Sacha Lord has announced that he is to exit his role at Parklife and The Warehouse Project with immediate effect.
Greater Manchester‘s Night Time Economy Advisor, and the current Chair of the Night Time Industries Association (NTIA), co-founded The Warehouse Project alongside business partners, Sam Kandel and Rich McGinnis, all the way back in 2006, and following the undeniable success of the venture, went on to launch Parklife festival in 2010.
But now, after 30 years at the top of Manchester’s music scene, Sacha has decided now is the time to step away from the industry and move on to “the next chapter” to focus on a number of other exciting future endeavours.
He has today confirmed he will be departing the businesses following a transfer of shares to LN Gaiety – which was agreed in 2021.
“The decision to step down was not an easy one,” Sacha said in an official statement.
“I will miss the team, the events, the customers, I’ll even miss the stress and the late nights, but I’ve known for a long time that Parklife 2024 was going to be the last for me. There could not have been a more perfect moment for me to step away than now – exactly 30 years since my first event at The Hacienda.
Sacha, who last month announced he is expecting a baby with his wife, Demi, says he’s “so excited for what’s to come” in the future.
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He continued: “This decision will free up my time to focus on my roles in the night time economy and hospitality sectors, and of course, most importantly, the birth of my first child with my beautiful wife Demi later this year.”
Sacha Lord announces he’s leaving his role at Parklife and The Warehouse Project / Credit: Greater Mancunians Project (via Supplied)
The Warehouse Project has regularly been named one of the best nightclubs in the world, and was even described by DJ Mag as “the concept that flipped the British nightlife script”, thanks to the countless internationally-acclaimed artists that have featured on the lineups over the last two decades.
Parklife, on the other hand, is Europe’s largest metropolitan music festival held annually, and has welcomed some of the biggest names in music, including Liam Gallagher, The 1975, and 50 Cent, to its Heaton Park stages.
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Closing out his exiting statement, Sacha said he’d like to thank the “millions of people who have stepped foot into The Warehouse Project or Parklife over the last few decades”, as well as express its gratitude to “those who have supported me and the team”.
The Warehouse Project was founded in 2006, and Parklife first began life in 2010 / Credit: WHP | Steve Turvey (via Supplied)
“I would also like to thank the tens of thousands of staff members we’ve had over the years, the suppliers, and those closest to me for putting up with the late nights.
“I am very excited to watch from afar, and I’d like to wish the team the very best going forward.”
Looking ahead, Sacha says he will now continue his work as “a voice for hospitality” across the UK, and will focus on several other avenues of business.
As well as having served as the region’s Night Time Economy Adviser since 2018, and currently holding the position as Chair of the NTIA, Sacha is also the Chair of the local football team, Wythenshawe FC, and is the founder of his very-own charity, the Sacha Lord Foundation.
The Sacha Lord Foundation is a charitable organisation seeking to encourage and support young people entering the hospitality sector.
Featured Image – Darren Robinson Photography (via Supplied)
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Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms have just done their second of five shows in Manchester, this time at the O2 Ritz. Credit: The Manc GroupBlossoms on stage at the O2 Ritz in Manchester. Credit: The Manc Group
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.
The Warehouse Project reveals return to Rotterdam for second-ever overseas event
Danny Jones
The Warehouse Project has confirmed it will be returning to Rotterdam in 2025 for just its second-ever overseas event.
After debuting abroad in 2023 with an action-packed few days in the city of Rotterdam – whose art scene, music culture and even canal network bears lots of similarities to Manchester – Warehouse Project is coming back for more.
There’s just over a month left of the 2024 WHP calendar; you’d think they’d be getting ready to wind down and enjoy the Christmas breather, but not so: the organisers are already planning what is set to be one of their biggest and best long weekends to date.
Set to take place over the early May bank holiday, the Dutch port city will once again play host to one of Manchester’s legendary club nights.
The second biggest city in the Netherlands behind Amsterdam, the next edition of Warehouse’s international series is set to return to Rotterdam RDM – a warehouse space very reminiscent of both Depot Mayfield and their original home at Victoria Warehouse.
WHP x RDM II is already being billed as an “unforgettable weekend” and if any of this year’s mainline events here in Manchester are anything to go by, they’re bound to live up to that promise.
There’s also a full FAQ page for anyone looking to find out more information regarding Rotterdam, the venue itself, travel and more.
As well as revealing the dates (2-4 May 2025), the organisers have already teased a good chunk of the lineup, with the likes of Chris Stussy, Peach, Four Tet b2b with Sammy Virji, salute and many more already confirmed.
With a slew of incredible acts, multiple afterparties on boats and other local venues, as well as plenty of opportunity to see the rest of Holland’s ‘Manhattan on the Maas’, this is going to be SO good.
We were lucky enough to have been sent to sample their inaugural Rotterdam date back in April of 2023 and, we have to say, it was an absolute blast.
Take it from us, if you’re considering being a part of this next event you won’t regret and we’ll be putting together an extensive guide to help you feel prepared for raving overseas. Registration for early access is already live, so sign up fast if you want to give yourself the best chance of being there.
Limited presale and accommodation packages will be available to those who have applied at 9am on Monday, 2 December (UK customers only). General admission tickets will go live from 9am n Tuesday, 3 December sale for UK and Dutch customers starts Tuesday 3rd December at 9am GMT/10am CET.
Rotterdam 2025 will be here before you know it, so take a boots-on-the-ground at what an international Warehouse Project date looks like down below:
Emily Sergeant -
18th July 2024 
