The return of Homobloc is on the horizon and some big names have been added to the 2024 lineup, not least of all, LGBTQ+ icon, Christine and the Queens.
Presented by Homoelectric and nestled in amongst the action of The Warehouse Project’s jam-packed annual programming, Homobloc is one of the most highly-anticipated events on the Manc music and cultural calendar – and it’s no wonder.
Since the likes of The Blessed Madonna, Confidence Man, Horse Meat Disco and salute; Honey Dijon, Hot Chip, Self Esteem and many more have all played the cult-favourite club night over the past few years, it’s gaining a real reputation.
With that being said, the pressure is on every year to improve upon or at least match the lineup from the year before and we can confirm the team behind Homobloc has secured another stellar selection of artists for 2024.
Topping the bill, you can’t go wrong with the ever-creative, critically acclaimed and immaculately cool Christine and the Queens will lead the Homobloc proceedings. Make no mistake, it’s a big deal having a name of this size headlining.
ADVERTISEMENT
He will be joined by London-born hyperpop icon Shygirl, who presents her latest Club Shy project: Swedish singer and record producer COBRAH, making her Manchester debut alongside the rhythm-shifting sounds of Olof Dreijer of The Knife.
In addition, they will be joined by the likes of Moonchild Sanelly following an amazing performance at this year’s Glastonbury, as well as queer Manchester rapper OneDa, Chinese producer and artist Alice Longyu Gao, not to mention a special collab between Pxssy Palace and US rapper Mykki Blanco.
ADVERTISEMENT
Of course, this is just the tip of the iceberg: there will be several other DJ sets throughout the venue and beyond, including Job Jobse b2b Saoirse, 2manydjs b2b Confidence Man, Tiga; HorsegiirL, HAAi, Chloé Caillet and Horse Meat Disco, with live sets from I.Jordan, Christeene, LSDXOXO and more.
Spanning the full breadth of Depot Mayfield‘s main stages (Depot, Concourse, Archive) and more such as the beloved Plant Room, the historic Star and Garter Pub and the Loft – a unique rooftop space set to be taken over by Studio 54 icon Nicky Siano – there will be a whole host of genres on display.
And last but not least, completing what will be arguably the most dynamic and boundary-pushing Homobloc yet, the 2024 lineup will also feature curation and performance art by LGBTQ+ collectives Ghetto Fabulous, Make Me Feel, House of Spice, Sue Veneers and many more.
Homobloc’s Creative Director Sophie Bee said of its return this winter: “It’s been a wild ride since the party started in 2019. The festival production has evolved so much and we’ve gone from half of Manchester plus the kitchen sink on stage, to choreographed pieces with global touring artists.
“Our research and development design team based at Islington Mill has been a place for experimentation allowing space for people’s imagination to flourish. It’s an honour to work on a collaborative, loving, fun spectacle, with such innovative producers from mixed art forms.
“This year there are some really beautiful production moments that we can’t wait to share with all our family, friends and community.”
Homobloc 2024 returns to Depot Mayfield on Saturday, 9 November and, in true all-day and all-nighter fashion, is set to run from 2pm-4am, so you best be prepared to party. Pre-sale goes live at 10am this Thursday, 15 August, and general admission tickets at the same time on Friday, 16 August.
Featured Images — Tom Hancock (Tower Hamlets Council via Flickr)/WHP (Supplied)
Audio
Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
The AO Arena is giving away FREE tickets for a year to celebrate 30 years in Manchester
Daisy Jackson
The AO Arena has announced it’s giving away free tickets for a year to celebrate its 30th anniversary in Manchester.
The iconic music venue has welcomed the biggest names in the world in its three decades, with millions of us making memories for life inside its huge space.
And now you could win VIP tickets for an entire year, simply for sharing those memories with the AO Arena.
Fans who submit their old photos, videos and tickets will be in with a chance to win tickets to all the shows coming up in 2025 – which already includes massive gigs like Kylie Minogue, Katy Perry and Busted vs McFly.
AO Arena wants to dig deep into ‘first gig’ nostalgia territory, using fan-submitted snaps to build a collection of Manchester memories.
Were you in the same room as Taylor Swift, did you party like it was 1999 (because it was) with Spice Girls, did you cry over the sight of Gary Barlow or cry laughing with Peter Kay?
Britney Spears and Beyonce are among the names who have performed at AO Arena in its 30 year history. Credit: Supplied
Whatever your AO Arena memories are, you can share them before the end of the month to be entered into the competition to win VIP tickets for the year.
One overall winner picked at random will get the ultimate VIP experience, including access to a premium suite and The Beautiful North, as well as access to The Mezz with panoramic views of the main stage.
The 30th birthday campaign has been inspired by Adele’s monumental When We Were Young performance at Glastonbury, and all these memories will be projected around the arena before every performance.
You can submit your footage and enter the competition via the AO Arena website HERE.
Danny Jones -
13th August 2024 
