Ben Howard brought his 10th anniversary tour of I Forget Where We Were to Aviva Studios on Monday night under a moody Manchester sky and while the gig was by no means perfect, it was still as transportive as we’ve come to expect from the seasoned solo artist.
Still up there with one of the most boundary-pushing singer-songwriters in the country for our money, as one person in The Manc office put it, Ben Howard has always seemed like a talent who simply loves making art but has absolutely no interest in the fame that comes with it.
It seems like a pretty astute assessment, especially judging by his performance at the home of Factory International, which for many will no doubt have been a great start to the week but for the man himself, it looked like a tough one to get through.
That being said, there are few things that can hold back that kind of talent and it was still a stunning set for so many reasons.
Ben and his technicolour tree. The stage design and bespoke visuals really added to the experience. (Credit: The Manc Group)
First off, a special mention needs to go to support artist Billie Marten, who we’ve been waiting to see live for some time and did not disappoint. A pitch-perfect warm-up act that felt completely in line with the tone of the evening of music ahead.
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A soft, sweeping, beautiful voice much like the headliner. Definitely one to get in the earphones if you haven’t done so already.
But on to Ben himself, the 37-year-old opened the show on seemingly top form, welcoming more than half a dozen band members with him onto the stage and doing what he does best: starting quietly before building out the songs from an acoustic guitar to what feels like producing an album track live on stage.
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Although his career may have started with just him and his instrument, it doesn’t take long to understand why he has so many other session musicians on these tours: there are just so many layers to these truly enchanting soundscapes he creates that merely playing a backing track wouldn’t do it justice.
From the haunting horns knitting together these 10-year-old tracks (still hard to believe, we know), to the multiple guitars and strings elevating the overall profile of each song to something closer to an orchestra, you don’t get to hear many albums this authentically realised in every aspect.
A big shout-out to the venue as well; it was our first time visiting Aviva Studios for a straightforward concert and the one thing that struck us besides the sheer size of the place – no, seriously, the room was beyond massive – was the acoustics.
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You could hear every inch of that extremely fulsome sound no matter where you were in the enormous gig space gig and they were only further complemented by the visuals which were genuinely mesmerising at times.
Both visually and sonically, we couldn’t really fault anything about the performance for the majority of the evening, but then things started going wrong and it resulted in an unfortunate tail-off from a visibly frustrated performer.
It wasn’t just some moody auteur pageantry playing into the ‘troubled artist’ vibe either as far as we could tell – he even apologised for losing his temper at one point.
We’re not entirely sure what headspace Ben Howard was in on the night but let’s just say he gave Manchester an honest performance, at the very least.
Highlights included ‘Oats in the Water’, ‘End Of The Affair’, ‘Rivers In Your Mouth’ and ‘Conrad’. (Credit: The Manc Group)
He continued to have technical issues the longer things went on and battled through them charmingly, for the most part, but it became apparent that it was becoming too much of a distraction to plough through as he would have liked to.
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With so much distortion and various effects being pumped out, it was almost like he was fighting with the pedals more than they were doing him any favours and at one point he simply decided to do away with them and revert to the stripped-back string-picking that he has always excelled at.
We kind of wish he would have just stuck that rather than try and persist when things were clearly going wrong; at one point he even kept playing with three broken strings and that was arguably more impressive than any other moment in the entire set.
It culminated in him walking in the middle of the encore whilst his band were still left to play out the title track people had people waiting all night to hear. There were rumblings of confusion in the crowd and some understandable grievances; it’s not the first time it’s happened either, sadly.
Whatever the case may be, we hope he’s ok and that no one involved has to struggle through the same issue we did. He’s already said music in general is more difficult following his two mini-strokes, but it still goes without saying that he’s one of the most unique singers and guitar players around.
‘Keep your head, keep your heart strong.’
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Not how we wanted it to end but it still gave room for the fans to show their appreciation for the fantastic band. (Credit: The Manc Group)
Jewish leaders call for cancellation of huge Fontaines D.C. gigs in Heaton Park
Daisy Jackson
Jewish leaders have expressed ‘profound concerns’ regarding the two enormous Fontaines D.C. gigs taking place in Heaton Park next summer.
The Jewish Representative Council of Greater Manchester and Region has called for the shows to cancelled.
They said that ‘the safety of our community must be paramount’.
Irish rockers Fontaines D.C. have been outspoken at their concerts in the past in their support for Palestine, displaying ‘Free Palestine’ messaging on huge screens across the globe.
Now, the JRC has publicly expressed concerns about ‘the potential consequences of inflammatory rhetoric from the band’.
They added: “At a time of heightened antisemitism, the comments and chants associated with the band risks importing tensions from the Middle East into the UK, with Jewish people here becoming the targets.”
Fontaines D.C. are set to play two massive shows at Heaton Park next summer, on 3 and 4 July.
Manchester City Council has stressed that they will be working closely with members of the Jewish Representative Council as event management plans are developed, and added that ‘partners from the Council, emergency services including Greater Manchester Police (GMP), and event organisers, will comprehensively review the plans in place ahead the concerts’.
In a statement, the JRC said: “The JRC has registered our profound concerns with Manchester Council regarding Fontaines D.C.’s forthcoming concert at Heaton Park and has called for it to be cancelled.
“Despite our representations, it appears the concert will be going ahead. We expect and will be working with the council to ensure robust and adequate safeguards are in place to protect the Jewish community.
“We have no objection to Heaton Park hosting concerts.
“Our concerns are not about legitimate political expression but the potential consequences of inflammatory rhetoric from the band.
“At a time of heightened antisemitism, the comments and chants associated with the band risks importing tensions from the Middle East into the UK, with Jewish people here becoming the targets. The safety of our community must be paramount.”
A Manchester council spokesperson said: “We understand the very real concerns that members of our Jewish community have in the wake of the horrific antisemitic terrorist attack at Heaton Park Synagogue last year and a wider rise in antisemitism. Our thoughts remain not just with those who lost their lives and their loved ones but with the whole Jewish community.
“We stand shoulder to shoulder with them in saying there is no place for antisemitism or discrimination of any form in Manchester and continue to work with the police, communities and other partners to provide reassurance and support.
“On the specific concerns expressed by some members of the Jewish community in relation to the two Heaton Park concerts in summer 2027, addressing these concerns will be front and centre in preparations for these events. We have met recently with members of the Jewish Representative Council and will continue to work closely with them as we develop event management plans.
“Partners from the Council, emergency services including Greater Manchester Police (GMP), and event organisers, will comprehensively review the plans in place ahead the concerts. This is standard practice for all major events in the city and is there to ensure events take place safely and successfully.
“In advance of the concerts, as with any other large-scale events, a thorough risk assessment of every aspect of the event will be carried out, focused on ensuring the safety and security of the event, its attendees and the wider community.
“The organisers, City Council and GMP will put in place suitable and proportionate mitigations and assurances to make sure that the concerts are delivered in full compliance with the licensing conditions. Organisers would also be happy to meet with concerned parties to help address any concerns. They are clear that discrimination or intimidation, including antisemitism, have no place at their events.”
Manchester’s beautiful winter Teepee is back, with free pints this weekend and live music every day
Daisy Jackson
Nothing heralds the arrival of the autumn/winter seasons quite like the appearance of The Oast House’s beautiful winter Teepee.
The popular seasonal space is officially reopening its doors this weekend, and inside you’ll find roaring fires, a giant disco ball, live music, and plenty of pints to keep the colder months feeling a little less grim.
After giving its beer garden a major glow-up this spring and hosting a summer packed with live music, The Oast House is bringing back one of Manchester’s favourite winter hangouts – and it’s kicking things off with a proper belter of an opening weekend.
We’re talking twinkling fairy lights, faux fur throws, and a dedicated bar pouring Staropramen fresh from the tank, all inside its massive winter Teepee.
And there’s even better news for the first few through the door.
To celebrate the Teepee’s return, The Oast House team will be cracking open a full tank of fresh Staropramen on Saturday 10 October, with free pints up for grabs for the first 440 guests.
There’ll be live music every night in the winter TeepeeManchester’s cosiest venue is back
The Teepee will be keeping things lively seven nights a week throughout autumn and winter, with The Oast House’s much-loved Open House programme moving indoors for the season.
Expect everything from Bandeoke and Musical Bingo to Retro Sounds and Oast Acoustic sessions, meaning there’ll be something different on the cards every night of the week.
The venue’s free monthly live music festival, Oast House Live, isn’t going anywhere either. It’ll continue inside the Teepee on the last Saturday of every month, bringing even more live music to the heart of Spinningfields.
Of course, it wouldn’t be The Oast House without a menu worth getting stuck into.
The kitchen will be serving up its 12-hour-brined rotisserie chicken, alongside a line-up of tempting sides like Ziggy Fries tossed in chicken salt and chicken butter, cheddar and onion slaw, and charred corn on the cob drenched in house-made Scotch bonnet butter.
Food in The Oast House Winter TeepeeThere’ll be 450 free pints given away on SaturdayRotisserie chicken
And if you’re after something a bit different, the house-special ‘addictive’ Chicken (T)oastie is one you won’t want to miss.
Sundays are all about the roast, too, with the kitchen dishing up its signature rotisserie chicken alongside chicken-butter roasties tossed in chicken salt, all the trimmings and bottomless house chicken gravy.
Basically, if you’re after somewhere to escape the cold without sacrificing a good night out, you know where to head.
The Oast House and its Winter Teepee are open daily from 11am until late throughout the season.
The Oast House Winter Teepee opens Saturday 10 October, with free Staropramen pints for the first 440 guests.
For more information and to book your table, head HERE.
Danny Jones -
22nd October 2024 
