The battle to ‘save’ Manchester’s iconic Night & Day Cafe seems to have finally come to an end, with a lengthy court battle wrapping up last month.
The historic venue has helped launch the careers of countless bands and played host to intimate gigs from the likes of Ed Sheeran, Arctic Monkeys, Wet Leg, James Bay and Elbow.
A couple of years ago though, a ‘new resident’ in the neighbourhood filed a noise complaint.
And then Night & Day Cafe was slapped with a Noise Abatement Notice by the council.
And then they took the whole thing public, and the row rumbled on and on and on.
ADVERTISEMENT
The resident unwittingly at the heart of the media storm (some very famous faces were rallying behind the venue) said that the music was so loud it could ripple their toilet water, Jurassic Park-style.
In a lengthy piece recently published by The Mill, previous residents came forward and backed them up, saying that the flat was ‘uninhabitable’ and a ‘living nightmare’.
ADVERTISEMENT
That piece also revealed that Matty Healy, frontman of The 1975, at one time came forward and offered to buy the flat for cash to put an end to the whole thing.
The 1975’s Matty Healy reportedly made a cash offer to buy the flat involved in the Night & Day Cafe noise row. Credit: Instagram
But three years after the noise complaint row hit headlines, Night & Day Cafe has been granted permission to continue operating as a gig venue and nightclub, with a few conditions that should end the back-and-forth between them and their neighbours.
Manchester City Council has maintained throughout the ordeal that it has had no intention of shutting down the Oldham Street venue, saying that the Noise Abatement Notice was issued as a ‘last resort’ after months of negotiating and compromising.
ADVERTISEMENT
After three years of public statements and court hearings and occasional celebrity endorsements, it looks like Night & Day Cafe can finally go back to what it does best.
And if you also got lost in the whole storyline along the way, here’s a little refresher of what happened and when (it goes back a full decade…)
Night & Day Cafe’s noise row as it happened
January 2014 – Night & Day is first hit with a Noise Abatement Notice, with thousands (including Johnny Marr, Frank Turner and Tim Burgess) signing a petition to have it removed.
September 2014 – Night & Day is allowed to remain in operation, on the condition that owners meet with residents every three months and to discuss any issues.
August 2020 – A man buys a Northern Quarter flat that neighbours Night & Day Cafe. The world is still under lockdown restrictions and live music is all-but non-existent.
ADVERTISEMENT
July 2021 – Restrictions lift and this iconic venue springs back to life with its first event. The noise is so loud inside the neighbouring apartment, the toilet water ripples, Jurassic Park-style. The residents file their first complaint, and meet with the owners of Night & Day to discuss a solution.
November 2021 – After multiple complaints, and multiple meetings with the venue’s bosses, Manchester City Council serves Night & Day with its Noise Abatement Notice. The council received hundreds of noise complaints that year – this was the only one that resulted in a NAN (the rest were sorted out by venues without council involvement).
November 2021 – Night & Day goes public with its Noise Abatement Notice and launches a petition to have the NAN removed. It gains almost 100,000 signatures and is shared by many famous faces in the music industry.
November 2021 – The resident at the centre of the row speaks to the MEN, saying their issue is with the club nights (not the gigs) and that he’s spent thousands of pounds trying to insulate his flat from the noise.
November 2021 – Local artist Paul Hallows, who works under the name himHallows, creates a series of tongue-in-cheek free posters about the whole situation.
ADVERTISEMENT
October 2022 – Night & Day pushes its petition to have its NAN removed again, as the venue says its future ‘still hangs in the balance’. It claims that complying with the requirements of the abatement notice ‘would effectively ruin Night & Day’s business’.
November 2022 – Night & Day heads to court for the first time, with celebrities rallying around the venue. Jeremy Pritchard from Everything Everything, Elbow’s frontman Guy Garvey, and Matty Healy from The 1975 all lend their support.
November 2022 – Manchester City Council confirms it’s had five complaints from four different flats – not just the one at the centre of the row.
December 2022 – Blossoms perform at the venue to mark one year to go until the opening of the Co-op Live Arena. They have #SaveNightandDay posters plastered to their equipment.
Summer 2023 – Matty Healy pops up to the flat and tries to buy flat for cash, according to reports in The Mill. The sale fell through because The 1975 were sued for a large sum, after Matty kissed his bandmate on stage in protest of Malaysia’s anti-LGBTQ+ laws.
ADVERTISEMENT
January 2024 – Night & Day heads back to court for a three-day hearing. There were several other court appearances over this timeline, but to be honest, we’ve lost track too. They said again ‘the source of the problem is that when the adjoining building was converted from warehouse to flats, no consideration was given to the pre-existing live music venue’.
March 2024 – It all wraps up quickly at Manchester Magistrates’ court, and the NAN is upheld. Night & Day can remain open, but will have to compromise.
Review | PinkPantheress turns Victoria Warehouse into one huge party on first night in Manchester
Emily Johnson
There was a point during Pinkpantheress’ set at O2’s Victoria Warehouse where you almost forgot you were watching someone perform an album that barely stretches past the 20-minute mark.
Instead, night one of two Manchester shows felt like one huge club night curated by one of the most exciting British artists around right now.
From the second you walked into the venue, greeted by an army of plaid, the world of PinkPantheress (real name Victoria Beverley Walker, for those who didn’t know) completely took over.
The stage itself mirrored that energy too, with a two-tier setup that allowed her to constantly move around the space, appearing and disappearing throughout the night alongside outfit changes, dramatic lighting and eventually, a pair of angel wings.
Backed by her dancers and DJ Joe, the entire show felt slick, immersive and miles away from the early days of PinkPantheress nervously clutching onto her handbag on stage like a comfort blanket. Ironically, the handbag did make a brief appearance during the evening.
It’s a reminder of just how much her performances have evolved – and evolve they have.
What could have easily been a short and simple set instead became a fully realised live show, complete with extended dance sections, rave-inspired moments, drum solos and seamless transitions that made the whole thing feel bigger than the music alone.
There’s also something undeniably British about a PinkPantheress show: the UK garage influences, the fashion, the awkward humour, and the understated confidence all combined into something that felt distinctly hers.
At one point, she paused to laugh: “It’s hot in this venue, f*** me,” which summed up the sweaty chaos of the night perfectly.
At one point, she joked that the last time she was in Manchester, she made it all the way to the final stage of Pointless, before being told she was now “too famous” to go on the show – a perfectly PinkPantheress anecdote that had the crowd laughing immediately.
By the end of the set, Victoria Warehouse felt less like a gig venue and more like the best house party you’ve ever accidentally ended up at.
And with another Manchester show still to come, it’s safe to say the party isn’t over just yet.
Review | We need NBHD Weekender every year – and so does the North West
Danny Jones
Neighbourhood Weekender returned for 2026 this late May bank holiday, and after its second consecutive edition following an admittedly brief hiatus, we’re more confident than ever that we want this music festival on the calendar every single year.
Actually, we’d go so far as to say that lots of people around the North West and beyond NEED it.
We know plenty of people are understandably wary of potential hyperbolic declarations like that, but let us explain ourselves…
For starters, getting an opportunity to see the likes of criminally underappreciated Northern names like Richard Ashcroft playing the big slot on the main stage is a good place to start.
Many of you will have no doubt seen the Wigan legend on solo tours – not to mention serving as the pitch-perfect support act for Oasis’ reunion tour last summer – but topping the bill on Saturday night of NBHD Weekender 2026 served as yet more proof that he is, in fact, a headline act.
Maybe that changed a little for lots of people post-Live ’25, but his set was one of several over the course of the two-day festival in Victoria Park that served as a reminder of just how good lots of these long-standing acts both were and still are.
Kaiser Chiefs, Razorlight, The Fratellis, Mel C, Shed Seven, and so on: they’re not just nostalgic acts that those of a certain generation get to enjoy as a throwback – they’re all still incredible, seasoned performers in their own right.
They boast a wealth of experience and aptitude for playing to live crowds that you only get by being very good at what you do for a long time. You only have to look at the countless youths who quickly realised they knew more choruses than they realised, and got to sample hearing them in person for the first time.
Strong crowds from 12 noon until curfew. (Credit: Audio North)
And then speaking of the younger, more up-and-coming section of the lineup, the next generation absolutely smashed it as well. Let’s just say there were more than a few rising stars on show.
Westside Cowboy are clearly at the start of something very special and got a healthy dose of shout-outs from punters on the day; Keo were as frenetic as everyone knew they would be, Brooke Combe was on top form as she has been every time we’ve seen her, and Cassia were class.
More Mancs rose to the challenge in the form of The Guest List’s biggest show yet, too – they were also left super humbled when we spoke to them afterwards – and fellow regional band The Royston Club were nothing short of excellent, simple as.
Hearing thousands belt out ’52’ and ‘Cariad’ at the top of their lungs was one of our highlights of the entire weekend, to be honest.
Of course, then you’ve got the likes of the already established DMA’S, who were absolutely box office and made it plain how much affection they have for “their second home” up here in this part of the UK, and Sunday’s headliners, Blossoms, have proven time and time again that they’re the real deal now.
But aside from banger after banger, it was a conversation we overheard near us during the Stopfordians’ set that helped us come to this revelation.
Somewhere between their walk-out on stage and the second/third song, a bloke and his mate behind us shared an intimate moment we felt almost rude for having accidentally eavesdropped on, right up until the point it made us well up ourselves.
Without going into too much detail, this very stereotypical-sounding Northerner dropped all pretence and confessed to his friend that he’d had a tough couple of months, and that he’d been looking forward to this for weeks – not simply because Blossoms are his favourite artist, but because he needed it.
Call it a release, that hour or so of sheer abandon, or just sharing a special music memory with his best mate: whatever it was, this evening was much more than a gig to him. People throw the phrase ‘lifesaver’ around about music a lot, and it never feels like an exaggeration in moments like this.
It was also apparent that he was a working-class Warrington native who was lucky enough for his postcode to help him afford to go to Neighbourhood Weekender and have this embrace with his pal, who was in an ideal setting to have perhaps a long overdue heart-to-heart. THIS is what it means to people.
Music is therapy, and when done in its purest form – i.e. played live to people who live and breathe the stuff – it can do more good than you’ll ever know.
Daisy Jackson -
10th April 2024 
