High-flying indie five-piece Blossoms have credited Courteeners as a “big reason” that they became a band in a recent interview.
The Stockport outfit – who enjoyed an utterly stellar 2024 amidst the release of their critically acclaimed album, Gary – have not long finished their most recent tour, but they claim it may never have happened without the Middleton group.
And they don’t just mean in terms of inspiration: as they explained, it was the Courteeners’ generosity and support during their early days that helped them get a foot in the door.
Speaking to Radio X earlier this week, Blossoms were invited to look back on what was unquestionably a massive year for music and review it from A-Z; when they arrived at the letter C, there was only one answer that came to mind.
When you are supporting the Courteeners at 7 but have to set a fiendish riddle for Batman at 9.
Tom from @BlossomsBand pulling off some clobber that not many others could at Old Trafford this weekend!
— XS Manchester – 106.1 FM, DAB+ & App (@XSManchester) September 27, 2021
Drummer Joe Donovan said of the fellow Greater Manchester music icons: “They’re a big reason that we’re a band – having a band so close to home, that felt like we can do this.”
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Speaking about the Middleton-based indie rockers, he went on to insist, “We can’t thank them enough for being so kind to us.”
Blossoms not only supported Courteeners at their massive 2023 Heaton Park show but have twice been warm-up acts for Liam Fray and co. at the Emirates Old Trafford Cricket Ground.
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The first occasion came back in 2017 towards the start of their career, having not long released their debut record and still a year before they would release their sophomore outing.
All three gigs were obviously massive, both in helping put the local lads on the map and get their music out to new audiences and in helping nurture what is clearly a close relationship between the two bands.
During lockdown, Fray and the Blossoms combined for an ‘isolated’, stripped-back and ultimately viral cover of the classic 2008 Courteeners track, ‘Please Don’t’, from their first-ever LP St. Jude, which was recently re-released as a 15th Anniversary Edition.
Cut to a few years later and each band is still riding their own waves of popularity, with the Stopfordians only getting bigger as time goes on and Courteeners returning with their seventh studio album, Pink Cactus Café, back in October – on which Blossoms bassist Charlie Salt featured.
As they put it, their forerunners turned collaborators gave them “the belief” to not just play but keep making music and releasing it into the world, not to mention giving them the confidence to perform the kind of charismatic and much-talked-about live shows they’re known for today.
We have no doubt Blossoms x Courteeners connections will remain strong for years to come and you can almost bank on them sharing a festival stage or big headline billing again in the near future.
It won’t be long before the former are back on the road either, with plenty of gigs coming up this spring and summer, and we’re sure you’ll hear more live news from the Courteeners soon enough too.
Featured Images — The Manc Group/Press Image (supplied)
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Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: