Well, well, well – it’s nearly the end of the year, and we’re on to our second-to-last round of local music artists based in and around Greater Manchester that are getting us excited for this year.
2025 has been ‘the year’ of many bands, some of whom are still well and truly riding the wave of popularity from the previous calendar, to be honest. But it’s also been unreal for new releases and ones to watch.
Never more so than here in our region, as we Mancunians – whether through birth, relocation or eventual adoption (if you love this place, it’ll love you back) – remain the most prolific musical hub in the UK, perhaps on the planet.
Squirm at our sincerity/perceived hyperbole all you want; we mean it, and we have five more artist suggestions for you to prove it. Let’s get stuck in.
Greater Manchester music you need to check out
1. TTSSFU
We’re kicking things off in Wigan this month: the first of our monthly artist picks is the curiously named TTSSFU, which is the stage name of 21-year-old native, Tasmin Stephens. The guitarist for fellow local band, Duvet, this new project has quickly caught our attention for all the right reasons.
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It’s been labelled as DIY shoegaze, and while we don’t disagree with the description one bit – even the fairly melancholic, introspective, longing, ‘tragic youth’ content of the lyrics sort of fit that mould – but it doesn’t quite do the heavily textured sonics and techniques justice.
While singles like ‘Forever’ feel more like a familiar indie-girl alt-pop track (it actually made us think of Hazel English meets Soccer Mommy, specifically), that’s one note in the wide wall of sound she builds in her recent release, Blown. We’d suggest ‘Call U Back’ and ‘Being Young’ as stops two and three.
Now, if it’s more of those shoegazey influences that you want, Pins have been going at it since 2011 and arguably feel a little less abstract/more subtle in their approach, but they still deserve way more credit for the nevertheless impressive and experimental work they’ve been doing in the genre for over a decade.
Hot Slick, which dropped during the pandemic, was their most electronic and quite literally digital outing to date, and while admittedly not our favourite, it did show they had plenty of room and keenness to push in different directions, and it looks like it could be paying off at the start of this next chapter.
They returned this past September with their newest single, ‘I’ll Be Yours’, and we’ve thoroughly enjoyed diving back into their world and seeing what else they have in their locker. That mini-marching drum on its own has gotten stuck in our heads, but we still love listening to ‘LUVU4LYF’ and their tune with the one and only Iggy Pop. Yes, really…
There’s always something fascinating about musicians who’ve actually been around for donkey’s years but have never made little more than a relatively small catalogue, especially when they’re this good. Proud Mary should tell you everything you need to know from their name alone, but it comes in spades.
A Manchester-born blues and folk rock band formed in 1998, we’ll confess we never stray too far from their self-titled debut – which is now approaching its 25th anniversary and is delightful from start to finish – but there is still a very rich albeit short discography to be enjoyed here.
If you’re just looking for the most well-known tracks, you can’t go wrong with ‘Very Best Friend’, but we also like a couple from their last album, Songs From Catalina, like ‘Space and Places’, and ‘Hats Off’ could trick anyone into thinking it was classic bluegrass straight from Kentucky – only it’s Manc.
Never gets old this one.
4. pyncher
Our penultimate pick for November’s artists of the month is the promising alternative quartet, pyncher. We’d heard smatterings of them throughout this year, but having finally now sat with their debut album, Every Town Needs A Stranger, we’ve fallen headlong into a full-on love affair.
Starting out as another underground post-punk outfit looking to make their mark in an increasingly saturated sect of the current British alt-rock scene, it’s their punchy, straightforward but satisfyingly jangly, irreverent style that not only puts us in mind of contemporaries like Seb Lowe, but has totally won us over.
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The swagger feels VERY rock and roll, the vocal delivery almost feels like it takes the piss out of polished singing, and as for recommendations, ‘Back to the Country’ is the perfect introduction to their sound; ‘Dirty Feet’ almost starts like an alternative guitar-driven skat and feels very post-modern, and ‘Steely Dan’ might be our most replayed song of the last few weeks full stop.
5. Still Blank
Lastly, we’re pleased to report that the Spotify algorithm properly did its job this time by suggesting not only related groups/similar-sounding acts on the artist’s radio, but actually giving us one that we became so quickly enamoured with that we dove right down deep into the rabbit hole.
We’re talking about Still Blank, whose unique blend of laid-back yet soulful vocals, layered guitars and pedals, with drowny ambience, nods to everything from The Durutti Column and Radiohead – ‘Arpeggi’, specifically – to early New Order and more, it’s a dreamy, synth-soaked mix we can’t get enough of.
Set up by multi-talented Jordy from Hawaii and guitarist Ben, who’s from right here in 0161, we could genuinely and wholeheartedly recommend every song on their debut record for a different reason. The more we listen to it, the more we struggle to land on any real semblance of our favourites; it’s nigh on impossible because.
Along with pyncher, this might be one of the most perfect debuts we’ve had the good fortune of coming across in god knows how long. For once, we’ll save you the lengthy, verbose descriptions – just listen to it and prepare to have little else in your ears for the foreseeable.
We hope you enjoyed this latest round-up of Greater Manchester music, both new and old, and you can rest assured we’ll be back again for one final edition for 2025 at the same time next month.
And, as always, please do give us your own suggestions in the comments, as we’re always on the lookout for exciting talents worthy of making the monthly Audio North list.
You can see who we picked out last month down below.
Interview | Chatting with Tim Burgess before he chats to Mancunians on their doorstep
Danny Jones
In case you hadn’t heard, local music legend Tim Burgess is coming back to the AO Arena right here in Manchester this February for another intimate evening following the success of his last visit.
Set to include not only an interview but live stripped-back performances as well as Q&A, it’s your chance to see one of our region’s most famous musical sons up close and personal.
Returning for a candid and eye-opening sitdown with local DJ and radio host and Northern music champion, Chris Hawkins, it’s sure to be a special night.
Before posting up in The Mezz (which you can still grab tickets for), we had the honour of interviewing Salford’s very own Tim Burgess ourselves. Here’s what he had to say ahead of the event…
So you’ve returned to the AO again for another intimate gig. What do you love most about these smaller, conversational evenings compared to traditional gigs?
“Live events just have a connection with an audience that no remote link, AI or recording could ever match. From arriving and running through a soundcheck, meeting the arena team and catching up with Chris Hawkins, it all builds up to when the audience comes in.
“Chris and I don’t plan what he’s going to ask, so it’s all on the spot – nothing’s recorded, so you never know what might get said.
“Chris is a fantastic interviewer, and I get to meet everyone over the merch table at the end; I don’t get that at a Charlatans show – they are brilliant, and the tour we did in December was a brilliant experience for all of us.
“Maybe I prefer my bandmates being there when it comes to playing the songs, but it’s a chance for an audience to hear them in a way that they probably haven’t heard them before.
For anyone who hasn’t been to a Q&A-Sides show before, how would you describe the experience?
It’s a brilliantly informal night out – the chance to hear some of the stories behind the songs and 35 years’ worth of recording and touring adventures – plus a few songs with me and a guitar, and maybe a harmonica involved too.
“I’ve chatted to lots of people after the shows, and they always say it was a fantastic insight and that they loved the songs – then I realise they’re talking to me and they’d probably just say that anyway.”
Are there any particular songs that really shine in this stripped-back setting?
“You get to hear them as many of them were written. Particularly, the songs that Mark [Collins] and I came up with – it would usually just be me singing and him with an acoustic guitar, so it’s back to how they originally sounded.
“I’ve got quite a back catalogue of songs I’ve learned, so I’ll maybe keep them a bit secret. Suffice to say, there will be a few Charlatans’ classics, absolutely.”
When you look back on your career so far, are there any moments that feel especially meaningful to share in a setting like this?
“Our audience has grown up with us – lots were teenagers when we started, and I was in my early twenties. We’ve shared moments of grief, triumph, elation and tragedy – it’s just that ours were done in the cauldron of touring and recording with sometimes the eyes of the world on us.
“At times, it’s not been easy, but life will have been tough for our fans too. Chris is brilliant at making it seem like it’s just the two of us, and nothing is off limits – then you might say something funny and two hundred people laugh, and you snap back to realising it’s not the two of us talking in a pub.”
You’ve met and worked with so many iconic artists – are there any stories that always get a great reaction when you tell them live?
“I suppose there are some fairly iconic times – lots of people in the audience would have been at Knebworth when we played there with Oasis. Our situation was made all the more poignant as Rob Collins had died shortly before the show, and we weren’t even sure if we would play.
“It was a real existential moment for us – then there are funny stories of doing Top Of The Pops with a dressing room opposite The Smurfs. A lot has happened in those three and a half decades…
Being a Salford lad yourself, what do you think it is that makes a Manchester crowd so special?
I’m biased, but up until the band started, all my greatest moments happened in and around Manchester, and I was part of that crowd, whether watching [Man] United, seeing a band or losing yourself on the dancefloor of a club.
There’s a sense of feeling at home – there’s a BIG, beautiful world out there, and maybe we won’t tell the Midlands contingent in The Charlatans, but Manchester is always a homecoming for us.
Once again, if you fancy grabbing a last-minute ticket for ‘Tim Burgess – Live and In Conversation’ on Sunday, 8 February, there are still a few available.
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The show starts from 7pm, and you can secure your seat right HERE.
Printworks set to host a FREE music festival headlined by local music veterans
Danny Jones
You heard us right, Printworks is expanding its wide-ranging calendar of entertainment and leisure in 2026 with its very own completely free music festival here in Manchester.
Better still, it’s set to be headlined by some cult favourites.
The one-off event will debut next month to celebrate the arrival of the 2026 BRIT Awards, with the annual ceremony and accompanying seven days of intimate live shows coming to the city of Manchester for the very first time.
Set to take place from Friday afternoon until Saturday evening, 27-28 February (4-10pm and 2-10, respectively), the open access weekender has been dubbed ‘Live and Loud’.
Judging by the lineup of artists announced for Printworks’ debut music festival, we have every faith it will live up to the name.
As well as Manchester DJ Matt Hydes kicking things off, followed by the likes of R’n’B soul artist, KingFast, resident Reform Radio MC Urbi will also be joining the lineup, as well as regional dance veteran, Gareth James, and an intimate set by Sabira Jade.
That’s just a small handful of those who signed up to play the inaugural Live & Loud 2025.
As for your headliners, we’re buzzing to confirm that local house legends K-Klass are topping the bill; they may be from Chester, but they’ve been based here for ages and are practically part of the cultural fabric at this point.
You can see the full Live and Loud lineup and Printworks artist spotlight down below:
Friday, 27 Feb, 2026
Tristan Walsh
2Vibe
Urbi
KingFast
Honey Bee Jazz Band
Matt Hydes
Sat, 28
K-Klass
Matt Walsh & Jay Murt
Sabira Jade
Gareth James
Kick Back Sundays
Jorge Martin
Guy Connor
Emma Ellis
Printworks general manager, Dan Davis, said in an official statement: “Manchester is renowned for its musical heritage, and we are excited to bring music to life here at Printworks.
“Live & Loud will place Manchester artists front and centre, with an eclectic line-up that is diverse in genre, background and generation – reflecting our commitment to championing a wide range of local and upcoming artistic talent for a must-attend weekend of live music.”
In case you missed it, this brand-new event also comes amid a raft of small-capacity fundraising shows across the country.
Colette Burroughs-Rose, Director at Genre Music, added: “Live & Loud is Manchester in full voice – familiar faces and new names coming together under one roof across two standout days.
“This is Genre Music’s home city, and we’re proud to be partnering with Printworks on a music programme that welcomes everyone: family-friendly by day, great for evenings with friends.
“Alongside curating a truly eclectic mix of the city’s incredible DJs and live acts, we’re also capturing the artists’ stories on film to help amplify their voices and creativity beyond the stage.”
With the BRIT Awards being hosted at the Co-op Live arena not just this Feb but until 2027 as well, here’s hoping this is just the inaugural ‘L&L Fest and we at least get a sophomore edition next year.
There’s plenty of other music festivals happening in Greater Manchester throughout the year, especially this summer.
Sounds From The Other City has released its 2026 lineup, and there's set to be more than 100 exciting acts playing on 17 stages across #Salford. 🎶🎸
Danny Jones -
1st December 2025 
