We’re quite literally doing somersaults because one of the very best music festivals in the North and possibly the entire UK if you ask us, Green Island Festival, is returning to Manchester for 2025 and we cannot wait.
The predominantly outdoor summer music celebration has grown a fiercely loyal cult following over the years and now entering its fifth year, they’re making sure that the rather fitting wood anniversary of the forest-like festival is the biggest yet.
With the first wave now out and the weather shaping up nicely (no, we don’t know that for sure, but we’re manifesting nothing but good vibes from here on out… ), the festival season can’t come soon enough.
For anyone still not clued up just yet, the fast-growing Manchester-based festival based over at Hulme Community Garden Centre is a three-part music series spread across three months.
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With a trio of day-into-night festivals taking place once a month over a busy summer period for gigs and events, it’s one of the best-organised bits of live entertainment you’ll find in all the 10 boroughs.
As mentioned, 2025 marks Green Island’s fifth birthday, born with the mission of creating a space to platform and celebrate the flourishing scene of musicians and DJs in the North, as well as platforming sounds around the globe, with artists from as far and wide as Tanzania and Cuba taking to their stages.
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Having started out as just a 150-person capacity event with just two stages back in 2021, the four years since have seen the festival grow massively and become not only a staple event for the local community but the Manc grassroots music scene as a whole.
Championing multiculturalism, individualism and music in all its diversity of sounds and forms, with unrivalled up-close performances and a charming and welcoming atmosphere, Hulme Garden Centre serving as a shining example of a crucial community and arts space makes for the perfect venue.
Here’s the lineup so far:
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Green Island Fest 2025 is going to go OFF. (Credit: Press Images)
Spanning four stages this year a record max limit of 1,500 people per day – yes, as in 10x the number of punters it started out with – we can’t wait to see the level up.
You’ll navigate between the plants and trees to discover the various stages, each with a unique atmosphere and showcasing different sounds, as well as a block party occupying nearby Warwick Street.
For wave one of the lineup: June will see DnB hero DRS headlining the Main Stage, joined by a full 11-piece band for a very special performance on his home turf. With over 25 years of discography, he’ll be shutting down the stage with old-school gems as well as fresh releases.
Also gracing the stage will be The Zawose Queens, set to bring a slice of Eastern Africa to Manchester with their enchanting fluid polyrhythms and rapturous polyphonic singing of the Gogo (aka Wagogo) people of the Dodoma region of central Tanzania, plus tonnes more.
July presents a couple of our favourites from the most recent Manchester Jazz Festival (MJF); Conor Michael & The GreensKeepers will bring their lively blend of hip-hop and jazz, as well as poet turned rapper Meduulla, who featured on our Manc Artists of the Month back in July, will be both be in tow.
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As for the third and final event in September, the story is very much a similar one, as our MJF 2024 pick of the bunch, a.k.a. the nine-piece powerhouse of players, producers and composers that is Nubiyan Twist will be bringing their infectious, free-flowing ‘jazztastic Afro-kissed funk’ and groove to the party.
Whether you’re there from the start whilst half of Manchester and beyond else is over at Parklife this year, or you’re there for the final chapter, we can guarantee you one thing: you will never have been to a live music event quite like this and you WILL have the time of your life.
Block parties are cool and all that but the Forest stage is where it’s at, just FYI… (Credit: Supplied)
The rest of the lineup is still yet to be announced, so keep your eyes peeled for wave two over the coming months. Plus, if you or someone you know is looking to book their first-ever festival slot, they can send in samples of their music/mixes to register their interest in being part of it.
We call that grassroots and supporting local artists in action.
The three-part series of day festivals will return on 7 June to celebrate its fifth anniversary, with the sophomore event on 2 August and a final closing party on 6 September 2025.
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Pre-sale is already live with general sale available from on Friday, 28 February, with tier one tickets priced at £25; tier two at £30 and T3 at £35.
Best of all, not only will there be low-income and neighbours ticket options priced at just £12.50, to ensure accessibility for all and local community inclusion, but entry for children under 12 is completely FREE – because music is for everyone and they want to encourage families to come and dance together.
Get ready to grab your tickets for Green Island 2025 HERE.
Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.