Noel Gallagher’s latest single, ‘Easy Now’, released earlier this week and just so happens to feature a queen, as actor Milly Alcock stars in the evocative new music video.
The 22-year-old Aussie has already appeared in various movies and TV shows across the UK, US and Australia in her relatively short career, but is undoubtedly best known for playing Princess Rhaenyra Targaryen in HBO’s House of the Dragon.
Playing the younger version of the Westerosi princess turned Queen of the seven kingdoms in the Game of Thrones, Alcock is now a more recognisable face than ever
Swapping the courtly robes and fantasy palaces for a hoody, baggy jeans, an oversized jacket and a pair of trainers as she walks around a nondescript urban area, the young actor managed to say quite a lot without us ever hearing her voice.
Out today: Brand new single ‘Easy Now’ is the 2nd track to be taken from the forthcoming album ‘Council Skies’. Watch the official video, starring Milly Alcock, in full here: https://t.co/w6v80zISJvpic.twitter.com/ca2XqpnF2J
Milly Alcock plays the rebellious youth running through the streets of a miscellaneous British town.
While you might have expected co-star Olivia Cooke to be the more likely of the two fictional queens to be approached for the lead role in the iconic Manc musician’s new video now that people are finally realising that she is from Oldham, but her rebellious opposite number in the hit show is equally brilliant.
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Noel Gallagher and his High Flying Birds announced their fourth studio album, Council Skies, on Tuesday, 17 January and, as you can see, this visualization for this lead single is very much about building from that title.
Based on the title of a book by illustrator and friend Pete McKee, the new record is said to showcase Gallagher reminiscing about what it was like growing up in Manchester. Born in Longsight and raised in Burnage, the council estates of Greater Manchester were all he and brother Liam ever knew.
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While Oasis ultimately moved down to London whilst riding the wave of success and the Britpop era, this album is seemingly about tapping into those northern, working-class surroundings that so many of us are familiar with. The album cover also pays tribute to his beloved Manchester City Football Club:
Speaking in a statement, the 55-year-old said of the project: “It’s going back to the beginning. Daydreaming, looking up at the sky and wondering about what life could be… that’s as true to me now as it was in the early ‘90s. When I was growing up in poverty and unemployment, music took me out of that.”
It only takes you hearing a few of the lyrics to get a taste of the themes undercutting the track and, presumably, the album as a whole: the aspirations of youth, looking to escape the monotony of everyday normality and so on.
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Elsewhere, while Gallagher is obviously fully focused on the new album and the inevitable tour to follow, he was recently asked about that old chestnut: ‘are Oasis ever getting back together?’
However, his answer was a lot more suggestive than usual.
We’re not holding our breath just yet but this is a step in the right direction. 🤞
Noel Gallagher’s High Flying Birds’ new album, Council Skies, drops on 2 June, 2023 and you can watch the full video for the first official single, ‘Easy Now’, down below.
As is often the case with Noel, it’s an absolutely beautiful track and Milly Alcock gives a powerful performance.
Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.