema this spring.
The dramatic Peak Cavern will be kitted out with a full cinema set-up, plus cosy blankets and hot water bottles, for an unmissable film experience.
The next series of Village Screen events will begin later this month, with films on the bill including Dune, The Lost Boys, and Back to the Future.
Lovers of a horror film will also be able to watch The Descent – a critically-acclaimed thriller flick that’s actually set in a cave system – in the most eerily immersive setting possible.
The Village Screen at Peak Cavern in the Peak District. Credit: Nathan Dainty at It’s Nate (@itsnate.uk / www.itsnate.uk)
Visitors are greeted by live music, street food stalls, and pop-up bars before heading through to the cinema area, surrounded on all sides by stunning natural limestone walls.
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The Peak Cavern itself is one of the gems of the Peak District, with a fascinating history.
The rock formation used to be known as the ‘Devil’s arse’, because of the fart-like noises created by the water that flowed through it.
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The Village Screen at Peak Cavern in the Peak District. Credit: Nathan Dainty at It’s Nate (@itsnate.uk / www.itsnate.uk)
The Village Screen at Peak Cavern in the Peak District. Credit: Nathan Dainty at It’s Nate (@itsnate.uk / www.itsnate.uk)
The Village Screen at Peak Cavern in the Peak District. Credit: Nathan Dainty at It’s Nate (@itsnate.uk / www.itsnate.uk)
It also has the largest cave entrance in the British Isles, at 20m in height, 35m in width, and 100m in length.
Inside are the remains of a rope maker’s village – and in more modern times, it’s the Village Screen that keeps visitors flocking back here.
The full line-up of films will all be projected onto a 21ft screen, with state-of-the-art sound and lighting.
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Movie-goers can get drinks and snacks delivered to their seats during the film, and add on ‘Snuggle Packages’, which include blankets, hot water bottles, cushions, and a selection of sweets and chocolate.
The Village Screen is a small, independent events team that has been running cinema experiences at the Peak Cavern since 2017, with 60 cave events so far.
The company is also behind similar events at the Victoria Baths former swimming pool in Manchester itself.
The Village Screen was set up in 2015 to create a stunning cinema experience, showing classic films in unexpected locations – they’ve also made use of venues like Kenwood Hall in Sheffield and Hathersage Swimming Pool, plus a range of drive-in experiences.
The Village Screen’s Peak Cavern line-up for spring 2022.
Thursday 28 April – The Lost Boys, doors at 6pm, film at 8pm
Friday 29 April – The Goonies, doors at 6pm, film at 8pm
Saturday 30 April – The Descent, doors at 5.30pm, film at 7.30pm
Sunday 1 May – Back to the Future, doors at 5.30pm, film at 7.30pm
Thursday 5 May – Pulp Fiction, doors at 6pm, film at 8pm
Friday 6 May – The Lost Boys, doors at 6pm, film at 8pm
Saturday 7 May – The Rocky Horror Picture Show, doors at 5.30pm, film at 7.30pm
Sunday 8 May – Dune, doors at 5.30pm, film at 7.30pm
Friday 13 May – Alien, doors at 6pm, film at 8pm
Saturday 14 May – Princess Bride, doors at 5.30pm, film at 7.30pm
Sunday 15 May – The Goonies, doors at 5.30pm, film at 7.30pm
Featured image: Nathan Dainty at It’s Nate (@itsnate.uk / www.itsnate.uk)
Art & Culture
War Child UK announce Foo Fighters charity prize draw for sold-out Manchester gig
Danny Jones
Amidst all the live music madness this week, with the intimate BRITs gigs happening, other big city centre shows and, of course, the mighty Foo Fighters coming to town, it can be hard to keep track of everything – but when we heard about a prize draw for free tickets, we couldn’t let you miss it.
That’s right, the Foos and War Child UK are getting ready to hand out limited pairs of tickets to their recently announced gig at the O2 Ritz in Manchester, which sold out in the blink of an eye.
They’re not even performing as part of BRITs Week lineup, but given it’s such a big moment for the city and an opportunity to raise money for the cause, they thought they’d throw their hats in the ring, so long as you chip in on your end.
So, ‘What’s the deal?’, we hear you ask. Well, look no further:
Put simply, all you have to do is enter the prize draw as advertised; plus, you know you’ll be doing your bit for a good cause, too, which is always an added bonus.
Given that the Ritz is already pretty much at capacity (approximately 1,500), they only have a small number of tickets to give away.
There are just four pairs up for grabs, to be specific, but with hundreds of people having already entered the charitable competition, nearly £17,000 has been raised for War Child already.
Incredible stuff.
For anyone still unclear on their work, the organisation does crucial outreach not only here in Britain but all over the world, delivering emergency aid, specialist mental health support, and much more to children in need whose lives have been torn apart by conflicts across the globe.
This show, which has already generated huge funds towards those efforts through ticket sales, and local band The Covasettes are now even campaigning to get legendary frontman Dave Grohl to join them on stage after their stage times were shifted to make way for the Foo Fighters gig.
🚨 MANCHESTER UPDATE 🚨
With @foofighters playing the Ritz after us on Friday, our gig will now take place slightly earlier. Get down for doors and give the supports a night to remember!
Once again, the show itself is fully sold out, and there’s little chance you’ll find spares floating around ahead of a truly massive night.
Better still, if you are after one last lucky shot at getting yourself in that room, why not help raise some money while you’re at it?
As we’re sure you know, the gig itself is on Friday, but if you want to stand a chance, you must donate and choose your number of entries – £10 for one, three for £20, or £50 for a total of 10 entries – before 10am GMT this Thursday, 26 February.
Interview | Chatting with the Manchester-based visual artist for the 2026 BRIT Awards
Danny Jones
BRITs Week 2026 is well and truly underway, and with the annual awards ceremony set to finally land in Manchester this week – the debut being just one of at least two years of the event in our part of the country – the city is teeming with art, music, colour and so much energy.
One of those people responsible for all that buzz is locally-based visual artist, Alex Giles. He’s been commissioned by Universal Music to create bespoke artwork to appear across their events during BRITs Week, including their exclusive artist showcase, BRIT Awards after-party and the invitations.
From creating some of the first-ever digital adaptations of his work to preparing himself for seeing a glorious physical re-creation in the form of a VERY big sculpture.
With the partnered War Child charity gigs now well underway across the UK, and people already planning their days before arrival at the arena, we spoke to Alex about what has been nothing short of a whirlwind few months for him.
Straight off the bat, how did the sort of project come around?
So I was working on an installation project in Ibiza for a private client, and you know, there’s no sort of union for artists, so we have to sort of create our own contacts and our own bonds.
I feel very grateful to have a lovely network of people like that, mainly through Instagram. Anyway, I was chatting to someone that I’ve become good pals with, an artist called Matt Dosa, who actually did the artwork in a similar context a couple of years ago.
Essentially, they asked if I could put together a sort of deck of my work and some initial ideas, and then out of the blue, I got the call back saying, “Yeah, we’d love you to jump on board and produce something for us.” It all happened really quickly and unexpectedly.
What a rush that must have been!What’s it like be wrapped up in the BRITs buzz since?
Yeah, but that’s often the way with artistic opportunities: something comes from nowhere. The initial race was to get the design sorted, so that was where all of the focus went to start with – which is a fairly familiar world for me – but this week it’s got even more surreal.
You know, I can immerse myself in a task and think about just that alone, but now it’s got to this stage, I’ve got this continuous low-level kind of… Well, I don’t know whether it’s anxiety, excitement, or just a bit of butterflies, but there’s definitely something going on, haha.
One of the main things I’m really excited about is just seeing my work displayed in so many different ways that I wouldn’t normally do; I’m a two-dimensional artist, I make paintings, so seeing it come to life in 3D, graphic packages and in various digital formats is really exciting.
Yeah, so for those yet to see any of it, what exactly can you tell us about the project and how it’s going to take shape in different forms?
The idea was that Universal Music Group [UMG] wanted to ask an artist to create something that is their visual presence throughout Manchester for the BRITs.
So it needed to be something that was instantly recognisable, something that could be repeated, something with a bit of pattern to it so it can be scaled, but then also something instantly kind of recognisable, and the word that was used a lot at the very beginning was iconic.
It had to be quite clear; there was a lot of back and forth, and I think at first I was maybe complicating things or overthinking things, as you can imagine for something this big, but eventually we started to refine it, and we got something really nice out of it.
Probably the most exciting thing is that there’s going to be a huge eight-foot sculpture of it [the core design] being made to go in the foyer of the Kimpton Hotel. There are flags, there’s loads of printed graphics, you know, little details like beer coasters and menus – it’s just going to be everywhere.
Incredible, and obviously, you’ve lived in Manchester for a long time now, so how special does it feel to play a part in such a big moment for the city?
You know, I’ve been here for 17 years, and it’s a special place that’s deserving of it. I’ve worked in the creative industries for nearly two decades now, and we’re very proud of what we do up here.
I work in the film industry as well, and there’s always a bit of a groan amongst Manchester crew when, you know, a load of people come up from London to do a job instead of hiring Mancunians, but any myths about the North are always dispelled quite quickly.
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Yeah, no one can question our work ethic. What is it about Greater Manchester that inspires you?
I’ve been thinking about this a lot recently. Inspiration for me is like through osmosis: it’s a gradual thing, and it sort of steadily shapes who I am and my creative output.
I can’t just pinpoint any one specific thing about Manchester, but it’s a place that has had a profound effect on who I am, what I like, and what I like doing. I’ve enjoyed the fruits of Manchester to the full – probably a little bit too hard at times, hence these dark circles under my eyes!
Ha, glad to hear it. What about that ‘music being universal’ brief – how do you go about being referential in your work, or do you create it for yourself and just hope it connects with others?
That’s a really nice question, actually. So the audience always starts with me; I feel like if I’m producing something that I like, then hopefully others will also like it. It can be tricky at times NOT to try and second-guess what your audience might like. I think a lot of artists do that in all disciplines.
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But yeah, I have to be quite strict now, and make what feels right to me, because if I like it, then I can talk about it and present it with pride. I think with that, it will eventually find its own audience.
Love that – now, I know it’s a hard question, but if you had to sum the visual style of this work in just three words, what would they be?
Oh, come on, haha! Erm… OK, well I’m going start with that word that kicked it all off: iconic. I’m going to put the word ‘fruity’ in the middle – you know it’s bright and juicy – and I’m going to say the word accessible to finish it off.
Iconic, fruity, and accessible – I was never guessing that one, haha. As for the night itself, which famous faces are going to make you double-take?
Well, I know Pulp are up for an award, and so I’m from the era of, you know: being glued to the Brits and, you know, the whole Michael Jackson-Jarvis Cocker saga, etc. I think that’s a pretty iconic moment in British history, so I’d love Pulp to because I think Jarvis has always got something very interesting to say.
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For sure, and how do you think the spectacle of the BRIT Awards has changed over the years?
I think the shape of performance has changed a lot in the last decade. People really put on big shows, don’t they? Like it’s not it’s no longer just, you know, a backdrop with the band name on it, it’s pyrotechnics, dancers, massive visual effects, and so much more.
Last but not least, which of those big performances from that unreal lineup are you most looking forward to seeing?
I think, deservedly, up for an Achievement Award: Mark Ronson. I think that’s going to be great, and I’m looking forward to seeing Wolf Alice, too.
It’s not necessarily the kind of gig that I would go to, to be honest – I love electronic and a lot of older music a lot – but I’ve actually got tickets to see Mogwai on Friday as well, so it’s set up to be a very energetic weekend.
It was a pleasure chatting with Alex, and we definitely caught the extra tailwind of his enthusiasm, as if we weren’t buzzing enough already.
Like the man himself, a few members of our Audio North team will be at the 2026 BRIT Awards themselves, and we can’t wait to see all the glitz and glamour in the flesh.
Stay tuned to our socials over on Instagram, as well as our usual The Manc pages, to make sure you don’t miss a second of the coverage.
Happy BRITs Week, and for those of you going to Co-op Live on the night, soak it all in!
What a busy week we've got – board game festivals, new foodie openings… oh, and The @BRITs comes to our city this weekend for the first time ever too. 🎶🐝🏆
Daisy Jackson -
10th April 2022 
