Glastonbury has drawn to a close for another year.
As thousands of festivalgoers woke up bleary-eyed today after three days of eclectic shows, and with the usual massive clean-up operation now underway down at Worthy Farm, viewers and critics have been reflecting back on what was another successful year for the UK’s – and probably the world’s – biggest music event.
And by the looks of things, it seems one local star has stolen the show.
We are, of course, talking about none other than Rick Astley – who is now no longer a self-professed “Glastonbury virgin” after taking to the world famous Pyramid Stage on Saturday for one of the festival’s most talked-about sets.
It may have been 36 years since the iconic singer-songwriter from Newton-le-Willows first shot to fame with his massively-popular 1987 hit song ‘Never Gonna Give You Up’, but Rick Astley is arguably a more prominent force in popular culture now than he ever has been before.
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Over the past couple of years, the 57-year-old has been amassing new fans left, right, and centre, and has even claimed the strongest run of album chart positions of his entire career.
Fans will know that Astley had already teamed up with Blossoms to perform a selection of their favourite The Smiths songs back in 2021, and it went down so well the first time, that the Stockport indie rockers decided to bring Astley up on stage with them again for a surprise set to entertain the Glastonbury masses with some of the iconic Manchester band’s most well-known songs.
Taking over from Morrissey on vocals, Rick belted out some of the classics from The Smiths’ back catalogue – including ‘This Charming Man’, ‘Heaven Knows I’m Miserable Now’, and ‘Please, Please, Please, Let Me Get What I Want’ – with the Stockport lads doing a brilliant job of providing the instrumentation.
But still, that’s arguably not what Astley’s Glastonbury debut year will be remembered for the most.
As it was his unexpected drums cover of AC/DC’s iconic 1979 classic ‘Highway to Hell’ that’s got viewers branding it one of the festival’s best moments.
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As Astley took to the Pyramid Stage for his highly-anticipated Saturday slot, the enthusiastic showman had the expansive crowd in the palm of his hands and appeared to win everyone over with his impressive vocals – but it was when he took a seat behind the drum kit for the penultimate song on his setlist that he won over even his harshest critics.
And they weren’t the only one to take to Twitter to sing Astley’s praises, as social media was flooded with viewers complementing his unexpectedly good drumming talents, and his set as a whole.
“I didn’t know how much I needed to see Rick Astley crushing AC/DC’s Highway to Hell on the drums at Glastonbury,” another fan wrote on Twitter.
Someone else even called Astley “the human equivalent of flare jeans” as both are “making a comeback in 2023”, while another person called the cover a “legendary performance”, and more fans called to “Protect Rick Astley at all costs.”
One fan wrote on Twitter in praise: “Watching him play every instrument in every genre while covering vocals without mimicking the original singer like a single trick cover band singer is really quite something.
“Rick has been one of the pleasant surprises of Glastonbury,” another fan summed it up best, adding that he’s “a proper ray of sunshine.”
Featured Image – BBC
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A candlelit Queen tribute concert is returning to Manchester
Danny Jones
Yes, you read that right: a candlelit tribute concert to the one and only Queen is coming to Manchester city centre.
In fact, it’s coming home, as this wonderful event started right here in 0161 back in 2021.
Concerts by Candlelight themselves host concerts up and down the country at various points throughout the year, but their much-loved ‘Queen by Candlelight‘ special knows all about lighting up Manc venues.
Having since gone on to become an internationally acclaimed live concert experience, we’re glad we still get to see the ‘Princes of the Universe’ on our doorstep.
Credit: Concerts by Candlelight (supplied)
With the likes of Bridgewater Hall and the magical Manchester Monastery all having played host to the promotion on many ocassions, this time Queen by Candlelight is coming to the legendary Manchester Opera House in the new year.
One of our most historic and legendary theatres, it’s only fitting, really, that they be chosen to welcome a night of equally iconic tunes.
But it’s worth reminding more casual fans that these aren’t just British rock and pop anthems; Queen‘s discography is one that still has global recognition to this day.
That’s why this specific show has been taken to virtually every corner of the world, with the incredibly talented cast of singers and musicians delighting audiences in Dubai, Australia, New Zealand and New York, to domestic crowds here in town and down in London’s West End.
‘Queenies’ or ‘Darlings’, as Freddie Mercury used to call them, can expect all the big hits, from ‘Bohemian Rhapsody’ and ‘We Are The Champions’, to ‘It’s a Kind of Magic’ and ‘Who Wants to Live Forever’ and plenty more from the back catalogue.
Here’s a glimpse of what’s in store this coming January:
With tickets already flying out fast, we really would recommend securing your seats early before they inevitably sell out.
To quote the promoters themselves, “this spectacular celebration of Queen’s biggest hits is guaranteed to rock you.”
Coming to the Manchester Opera House on Tuesday, 6 January, you can book your tickets for Queen by Candlelight right HERE.
And if you’ve never been to one of their candlelit events before, you only need to see how much of a ball we had at their country event earlier this year to find out how much fun they are…
Featured Images — Concerts by Candlelight (supplied)
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The Warehouse Project named one of the best nightclubs in the world
Danny Jones
Greater Manchester can add another big blue ribbon to its already richly adorned totem of music heritage, as The Warehouse Project has been named one of the best clubs in the entire world.
Not that we’re the least bit shocked, to be honest.
That’s right, our very own Warehouse Project – or WHP to use the more commonly thrown around shorthand – isn’t just the great successor to the likes of The Haçienda, Jilly’s Rockworld and many more Manc live music institutions, it’s become a raver’s rite of passage in its own right.
So it’s no surprise that it landed itself in the International NightLife Association’s best 100 clubs on the planet – but where exactly on the list did it land?
As you can see from the full NightLife International rankings for 2025, Warehouse Project didn’t just make it into the 100 club or even the top half; WHP broke into the best 30 clubs in the whole world.
Finishing in 27th position, specifically, Mayfield Depot‘s major tourist attraction was sandwiched between Ibiza’s Amnesia nightclub and the equally iconic Ministry of Sound in London.
Not bad company to keep, eh?
Writing in the caption, the organisation said: “From Ibiza to Singapore, Miami to Marrakech, and every nightlife capital in between, this year’s ranking showcases the venues that continue to elevate global nightlife with innovation, quality, and unforgettable experiences.”
“Cheers to all the clubs that made it onto the list”, they continued, thanking sponsors, artists and collaborators alike before adding, “Your commitment drives the industry forward.”
With the likes of Worried About Henry, Homobloc, Barry Can’t Swim, and the first-ever winter edition of Repercussion having already passed this year, the 2025 programme really has been electric.
But they’re not done yet; you can see the rest of what is on this year’s lineup down below.
One of the biggest dates on the current WHP calendar is, of course, their massive New Year’s Eve Party, which returns for 2025.
The team behind Warehouse is yet to respond to the prestigious international recognition, as they’re clearly still too busy putting on some of the best nights not just in town or the UK, but anywhere around the club.
You can get a closer look at the in-depth list of NightLife International’s top 100 clubs HERE.
Speaking of Manc nightlife, it’ll be interesting to see where a returning cult favourite will place itself on the leaderboard when it makes its full comeback very soon…
Emily Sergeant -
26th June 2023 
