Candlelit dinners, intimate moments, cosy nights in – OR, for a few thousand of us, a Valentine’s Day spent putting our eardrums to the test and watching a slender rock star wriggle about for two hours.
I know which I’d choose, any day of the week, because despite a five-year break from touring, Cage the Elephant remain one of the most electrifying live acts on the planet.
And frontman Matt Shultz still remembered to get us flowers, flinging dozens of red roses into the audience. What a romantic.
The six-piece, formed back in 2006 in Kentucky, are back in town for the first time since early 2020.
In that time, Shultz experienced a medication-induced psychotic breakdown, something he’s spoken publicly about and that he addresses on stage, saying he feels ‘grateful’ to be back performing.
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Cage the Elephant have got a new-ish album with them in Neon Pill, but they don’t give it much weight in the setlist, which is mostly filled with songs from Tell Me I’m Pretty, Melophobia and Social Cues.
For long-time fans of the band this is a relief.
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It’s hard to beat their tracks like Trouble with its zig-zagging bass, the surprisingly moving Cigarette Daydreams which has an entire room belting along, and the slow-build, semi-Western anthem that is Ain’t No Rest for the Wicked.
They get off to a very strong start, firing through Broken Boy, Cry Baby and Spiderhead before they pause to say hello to a crowd that’s been suitably loosened up by the glam-grunge sound of Sunflower Bean, the New York outfit whose lead, Julia Cumming, is either teetering on fiercely high platforms or otherwise thrashing her bass from her knees.
As usual with Cage the Elephant’s staging, most of the kit is crammed into a third of the stage. You need A LOT of space for a firecracker frontman like Matt Shultz, not to mention his guitarist brother Brad.
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I can only imagine how chaotic their house was growing up, but they’re the most entertaining siblings in rock n roll and yes, I’m aware how inflammatory that sentence is on a Manchester page.
There’s even a guitar smash towards the end from Brad, which I didn’t think was a thing we were still doing. In this economy!?
The energy they bring to the O2 Apollo is never-ending, like during Mess Around when it seems that Matt might wriggle out of his own skin, Cold Cold Cold where he gets so giddy he can’t keep both feet on the ground, and Sabretooth Tiger which is intensely lively.
The hardest working person in the crew is the poor fella trying to keep Matt spotlit as he judders and slinks back and forth across the stage.
Cage the Elephant clearly LOVE Manchester, even enquiring about the status of Big Hands (yep, still thriving).
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And by the time we hit the encore, wrapping up with Come A Little Closer, it’s pretty clear this crowd loves them right back.
Cage the Elephant setlist
Broken Boy Cry Baby Spiderhead Too Late to Say Goodbye Good Time Cold Cold Cold Ready to Let Go Neon Pill Social Cues Halo Mess Around Trouble Ain’t No Rest for the Wicked Skin and Bones Rainbow Telescope House of Glass Sabertooth Tiger Encore: Back Against the Wall Shake Me Down Cigarette Daydreams Come a Little Closer
Keo play Projekts: garage and grunge revivalists crush Manchester skatepark for new music video
Danny Jones
This past Thursday evening, fast-rising rock band Keo took over Projekts MCR skatepark for a special pop-up gig and to film a brand-new music video for their latest single, ‘Pistol’, starring some of their biggest fans here in Manchester.
In fact, it didn’t take long for us to suss out that plenty of them had flocked from far and wide to be there, and let’s say we’re sure they’ll say it was worth the journey.
We caught Keo’s well-attended festival set inside the Woodlands at Kendal Calling 2025, not to mention their completely sold-out show at the O2 Ritz back in March – their biggest headline date up to that point – and we’re more certain than ever that they’re going to be absolutely massive.
And if they keep up doing more memorable stuff like this, it’s just a matter of how soon…
Packing out Projekts to the point that people were literally hanging off fences and standing on electrical boxes at the side of the street to try and get a peek at the post-punk, grunge and garage rockers, some of their most enthusiastic young fans had been waiting outside the location as early as noon.
For context, doors opened six hours later, and the boys didn’t come on until 7:30pm.
Those who signed up to Keo‘s mailing list were sent information regarding securing a spot at the one-off performance earlier this month.
While you would have seen the place fill up even if they were just standard concert tickets, the fact that the band were taping the whole thing to use as the visuals for their newest single, as mentioned, meant that Keo’s avid followers were literally clamouring AND clambering to get the best view position possible.
Turning the popular skaters’ hub’s central bowl into a makeshift stage, with lights, camera, booms and various crew surrounding the entire venue, it was a surreal experience to say the least.
And, of course, they were absolutely brilliant – just as they were at the Ritz at the start of the year and Kendal before that, playing a short but sweet set that left everyone wanting more and choruses of punters chanting Keo long after the final song.
We can’t wait to see how the video itself turns out, especially seeing how much the people who wrapped around them and the skatepark were lost in the moment, and we’re also looking forward to them headlining Neighbourhood Fest in Manchester city centre this October.
You can grab a ticket to see them and the rest of the NBHD lineup right HERE, but until then, give the full studio version of ‘Pistol’ a play and get ready for their debut album.
Oasis’ (What’s the Story) Morning Glory? named biggest UK studio album EVER by Official Charts
Danny Jones
You’re damn right: Oasis continue to be MASSIVE as new figures from the Official Charts Company have confirmed that (What’s the Story) Morning Glory? has clocked in as the biggest UK studio album of all time.
The Britpop icons and history go hand in hand.
Yes, according to the latest numbers by our domestic chart-crunchers, only two other albums surpassed Oasis‘ second LP – and they’re both greatest hits collections.
The announcement was made on Wednesday, 22 July, just over a whole year on from those reunion world tour shows at Heaton Park. How fitting.
Starting off by channelling Liam Gallagher energy and quipping that “Oasis vibes are in the area”, they go on to explain the colossal cumulative record.
“Oasis claim one of the biggest honours in British music history, they write, “as (What’s the Story) Morning Glory? is named the UK’s Official biggest studio album of all time, according to new Official Charts Company data.”
Combining UK sales of the record – both physical and digital over the years – along with modern streaming statistics, the sophomore outing from the Britpop giants has amassed approximately 6.2 million UK chart units. Staggering stuff.
Last year’s Live ’25 shows have no doubt helped give an added boost to their metrics, but it’s still gargantuan stuff from the local band.
Yet another incredible stat not just for the Burnage boys but the Manchester music scene as a whole.
2026 looks to be just as big a comeback, by the looks of things.
In case you were wondering who beat them out in the race for the top spot, they were pipped to the post by Queen’s Greatest Hits and the same again from ABBA, two worthy opponents to take third place after.
You can see the rest of the list in full right HERE.
Oh, and Definitely Maybe also made the list, too, coming in at number 39 – making that two in the top 50 even amongst all the compilations.
It feels like last July all over again, doesn’t it? And if now isn’t the perfect time to stick on the title track, we don’t know what is.
Actually, sod it – we’re sticking the full thing on…
Daisy Jackson -
15th February 2025 
