Ben Howard brought his 10th anniversary tour of I Forget Where We Were to Aviva Studios on Monday night under a moody Manchester sky and while the gig was by no means perfect, it was still as transportive as we’ve come to expect from the seasoned solo artist.
Still up there with one of the most boundary-pushing singer-songwriters in the country for our money, as one person in The Manc office put it, Ben Howard has always seemed like a talent who simply loves making art but has absolutely no interest in the fame that comes with it.
It seems like a pretty astute assessment, especially judging by his performance at the home of Factory International, which for many will no doubt have been a great start to the week but for the man himself, it looked like a tough one to get through.
That being said, there are few things that can hold back that kind of talent and it was still a stunning set for so many reasons.
Ben and his technicolour tree. The stage design and bespoke visuals really added to the experience. (Credit: The Manc Group)
First off, a special mention needs to go to support artist Billie Marten, who we’ve been waiting to see live for some time and did not disappoint. A pitch-perfect warm-up act that felt completely in line with the tone of the evening of music ahead.
ADVERTISEMENT
A soft, sweeping, beautiful voice much like the headliner. Definitely one to get in the earphones if you haven’t done so already.
But on to Ben himself, the 37-year-old opened the show on seemingly top form, welcoming more than half a dozen band members with him onto the stage and doing what he does best: starting quietly before building out the songs from an acoustic guitar to what feels like producing an album track live on stage.
ADVERTISEMENT
Although his career may have started with just him and his instrument, it doesn’t take long to understand why he has so many other session musicians on these tours: there are just so many layers to these truly enchanting soundscapes he creates that merely playing a backing track wouldn’t do it justice.
From the haunting horns knitting together these 10-year-old tracks (still hard to believe, we know), to the multiple guitars and strings elevating the overall profile of each song to something closer to an orchestra, you don’t get to hear many albums this authentically realised in every aspect.
A big shout-out to the venue as well; it was our first time visiting Aviva Studios for a straightforward concert and the one thing that struck us besides the sheer size of the place – no, seriously, the room was beyond massive – was the acoustics.
ADVERTISEMENT
You could hear every inch of that extremely fulsome sound no matter where you were in the enormous gig space gig and they were only further complemented by the visuals which were genuinely mesmerising at times.
Both visually and sonically, we couldn’t really fault anything about the performance for the majority of the evening, but then things started going wrong and it resulted in an unfortunate tail-off from a visibly frustrated performer.
It wasn’t just some moody auteur pageantry playing into the ‘troubled artist’ vibe either as far as we could tell – he even apologised for losing his temper at one point.
We’re not entirely sure what headspace Ben Howard was in on the night but let’s just say he gave Manchester an honest performance, at the very least.
Highlights included ‘Oats in the Water’, ‘End Of The Affair’, ‘Rivers In Your Mouth’ and ‘Conrad’. (Credit: The Manc Group)
He continued to have technical issues the longer things went on and battled through them charmingly, for the most part, but it became apparent that it was becoming too much of a distraction to plough through as he would have liked to.
ADVERTISEMENT
With so much distortion and various effects being pumped out, it was almost like he was fighting with the pedals more than they were doing him any favours and at one point he simply decided to do away with them and revert to the stripped-back string-picking that he has always excelled at.
We kind of wish he would have just stuck that rather than try and persist when things were clearly going wrong; at one point he even kept playing with three broken strings and that was arguably more impressive than any other moment in the entire set.
It culminated in him walking in the middle of the encore whilst his band were still left to play out the title track people had people waiting all night to hear. There were rumblings of confusion in the crowd and some understandable grievances; it’s not the first time it’s happened either, sadly.
Whatever the case may be, we hope he’s ok and that no one involved has to struggle through the same issue we did. He’s already said music in general is more difficult following his two mini-strokes, but it still goes without saying that he’s one of the most unique singers and guitar players around.
‘Keep your head, keep your heart strong.’
ADVERTISEMENT
Not how we wanted it to end but it still gave room for the fans to show their appreciation for the fantastic band. (Credit: The Manc Group)
Morrissey confirms his new album has already been written and reveals recording details
Danny Jones
Morrissey has confirmed that the next project set to succeed his still relatively new album, Make-up Is a Lie, has already been written.
He’s also disclosed when and where it will be recorded in a post on his own personal website.
The hailed Manc songwriter and former The Smiths frontman only dropped his recent release earlier this year, but it looks like the follow-up is already on the way.
Lyrically, Morrissey states, the album is basically done – now it’s just a case of putting it down on tape, with the Davyhulme-born artist scheduled to get back in the studio early next year.
In the post announcing a special 12-inch Notre-DameDeluxe EP – set to drop later this month – the 67-year-old spoke at length about the ‘lemonade’ yellow vinyl, which will no doubt become a collector’s item among his most dedicated die-hards.
More of a full-length listen, in truth, featuring tracks that ultimately didn’t make the cut for his last record, Make-Up Is a Lie, he says it “should be played unendurably loud.”
After thanking all his ever-passionate fans for buying his 14th solo studio album, he went on to add: “A certain injustice was rectified. The follow-up album has been written, and will be recorded in January in our beloved France. It already sounds like a winner…
“Happy ending never in doubt! … or … was it?”
Glean from that whatever you can, all we know is that it’s sparked plenty of interest on the forums, message boards and social media fan accounts already.
Earlier this year, we also found out that an ongoing feud between ‘Moz’ and his old bandmate Johnny Marr also meant that we were denied a special anniversary re-issue.
Let’s just say that with little love lost between the two and yet another LP apparently in the works already, you likely won’t be seeing any remasters any time soon, let alone the once-rumoured reunion.
After all, it took the Gallaghers more than 15 years to kiss, and these two seem to be still disputing over various matters after the best of four decades.
Meanwhile, Morrissey is already gearing up for a fresh run of tour domestic dates (insomnia permitting) later this year.
But, most notably, he’s chosen to skip out on one key location…
Mozza fans when they found out he's only coming to five UK cities on his tour later this year:
Stockport’s dedicated live music festival for people with complex needs is back for 2026
Danny Jones
A music festival designed specifically for people with complex needs and learning difficulties is returning to Stockport for 2026.
Marking more than half a decade of this important push for accessibility across the local and live entertainment sector, we couldn’t be prouder to hear stuff like this coming out of Greater Manchester.
Created by the Stopfordian-born charity, Pure Innovations – which has various arms, from their multiple cafes across the region, to Pure College in the town centre, events like this and more – this particular initiative is celebrating its sixth edition this year.
But it certainly doesn’t run itself, and it takes a lot of time and effort, not to mention truly admirable levels of commitment from volunteers, to put this thing on; with that in mind, we’re doing our little bit.
Whether it be helping spread the word, getting involved with sponsorship, volunteering yourselves, or offering other kinds of contributions on the day, it all goes a long way.
The organisation as a whole has been around for more than two decades now, and some of us and you may know it well (this particular writer used to work there as a teen, in fact), and their now annual ‘Access Festival’ has become a much-anticipated date on the calendar for so many.
Emily, who has overseen the festival’s growth for more than five years now, said in a statement to The Manc, “After going to a festival a few years ago, I realised that it wasn’t just the music that stayed with me; it was everything around it.”
She went on to add: “The excitement beforehand, choosing what to wear, planning the day, and then sharing photos and memories afterwards. It made me realise that many of the people we support at Pure had never had that experience.
“Access Festival is a space where everyone feels comfortable, included and able to enjoy themselves. For most people, going out to a gig or a festival is no big deal, but for many of our clients, this is the highlight of their year, a chance to connect and simply enjoy live music.”
Highlighting the charity’s long-standing commitment to ensuring that people with learning difficulties, autism and other disabilities are not denied access to everyday experiences, they’re now calling on fellow nearby businesses to help bring the festival to life.
We spoke to Emily and the rest of the team when we visited Pure’s in-house kitchen, bakery and workshop earlier this year – safe to say this is the kind of stuff that warms the cockles.
Taking place at Stockport’s Guildhall, the one-day festival is a powerful example of the difference Pure can make in their clients’ lives, supporting them to live full, independent and connected lives, with several securing paid employment thanks to skills and support gained during their time with the team.
Designed specifically for adults with learning disabilities, autism and other complex needs, the Access Festival creates a space where people can enjoy live music, socialise and celebrate in a way that works for them, something lots are sadly still routinely excluded from.
With live music, DJs, not to mention plenty of singing and dancing, karaoke, raffles, plenty of food and drink, not to mention serving as a key social outlet, it matters way more to many of these attendees, carers, families and local organisations than you’ll probably ever know.
It’s grown from a small passionate project hosting around 30 people to a heartwarming local event that now welcomes more than 300 guests every year, and it’s only getting bigger and better as time goes on.
Whether you want to help out or go along for yourselves, you can register for Access Fest 2026 on Friday, July 17, right HERE.
Danny Jones -
22nd October 2024 
