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Chris Moyles branded an ‘offensive’, ‘insipid half-wit’ for labelling unsigned artists as ‘crap’
The music community has expressed its overwhelming disappointment in the radio veteran. Some of his older comments are also being dug out.
Chris Moyles has come out with arguably one of the worst takes we’ve heard in a long time after he said he doesn’t play new music because he believes “most unsigned musicians are crap”.
Oh dear, Chris…
Speaking on his self-titled morning show on Radio X last week, the former BBC Radio 1 DJ and industry veteran was trying to defend criticism that he doesn’t play enough new music.
Despite insisting that “that’s not what [his] show is about”, which may have been reason enough to stop the conversation there, Moyles decided to double down and share his opinion on the wider music scene.
Responding to his listeners, he said: “the real reason is, and this will blow their tiny minds and they’ll hate this, the reason why we won’t play unsigned bands is because — and there are exceptions to the rule — but the main reason is that most unsigned bands are crap. I’m sorry, but that’s the truth.”
To absolutely no surprise whatsoever, the 48-year-old is being absolutely rinsed, with his claim being labelled everything from “shocking” and “ridiculous” to “an embarrassment”, not to mention several declaring him a “self-indulgent pr*ck” and insisting that he should “hang [his] head in shame”.
Moyles has always been somewhat of a divisive figure, even hinting at his Marmite-esque reputation whilst appearing on I’m A Celeb at the end of 2022, but most people seem to be in agreement on this one: it’s a pretty ignorant and callous take.
Artists and music lovers across social media have come out to rubbish the ill-thought-out judgement. Even station colleague John Kennedy had to make sure people knew these were solely the opinions of Moyles and not necessarily that of Radio X.
The first, most obvious thing to state is that every band or solo act was once an unsigned musician and, as countless pointed out, without exposure from the likes of radio DJs some of the world’s greatest ever artists may have never come to be.
Scottish four-piece The Lutras were one of countless to state their disappointment, issuing the following statement on their Twitter:
“Very disappointing to hear. No wonder up-and-coming bands struggle to get any airplay at all when the people who are supposed to be scouting them are saying they’re mostly crap and complaining about it. Rotten attitude. Chris Moyles, sort it out or f*** off”
Beyond his knowledge and opinions on music, many have also come out to suggest that the Leeds-born disc jockey has said plenty more upsetting things than this in the past, highlighting numerous controversies that many may not be readily aware of. Warning: it makes for rather unpleasant reading.
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Fortunately, back here in Manchester, our music-loving city is still doing its best to spotlight up-and-coming talent as it should.
Mayor Andy Burnham recently handed out the inaugural ‘Artist of the Month’ award to The KTNA in January, crucially giving them that very same air-time on BBC Radio Manchester that Moyles seems so quick to overlook.
Furthermore, music legend Johnny Marr and The Salford Foundation Trust recently gave local lad John Denton and his band, The Height, a huge boost in their fledgling music career too.
Don’t look down on people trying to make it, be more like these legends.
For all the latest news, events and goings on in Greater Manchester, subscribe to The Manc newsletter HERE.
Featured Image — Chris Moyles (via Instagram)/Radio X (via YouTube)
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The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
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Featured image: The Manc Group
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Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.
You can get tickets when they go on sale HERE.
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Featured image: Publicity picture