The music industry and social media at large are taking aim at easyJet in light of what might be one of the most ridiculous stories we’ve ever heard, as the airline is reportedly suing alternative indie-pop band, Easy Life, because their names are apparently too similar.
Like the majority of people who first saw this online, we thought it was a joke at first too. Apparently not…
Despite having been formed in 2017 and having seemingly caused no disruption to the company’s business in the past six years, Easy Life shared a statement on Monday evening claiming that popular UK airline easyJet is set to sue them simply because they share the word ‘easy’ in their name.
Much to our and everyone else’s shock, the lawsuit appears to be real after a spokesperson for the budget flight operator told NME: “Stelios and easyGroup founded and (now) own the right to the easy brand name… We cannot allow unauthorised third parties to simply use it free, gratis and for nothing. That would be very unfair.”
They basically believe they have a copyright on the word ‘easy’. Simply flabbergasting and, as you can expect, it has led to some very low-hanging fruit and amusing reactions:
The full statement by the Leceister-based band reads: “Okay… never imagined having to do this but we’ve no choice but to address the situation we find ourselves in. As some of you have already discovered, we are being sued, easyjet are suing us for being called easy life.
“They’re forcing us to change our name or take up a costly legal battle which we could never afford. we’ve worked hard to establish our brand I’m certain in no way have we ever affected their business.
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“Although we find this whole situation hilarious, we are virtually powerless against such a massive corporation. I don’t really know what else to say, will keep you lot updated.”
The five-piece signed off by joking, “for those of you who bought gig tickets and ended up on a budget flight to Tenerife, I apologise, for the rest of you, thank you so much for your support”. Naturally, they aren’t the only ones laughing at the absurdity of it all.
While a large proportion of the comments are versions of “surely they are joking?” and “this has to be a p*** take?”, for those that have clocked on to the fact this is somehow real, easyJet are currently being called every name under the sun.
As for the company’s stance on the matter, they went on to insist to the NME that not only do “Stelios and easyGroup own the right to the easy brand name” but stated that “other companies (including easyLife) [already] pay annual royalties for its use as part of their business strategy”.
So yes, although it might sound silly that they are basically trying to copyright a common word in the English language which has been used in various different phrases since the start of the Middle Ages, easyJet have indeed been trademarking a number of different names including easyVan, easyProperty, easyCurrency and more — the suggestion being that they could be angling for easyLife insurance next.
It goes without saying that we find this whole thing stupid we’re still in disbelief that it’s actually genuine. Then again, we shouldn’t be too surprised as the company’s owner Stelios Haji-Ioannou has tried to sue everyone from the creators of Come Fly With Me, who parodied him back in 2010, to a small taxi company that also had easy in their name.
What they’ve actually done is just lost even more faith amongst Brits who travel from time to time and might have been considering using the airline and given easy life one of the best bits of inadvertent publicity and nationwide exposure we’ve ever seen.
Here’s hoping the boys’ nightmares turn into daydreams soon and in case it wasn’t already hammered home just how daft this whole thing is, just check the comments underneath this statement of solidarity from music label Blood Records.
Featured Image — easy life (via Instagram)/Bene Riobo (via Wikimedia Commons)
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: