A rising DJ whose set was cancelled due to ‘safety concerns’ at Parklife festival has now spoken out on his side of events.
Josh Baker is a popular Manchester-born DJ who was set to perform on the brand-new Matinee stage on the Sunday night of the local music festival.
He had the second-highest billing of the day, followed by Chris Stussy as headliner of that particular stage.
But despite being booked onto one of the festival’s smaller stages, Josh Baker’s popularity quickly saw the space becoming overcrowded.
Videos shared on TikTok show fans clambering over the safety barriers that Parklife security had installed as a queue system, desperate to get inside for Josh’s set.
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The young talent has now spoken out again about the incident, saying he could see from his vantage point it ‘quickly became unsafe’.
Josh Baker said that ‘the organisers made the right call’ despite the show ‘meaning a lot’ to him.
He detailed that he has been going to Parklife since the age of 16, and playing such a big slot in the festival ‘felt like a proper full-circle moment’.
He added that he’s been looking into doing free follow-up shows, but has been unable to find a venue that would hold ‘anywhere near the amount of people who were trying to get in to see me play’.
Josh wrote on Instagram: “I’m honestly so sorry to everyone who didn’t get to see the set. It was completely out of my hands, but that doesn’t make it hurt any less. Just know I’ve felt every bit of frustration with you.”
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He then said he’s planning ‘something ridiculous’ for his Creamfields appearance to make it up to fans.
Josh Baker said in his full statement on Parklife: “I’ve taken a few days to process what happened at Parklife last weekend, and I wanted to share a few words.
“This one was always going to mean a lot. Growing up in Manchester, I’ve been going to Parklife since I was 16, so to be booked for such a big slot felt like a proper full-circle moment. But just as I stepped on stage, the music had to be cut. When I came on there were too many people trying to get into the arena and it quickly became unsafe, and therefore the stage had to be closed for the rest of the day.
“It’s gutting, but I want to be clear – the organisers made the right call. Safety has to come before everything. After seeing a few of the videos from the crowd, I’m just relieved the situation did not escalate and everyone remained safe.
“Still, it’s hard to explain how much it hurt not being able to play. I know so many of you were excited for that set and it honestly blew me away seeing that many people turning up.
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“Over the last few days, I’ve been trying to figure out how to make it right. I looked into doing a free follow-up show in Manchester, but the reality is, there are no suitable or possible venues which would hold anywhere near the amount of people who were trying to get in to see me play.
“The last thing I’d want is to announce something and end up disappointing even more people who couldn’t get tickets. After a lot of conversations and digging behind the scenes, we’ve had to accept that there’s no realistic way to do something that feels fair right now.
“I’m honestly so sorry to everyone who didn’t get to see the set. It was completely out of my hands, but that doesn’t make it hurt any less. Just know I’ve felt every bit of frustration with you.
“I really hope to see loads of you at Creamfields because I’m already planning something ridiculous to try and make this up to you in some way.”
Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Daisy Jackson -
19th June 2025 
