If there’s one artist we believe has never quite got the credit he deserves, it’s Francis Edward f***ing Turner – Frank to his loyal legions of followers around the world and the roughly 2,600 gig-goers inside Manchester Academy on Saturday, 5 April 2025.
Don’t get us wrong, Frank Turner and his long-standing touring band The Sleeping Souls are no minnow in the music industry: the 43-year-old is now two decades into his solo career and even during his time as the frontman of Million Dead, he had plenty of die hards right out of the gate.
What we mean is that for someone with the longevity, stamina, charisma, commitment to grassroots and such a rich back catalogue, he doesn’t get anywhere near enough the level of recognition he should.
It doesn’t matter which of the 10 albums he pulls from; the connection with those in the crowd is as strong as it’s ever been, if not even more powerful than the last time they saw him and the Souls, mainly because those lot up on the stage put in the same amount of energy as they always have.
Even the most avid fan would admit the Hampshire-born bard of the modern age has such an extensive back catalogue that you can be forgiven for not knowing every B-side and deep cut from back to front.
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The man himself joked, “You’ve had a whole year to learn these f***ing songs”, but in all seriousness, that’s not what a Frank Turner gig is about. As he has the audience repeat back to without any need for a prompt at this point, the rules are simple: “Don’t be a d***” and don’t be ashamed to dance around.
Just like he told his Manc congregation this past weekend, “If you’re at this show, you probably were never that cool to begin with”, so if he and his truly brilliant live band can put their “aging knees” through the ringer hundreds of times a year, those watching him best reciprocate in kind.
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And they did, from start to finish, as a Manchester Academy crowd or any venue in the city will always guarantee for that matter.
But more importantly, we suddenly realised something as he introduced the cult favourite track ‘Jinny Bingham’s Ghost’ from his eighth studio LP, Tales From No Man’s Land (2019), which was released with an accompanying podcast about historical female figures whose stories he wanted to shed light on.
It only took us seeing him for the fourth time to fully understand it, but we got there in the end…
We used that word ‘bard’ before – i.e. the old storytellers, musicians and orators, performers, comedians, historians, genealogists and so on that used to chronicle people’s lives, events taking place and the wider world around for centuries – but it felt like this most recent gig spoke to that oral tradition.
There have always been moments like this in his albums, in truth, and we only now realise that we had the same feeling the first time we heard ‘Balthazar, Impresario’ but Turner, we feel, is one of the few current artists truly keeping that almost time-travelling bard culture alive.
Be it conducting an orchestra of tipsy Northerners as they sing back in perfect harmony (just about), organising a crowd-surfing race between two mates who chose the concert as the stag do, teaching them literal historic tales of a young woman who drowned in the River Seine back in the 1800’s, he’s a rare breed of performer.
There’s plenty of call and response in Frank Turner’s music, but there’s also a real sense of history, politics and culture, not to mention a sense of proud Englishness that contemporary society can find difficult or at least a somewhat cumbersome topic these days.
Undefeated, underrated, criminally underappreciated and absolutely unbelievable live.
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Folk and old-school punk rock at its finest. Frank Turner can come back to Manchester Academy any time he likes. (Credit: Audio North)
You can line dance to Lily Allen’s West End Girl in full right here in Manchester
Thomas Melia
After a fun way to kickstart the New Year? Some people might suggest hobbies like ‘Tennis’, but how about a line dancing class playing Lily Allen’s new album in its entirety – we know which we’d rather do.
Grab your nearest ‘Nonmonogamummy’ or take ‘Madeline’, if you know one, because there’s a line dance class where you get to line dance to Lily Allen’s West End Girl in full right here in Manchester.
Hosted by Red Rodeo Club, a queer line dancing group based in Manchester, who have hosted monthly artist-inspired events city wide including Chappell Roan, Beyoncé, Charli XCX and more.
This troupe even managed to line dance all the way to one of Manchester’s most reputable LGBTQIA+ nights of the year, performing on the Archive stage at Homobloc just last month.
Now, Red Rodeo is returning with another special night that is sure to interest all the West Endand North West girls across Manchester, as it prepares a Lily Allen line dance spectacular later this month.
If you’re ‘Ruminating’ about attending this event, there’s absolutely no pressure or dance experience needed as the group prides itself on providing ‘classic boot-scootin tutorials with a party vibe’.
You’ll definitely be in good company regardless of your dance partners, as hosting the event is Violet Blonde, known for their extraordinary outfits and love of Country icon Dolly Parton.
We’re already onto a winner…
Your dance instructor for the night is the remarkable Shanika Sunrise, a rapper and producer, who boasts a seriously impressive roster of acts they’ve opened for, including Chappell Roan, Cupcakke and Moonchild Sanelly.
Opportunities like this aren’t always feasible for everyone, which is something this line dance group is aware of as they’re offering a ‘Red Rodeo Club Low Income Ticket’, suited for students, unwaged and disabled attendees.
Red Rodeo Club is bringing the ‘Lily Allen edition’ line dance class to Fairfield Social Club in Manchester on Thursday, 29 January 2026, from 7-10:30pm.
If you’re interested in grapevine stepping or electric shuffling your way to the Lily Allen West End Girl line dance event in Manchester, you can find tickets HERE.
The smash-hit daytime rave where you can still be in bed early is returning to Manchester
Clementine Hall
That’s right: Day Fever, the daytime rave designed to still get you tucked in at a reasonable hour, is coming back to Manchester city centre this year.
Following their biggest raft of shows across the UK and Ireland in 2025, the smash-hit night out that is very much aimed at those of us 30 and over – but fellow sleepy heads are obviously more than welcome – Day Fever are targeting big things in 2026.
Launched in early 2024 by actress Vicky McClure and Reverend & The Makers frontman, Jon McClure, Day Fever has become a cultural sensation.
From its debut in Sheffield to a tour that sees thousands of ravers hitting the dance floor each month, the message is clear: people want to dance and let loose, but still be in bed before 9pm – and let’s be honest, who can blame them?
The founders (L-R): Jon McClure, James O’Hara, Jonny Owen, Vicky and Chris McClure. (supplied)
Running from 3-8pm, Day Fever provides a proper night out that doesn’t completely write you off for the entire weekend.
“It started as a WhatsApp idea”, says Jon McClure. “Jonny just said, ‘A daytime disco, how good would that be?’ We’re all a bit nuts, so we just said, ‘Come on then!’”
“It feels like a massive house party at your nan’s,” laughs Vicky. “No drama, no egos, just people acting daft, getting dressed up, and having the best time.”
From here in 0161 and our mates over in Leeds, to Newcastle, Glasgow and many more, each Day Fever event has its own unique flavour.
There’ll be local DJs who know their crowds keep the energy high with a nostalgic mix of Northern Soul, disco, indie, and 90s classics. “Manchester goes mad for Oasis,” says Jon, “and if Vicky’s there, we have to play Whitney, it’s non-negotiable!”
For starters, just look at the turnout they got over Christmas:
Danny Jones -
6th April 2025 
