Elton John is set to touch down in Manchester this week as the legendary musician continues his Farewell Yellow Brick Road tour.
Elton has just played 10 (yes TEN) shows at the O2 in London, and now he’s heading up north.
He’ll be doing three huge shows at the AO Arena as part of this tour, his final ever.
It’s all ahead of his headline performance at Glastonbury too. We all knew Elton John wasn’t going to retire without a fanfare, come on…
His unparalleled career spans six decades, five Grammy Awards, and a frankly unbelievable 31 studio albums.
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His massive hits include Rocket Man, Saturday Night’s Alright (for Fighting), I’m Still Standing, and Candle In The Wind, which became the fastest- and biggest-selling single of all time after he performed it at Princess Diana’s funeral.
He was also the subject of the award-winning 2019 film Rocketman, starring Taron Egerton.
The tour has had to be rescheduled a couple of times but it is finally here. Here’s everything you need to know if you’re seeing Elton John in Manchester.
Elton is in town for three nights this week (it’s a really big week for live music – Coldplay are just up the road and Arctic Monkeys are on their way too).
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He’ll be performing on Wednesday 31 May, Friday 2 June, and Saturday 3 June.
Tickets for Elton John at AO Arena, Manchester
Unbelievably, there are still a few tickets left for Elton John – and all three dates too.
It’s mostly down to single seats around the arena, which are priced between £136.35 and £807.35 (ouch).
There are also some restricted view tickets on sale, with discounted prices to make up for it – they’re up at £74.45.
No one. He’s doing this one solo – to be fair, he’s got enough hits to fill a few hours…
Stage times
Despite the lack of support act, ticket-holders for Elton John are in for a long old night of live music.
The iconic singer is going to fill almost three hours with his hits.
Here are the expected stage times.
Doors open – 6pm
Show starts – 7.30pm
Show finishes – 10.15pm
Elton John’s expected setlist and songs
Elton John performing in 1972. Credit: Wikimedia Commons
Based on his most recent show in Belgium, here are the songs you can expect to hear.
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Bennie and the Jets Philadelphia Freedom I Guess That’s Why They Call It the Blues Border Song Tiny Dancer Have Mercy on the Criminal Rocket Man (I Think It’s Going to Be a Long, Long Time) Take Me to the Pilot Someone Saved My Life Tonight Levon Candle in the Wind Funeral for a Friend/Love Lies Bleeding Burn Down the Mission Sad Songs (Say So Much) Sorry Seems to Be the Hardest Word Don’t Let the Sun Go Down on Me The Bitch Is Back I’m Still Standing Crocodile Rock Saturday Night’s Alright for Fighting Encore: Cold Heart Your Song Goodbye Yellow Brick Road
How to get to the AO Arena
Credit: AO Arena
The AO Arena is right in the heart of the city centre, so it’s fairly easy to get to.
On foot: The AO Arena is located within the Manchester Victoria Station complex in the city centre, on the corner of Trinity Way, Hunts Bank and Great Ducie Street. You can enter through the station (up the stairs), through the Trinity Way Tunnel, or from Hunts Bank.
By tram: Also super straight-forward – hop off the tram at Manchester Victoria and you’re right by the stairs to the venue. It’s also a short walk from Exchange Square and Shudehill. Trams run directly to Victoria Station from Rochdale, Bury, Altrincham, East Didsbury and the Airport.
By train: While Piccadilly is the city’s largest train station, plenty of trains do pass through Manchester Victoria. You can plan your journey through the National Rail website.
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Parking: The postcode if you’re driving to the AO Arena is M3 1AR. There’s an on-site CitiPark car park with 958 spaces, which can be pre-booked here. Bear in mind that Trinity Way is closed after concerts to allow gig-goers to leave safely, though cars are allowed out of the car park with direction from staff.
About the AO Arena
The AO Arena has a few strict policies to keep gig-goers safe, so make sure to check entry requirements carefully before you travel.
For example, only one small bag per person is allowed, and bags like backpacks, travel cases and laptop bags are not permitted inside the arena.
All bags are scanned on entry to check for prohibited items like laser pens, flares, projectiles, weapons, drugs and alcohol, and even selfie sticks.
Featured image: Publicity picture
Audio
Ticket requests are now officially open for Harry Styles’ one-night-only Manchester gig
Emily Sergeant
The time has come – the ticket request system for Harry Styles’ one-night-only gig in Manchester is now live.
In case you hadn’t heard, it was announced on Wednesday evening after much speculation that Harry Styles would be making a return home to Manchester for a one-night-only ‘intimate’ gig at Co-op Live to celebrate the release of his fourth studio album next month.
Styles is set to share Kiss All The Time. Disco, Occasionally with the world on Friday 6 March – and it’s that very same night he’ll be taking to the stage in Manchester.
Although little is known about what to expect at the gig, the poster for the event does state that there’ll be a ‘special performance of the album’, so it seems fair to say that Manchester will be the first to hear the new set of songs in full live.
And if all of that wasn’t exciting enough as it is, the tickets are only £20 per person.
But, of course, there is a bit of a catch, as this isn’t your regular online queuing up for tickets scenario, this is a ‘ticket request’ system instead.
So, like us – and literally every other fan in the vicinity of Greater Manchester and beyond this week – you’re probably wondering what a ‘ticket request’ system is… what does it look like? How does it work? Basically, what the heck is it? Well, we’ve done a bit of digging around to get to the bottom of it so you’re not left too much in the dark.
According to Ticketmaster’s website, if an artist is running a ticket request, they’ll invite fans to request tickets so you don’t have to compete in a first-come, first-served sale.
This means you can take your time to review the available options and request the right tickets for you.
All you need to do is tell Ticketmaster which shows you’re interested in, the type of ticket you want, and your payment details. Then, if the tickets you request can be fulfilled, your card will be charged and you’ll get emailed instructions to access them in the Ticketmaster App.
Unfortunately, as much as we’d love it to be the case for everyone, submitting a request doesn’t guarantee you tickets – it really is just luck of the draw.
To request tickets, you’ll need to follow these three simple steps:
Select which shows you’re interested in and the type of ticket you want
Add your payment details
Harry Styles ticket requests are now live / Credit: Johnny Dufort (Publicity Picture)
Ticketmaster will then send you a summary email that details the tickets you’ve requested. Your card won’t be charged at this time, but they may charge a temporary £1 authorisation to your card to validate your request.
A maximum of two tickets per person can be requested, which has been set to allow for as many fans as possible to get tickets.
Now, here’s the crucial part – you will need to submit your request for tickets while the window is open until Sunday 8 February at 11pm GMT. After the request window closes, you’ll get a second email by 11:59pm GMT on Tuesday 10 February confirming whether or not your request has been fulfilled.
All that’s left to do now is provide you with the link here and send you on your way… oh, and may the odds be ever in your favour.
Featured Image – Wikimedia Commons
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The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Daisy Jackson -
30th May 2023 
