Canadian hitmaker Drake graced Co-op Live in Manchester for the final night of the ‘Some Special Shows 4 UK’ tour with PartyNextDoor.
First song in and multi-hyphenate Drake is already feeling sentimental with ‘Gimme a Hug’ as he admits, “I appreciate the fans rockin’ with me / This is really just a small token.”
‘Marvin’s Room’ played out right after, and although the song prior references it as a favourite of “Durk’s boy”, this same love was shared between 23,500 fans in the crowd at Co-op Live last night.
Shortly after, the Toronto-born rapper began the usual minute-long introduction of his gigantic single ‘Passionfruit’ with fans roaring as soon as he sang the long-awaited ‘Listen’.
Drake played out to 94,000 fans across four sold-out nights at Co-op Live in Manchester (Credit: Audio North)
Less than halfway through this stacked setlist, and it was time for the holy trinity of the night: ‘God’s Plan’, ‘In My Feelings’ and ‘Nice for What’ – nothing short of back-to-back bangers.
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Fellow Canadian artist PartyNextDoor joined the self-proclaimed ‘Champagne Papi’ on stage to perform a medley of hits from their collaborative album ‘Some Sexy Songs 4 U’ next.
This R’n’B act made sure to play out his murky trap-fused number ‘No Chill’, and he squeezed in the equally melancholic melody ‘Somebody Loves Me’, too.
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The pair may be promoting their joint LP but they took a second to squeeze in a throwback, matching each other’s energy while executing the 2016 collaboration ‘Come and See Me’.
Drake’s career is timeless, and the setlist proves just that as he delivers a rendition of one of his most recent successes, ‘Girls Want Girls’, followed by a track that laid the foundations of his career, ‘Fancy’.
Drake and PartyNextDoor for the ‘Some Special Songs 4 UK’ tour(Credit: The Manc)
Almost 30 songs deep and Drake still had fans reciting bars, verses and everything in between, and this continued as the two-time Brit award winner started 2023 anthem ‘Rich Baby Daddy’.
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St. Louis rapper Sexyy Red wasn’t present for her renowned chant, but Manchester stepped up to the occasion, professing: “Hands on your knees, hands on your knees / Shake that *ss for Drake / Now shake that *ss for me”, verbatim.
It was only fair that the global rap titan finished with the setlist with two cellular-themed tracks, starting with the “You used to call me on my cell phone” number ‘Hotline Bling’ before the “Who’s callin’ my phone?” viral smash ‘Nokia’.
The setlist follows a very cyclical structure, as although Drake is known for his comical and cheeky persona on stage and online, deep down, the chart topper is very attentive.
Ending on the ever-emotive ‘Yebba’s Heartbreak’ with lines like, “How much can I show my love for you?”, it’s safe to say this international act is feeling pretty grateful after seeing 94,000 fans show up and show out for him across four non-consecutive nights.
Drake may refer to himself as the ‘Champagne Papi’, but it’s the 23,500 fans who were popping bottles and raising a toast to the rap champ; the support for this musical act is ‘Nonstop’.
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Co-op Live really is booking all the big names now.
Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Thomas Melia -
6th August 2025 
