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A beautifully chaotic Thursday night – Rossi. at YES Pink Room for BRITs Week 2026 for War Child | Review

Global headline DJ. Underground heart.

Harry Quick - 27th February 2026

There’s something beautifully chaotic about watching Rossi. take over a room the size of YES’s Pink Room on a midweek night in Manchester.

No towering LED walls. No Ibiza sunset backdrop. Just low ceilings, flashing pink strobes, and a crowd packed in tight enough to feel every kick drum in your ribcage.

For a DJ who has commanded renowned venues across the globe like Space Miami, Hï Ibiza, and Manchester’s very own Warehouse Project, it felt almost mischievous seeing him in a space this intimate on a Thursday night.

If you were lucky enough to grab a ticket to this instalment of the BRITs Week 2026 for War Child fringe events, you could tell early doors that whoever had one was more than ready to turn up for him. When Rossi. stepped behind the decks, taking over from the talented Olive F, who set the tone for the evening, and once the headphones were firmly sat on his curly locks, he eased us in with a rolling, groovy opener – not so subtly dripping in snippets of his biggest and best tracks. We’d have to wait for those.

His sound sits in that sweet spot between underground grit and polished punch. Tech-house, but with his own East End character. The drums feel tight and deliberate. The basslines don’t just thud, they glide.

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To start us out, we were hit with a few dancey vocals filled with his hometown of London’s Grime influence, all the way to Frank Ocean’s ‘Lost’ at 125 bpm. Within minutes, the pink room was in full swing.

From there, the set unfolded like a guided tour through the different shades of Rossi.’s catalogue. Underground favourites like ‘U WONT SEE ME’ slipped into the mix with a knowing reaction from the very keen lads at the front. ‘FREAK IN THE SHEETS’ followed later, cheeky and rhythmic, drawing that half-grin from dancers absolutely going for it at the front right.

It’s easy to forget how far he’s come. A decade ago, he was carving out space in the underground. Now he’s headlining globally recognised parties like Circoloco, Music On, Paradise, and Fuse, and launching a world tour that’s been tearing through the UK, Ireland, Europe, and the US. Yet here, there was no arena ego. Just a cheeky lad going back to his roots like he’s on his CDJs in the bedroom.

Mid-set, he began to lift the energy. Brighter synths edged in with the odd jangly finger floater for good measure (that’s what I’m calling that dance move anyway!). The percussion grew punchier. The room, already warm, never quite tipped into sweatbox territory. Strangers were dancing together. Drinks were abandoned on ledges. I had realised I’d bagged the perfect vantage spot overlooking things on the ledge, in prime view of a truly fortuitous occasion.

Then came one of the night’s real eruptions. ‘High On Me’ – his breakout collaboration with Jazzy – landed like a spark in dry grass. The track, which stormed into the UK Top 20 and racked up over 20 million streams in a matter of weeks, felt enormous in a room this size.

Arms shot up. Lyrics were shouted back. For a few minutes, YES felt like the epicentre of British dance music or maybe a flashback to a ruthless TikTok doom scroll session.

But what impressed me most was the pacing. Rossi. didn’t sprint through bangers. He let grooves breathe. He allowed tension to stretch before unleashing the drop on almost every occasion. Teasing in a little snippet of an upcoming track, a few minutes before we could revel in it in full. It’s the confidence of someone who’s sold out 2,500-capacity headline shows – even breaking ticketing systems with demand – yet still understands that the magic is in the build.

As the final stretch approached, he nudged the tempo upward… and he was about to drop some serious crowd pleasers.

LEDs dampened. Darkness fell. The murmurings of ‘Lady – Hear Me Tonight’ rose in unison with the crowd’s curiosity. It didn’t take long until the entire gaff was going mental. Just pure, euphoric house music.

And to finish, with his headphones resting against the decks and mixing all said and done, he pressed play on the swan song. As ‘These Sounds Fall Into My Mind’ echoed around the room, the speakers hardly needed to be playing anymore. When he finally eased out, it felt less like an ending and more like an enticing warning shot for the summer ahead… hello, is that Ibiza calling?

Read more:

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• Huge artists announce intimate charity gigs for BRITs Week 26 for War Child
• All the artists announced to perform at the BRIT Awards 2026 in Manchester

Rossi. at YES wasn’t just a warm-up for this Saturday’s big BRIT Awards, it was proof that no matter how big the stages get, he thrives in the arm-flaring closeness of a proper club room.

Global headline DJ. Underground heart.

Featured Image – Holly Pimlott (Supplied)