High-flying indie five-piece Blossoms have credited Courteeners as a “big reason” that they became a band in a recent interview.
The Stockport outfit – who enjoyed an utterly stellar 2024 amidst the release of their critically acclaimed album, Gary – have not long finished their most recent tour, but they claim it may never have happened without the Middleton group.
And they don’t just mean in terms of inspiration: as they explained, it was the Courteeners’ generosity and support during their early days that helped them get a foot in the door.
Speaking to Radio X earlier this week, Blossoms were invited to look back on what was unquestionably a massive year for music and review it from A-Z; when they arrived at the letter C, there was only one answer that came to mind.
When you are supporting the Courteeners at 7 but have to set a fiendish riddle for Batman at 9.
Tom from @BlossomsBand pulling off some clobber that not many others could at Old Trafford this weekend!
— XS Manchester – 106.1 FM, DAB+ & App (@XSManchester) September 27, 2021
Drummer Joe Donovan said of the fellow Greater Manchester music icons: “They’re a big reason that we’re a band – having a band so close to home, that felt like we can do this.”
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Speaking about the Middleton-based indie rockers, he went on to insist, “We can’t thank them enough for being so kind to us.”
Blossoms not only supported Courteeners at their massive 2023 Heaton Park show but have twice been warm-up acts for Liam Fray and co. at the Emirates Old Trafford Cricket Ground.
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The first occasion came back in 2017 towards the start of their career, having not long released their debut record and still a year before they would release their sophomore outing.
All three gigs were obviously massive, both in helping put the local lads on the map and get their music out to new audiences and in helping nurture what is clearly a close relationship between the two bands.
During lockdown, Fray and the Blossoms combined for an ‘isolated’, stripped-back and ultimately viral cover of the classic 2008 Courteeners track, ‘Please Don’t’, from their first-ever LP St. Jude, which was recently re-released as a 15th Anniversary Edition.
Cut to a few years later and each band is still riding their own waves of popularity, with the Stopfordians only getting bigger as time goes on and Courteeners returning with their seventh studio album, Pink Cactus Café, back in October – on which Blossoms bassist Charlie Salt featured.
As they put it, their forerunners turned collaborators gave them “the belief” to not just play but keep making music and releasing it into the world, not to mention giving them the confidence to perform the kind of charismatic and much-talked-about live shows they’re known for today.
We have no doubt Blossoms x Courteeners connections will remain strong for years to come and you can almost bank on them sharing a festival stage or big headline billing again in the near future.
It won’t be long before the former are back on the road either, with plenty of gigs coming up this spring and summer, and we’re sure you’ll hear more live news from the Courteeners soon enough too.
Featured Images — The Manc Group/Press Image (supplied)
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Ticket requests are now officially open for Harry Styles’ one-night-only Manchester gig
Emily Sergeant
The time has come – the ticket request system for Harry Styles’ one-night-only gig in Manchester is now live.
In case you hadn’t heard, it was announced on Wednesday evening after much speculation that Harry Styles would be making a return home to Manchester for a one-night-only ‘intimate’ gig at Co-op Live to celebrate the release of his fourth studio album next month.
Styles is set to share Kiss All The Time. Disco, Occasionally with the world on Friday 6 March – and it’s that very same night he’ll be taking to the stage in Manchester.
Although little is known about what to expect at the gig, the poster for the event does state that there’ll be a ‘special performance of the album’, so it seems fair to say that Manchester will be the first to hear the new set of songs in full live.
And if all of that wasn’t exciting enough as it is, the tickets are only £20 per person.
But, of course, there is a bit of a catch, as this isn’t your regular online queuing up for tickets scenario, this is a ‘ticket request’ system instead.
So, like us – and literally every other fan in the vicinity of Greater Manchester and beyond this week – you’re probably wondering what a ‘ticket request’ system is… what does it look like? How does it work? Basically, what the heck is it? Well, we’ve done a bit of digging around to get to the bottom of it so you’re not left too much in the dark.
According to Ticketmaster’s website, if an artist is running a ticket request, they’ll invite fans to request tickets so you don’t have to compete in a first-come, first-served sale.
This means you can take your time to review the available options and request the right tickets for you.
All you need to do is tell Ticketmaster which shows you’re interested in, the type of ticket you want, and your payment details. Then, if the tickets you request can be fulfilled, your card will be charged and you’ll get emailed instructions to access them in the Ticketmaster App.
Unfortunately, as much as we’d love it to be the case for everyone, submitting a request doesn’t guarantee you tickets – it really is just luck of the draw.
To request tickets, you’ll need to follow these three simple steps:
Select which shows you’re interested in and the type of ticket you want
Add your payment details
Harry Styles ticket requests are now live / Credit: Johnny Dufort (Publicity Picture)
Ticketmaster will then send you a summary email that details the tickets you’ve requested. Your card won’t be charged at this time, but they may charge a temporary £1 authorisation to your card to validate your request.
A maximum of two tickets per person can be requested, which has been set to allow for as many fans as possible to get tickets.
Now, here’s the crucial part – you will need to submit your request for tickets while the window is open until Sunday 8 February at 11pm GMT. After the request window closes, you’ll get a second email by 11:59pm GMT on Tuesday 10 February confirming whether or not your request has been fulfilled.
All that’s left to do now is provide you with the link here and send you on your way… oh, and may the odds be ever in your favour.
Featured Image – Wikimedia Commons
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The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Danny Jones -
8th January 2025 
