Ben Howard brought his 10th anniversary tour of I Forget Where We Were to Aviva Studios on Monday night under a moody Manchester sky and while the gig was by no means perfect, it was still as transportive as we’ve come to expect from the seasoned solo artist.
Still up there with one of the most boundary-pushing singer-songwriters in the country for our money, as one person in The Manc office put it, Ben Howard has always seemed like a talent who simply loves making art but has absolutely no interest in the fame that comes with it.
It seems like a pretty astute assessment, especially judging by his performance at the home of Factory International, which for many will no doubt have been a great start to the week but for the man himself, it looked like a tough one to get through.
That being said, there are few things that can hold back that kind of talent and it was still a stunning set for so many reasons.
Ben and his technicolour tree. The stage design and bespoke visuals really added to the experience. (Credit: The Manc Group)
First off, a special mention needs to go to support artist Billie Marten, who we’ve been waiting to see live for some time and did not disappoint. A pitch-perfect warm-up act that felt completely in line with the tone of the evening of music ahead.
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A soft, sweeping, beautiful voice much like the headliner. Definitely one to get in the earphones if you haven’t done so already.
But on to Ben himself, the 37-year-old opened the show on seemingly top form, welcoming more than half a dozen band members with him onto the stage and doing what he does best: starting quietly before building out the songs from an acoustic guitar to what feels like producing an album track live on stage.
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Although his career may have started with just him and his instrument, it doesn’t take long to understand why he has so many other session musicians on these tours: there are just so many layers to these truly enchanting soundscapes he creates that merely playing a backing track wouldn’t do it justice.
From the haunting horns knitting together these 10-year-old tracks (still hard to believe, we know), to the multiple guitars and strings elevating the overall profile of each song to something closer to an orchestra, you don’t get to hear many albums this authentically realised in every aspect.
A big shout-out to the venue as well; it was our first time visiting Aviva Studios for a straightforward concert and the one thing that struck us besides the sheer size of the place – no, seriously, the room was beyond massive – was the acoustics.
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You could hear every inch of that extremely fulsome sound no matter where you were in the enormous gig space gig and they were only further complemented by the visuals which were genuinely mesmerising at times.
Both visually and sonically, we couldn’t really fault anything about the performance for the majority of the evening, but then things started going wrong and it resulted in an unfortunate tail-off from a visibly frustrated performer.
It wasn’t just some moody auteur pageantry playing into the ‘troubled artist’ vibe either as far as we could tell – he even apologised for losing his temper at one point.
We’re not entirely sure what headspace Ben Howard was in on the night but let’s just say he gave Manchester an honest performance, at the very least.
Highlights included ‘Oats in the Water’, ‘End Of The Affair’, ‘Rivers In Your Mouth’ and ‘Conrad’. (Credit: The Manc Group)
He continued to have technical issues the longer things went on and battled through them charmingly, for the most part, but it became apparent that it was becoming too much of a distraction to plough through as he would have liked to.
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With so much distortion and various effects being pumped out, it was almost like he was fighting with the pedals more than they were doing him any favours and at one point he simply decided to do away with them and revert to the stripped-back string-picking that he has always excelled at.
We kind of wish he would have just stuck that rather than try and persist when things were clearly going wrong; at one point he even kept playing with three broken strings and that was arguably more impressive than any other moment in the entire set.
It culminated in him walking in the middle of the encore whilst his band were still left to play out the title track people had people waiting all night to hear. There were rumblings of confusion in the crowd and some understandable grievances; it’s not the first time it’s happened either, sadly.
Whatever the case may be, we hope he’s ok and that no one involved has to struggle through the same issue we did. He’s already said music in general is more difficult following his two mini-strokes, but it still goes without saying that he’s one of the most unique singers and guitar players around.
‘Keep your head, keep your heart strong.’
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Not how we wanted it to end but it still gave room for the fans to show their appreciation for the fantastic band. (Credit: The Manc Group)
Parklife 2025 stage times and stage splits for Sunday 15 June
Daisy Jackson
Day one of Parklife festival is done and dusted and we’re heading straight into Sunday – with arguably one of the biggest line-ups the Heaton Park festival has ever had.
For the second day of the massive party in north Manchester, Parklife have pulled together a headline slot from Charli XCX – one of the biggest artists in the world right now.
She’s joined on Sunday’s line-up by the likes of Bicep, Confidence Man, Peggy Gou, Girls Don’t Sync and many, many more.
Parklife has confirmed the stage times for Sunday 15 June so you can get to planning.
So without further ado, let’s get to planning your day two of your Parklife weekend – here are the stage times for Sunday.
Gig review | Catfish at Heaton Park, Manchester – are the Bottlemen properly back?
Danny Jones
10 months on from their last gig and more than a year since they officially ended their hiatus, Catfish and the Bottlemen finally returned to Manchester for a sold-out show at Heaton Park, and while the reviews online have been mixed, we had a blast heading back to the fields again.
Making their Manc comeback just hours before this year’s Parklife Festival got underway, the beloved Welsh band had stirred lots of worry leading up to the day itself and, in truth, even in the moments leading up to (and after) their stage time.
Apart from their huge headline slot at Reading and Leeds, 2024 was the year of cancellations and controversy, so their fans had plenty of reason to be concerned. Nevertheless, we had faith and kept our spirits high, especially with the weather holding out.
Local legends and indie rock veterans James certainly helped on that front, delighting both die-hards watching from up on the hill and younger gig-goers who may have only heard a few of the big hits like ‘Sit Down’ – though they certainly didn’t heed that message, there was merely jumping up and down.
Some great computer-generated imagery backdropped the set.We watched this thing like a hawk.You can read our recent interview with them HERE. (Credit: Audio North)
Once the main support act had wrapped up their pretty perfectly timed set, we’ll admit, standing on that grass felt like an eternity, especially considering Catfish had us waiting an extra 15 minutes beyond their expected arrival at Heaton Park.
You could call it fashionably late, but in this case, it saw several people around us uttering, ‘they’re not coming on any time soon’, and some even beginning to walk off.
However, they did eventually arrive just over a quarter of an hour past schedule, and the eruption of cheers from the crowd and a fair few screams from those nearest the barrier signalled what summed up the entire night: we were just so happy to have them back.
We’ve heard people debating the sound quality and taking issue with parts of Van’s performance, but we’ll just leave this here and let you decide for yourselves:
One thing’s for sure: the energy was immaculate from start to finish.
From kicking things off with ‘Longshot’ for a limb-worthy intro, to hearing a fully acoustic version of ‘Hourglass’ as the lead singer stood alone on the dramatically lit main stage, soon to be followed up by a plethora of Parklife acts, we’d wager you they’ll remain a tough act to follow all weekend.
Other highlights included an entire park’s worth of people belting every word to ‘Kathleen’, ‘Fallout’, ‘Pacifier’ and pretty much every track they played, as well Van having the crowd repeat the chorus of ‘Cocoon’ as he hung up his guitar from the stand to deliver an ice-old mic drop.
We would’ve loved to hear a fuller set filled with the extended live versions of ‘Oxygen’, ‘Heathrow’ and ‘Glasgow’ too, especially given how many sections of pure instrumentation felt like they were going to transition into another track, but you can’t have everything, I guess.
Inflatable crocodiles and cracking flagsCredit: The Manc GroupEyes and arms wide openWe’re here to urge you not to be drawn in by TikTok reviews – as far as we’re concerned, Catfish were made to headline Heaton Park.
Sure, there might have been a few minor fluffed vocal notes and slightly over-lengthy solos here and there, but after all, it’s a rock show: we want a bit of mess.
The same goes for Van McCann himself, too; we worry that people are starting to forget what a proper rockstar is, and we’re not talking about contriving some kind of Hollywood lifestyle, but certainly getting lost in the music and trashing your guitar so hard that your face is draped in nothing but hair and sweat? Absolutely.
All in all, we think Catfish and the Bottlemen‘s massive outdoor show at Manchester’s Heaton Park and de facto ‘comeback after the last comeback’ was a triumph and even when they’re not absolutely 10/10, they’re still bloody good value live.
As for the question of ‘are they back?’ We think so and certainly hope that ‘Showtime’ wasn’t just released as a way of signalling fans to come along for one last ride before the final curtain call.
Danny Jones -
22nd October 2024 
