A rising DJ whose set was cancelled due to ‘safety concerns’ at Parklife festival has now spoken out on his side of events.
Josh Baker is a popular Manchester-born DJ who was set to perform on the brand-new Matinee stage on the Sunday night of the local music festival.
He had the second-highest billing of the day, followed by Chris Stussy as headliner of that particular stage.
But despite being booked onto one of the festival’s smaller stages, Josh Baker’s popularity quickly saw the space becoming overcrowded.
Videos shared on TikTok show fans clambering over the safety barriers that Parklife security had installed as a queue system, desperate to get inside for Josh’s set.
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The young talent has now spoken out again about the incident, saying he could see from his vantage point it ‘quickly became unsafe’.
Josh Baker said that ‘the organisers made the right call’ despite the show ‘meaning a lot’ to him.
He detailed that he has been going to Parklife since the age of 16, and playing such a big slot in the festival ‘felt like a proper full-circle moment’.
He added that he’s been looking into doing free follow-up shows, but has been unable to find a venue that would hold ‘anywhere near the amount of people who were trying to get in to see me play’.
Josh wrote on Instagram: “I’m honestly so sorry to everyone who didn’t get to see the set. It was completely out of my hands, but that doesn’t make it hurt any less. Just know I’ve felt every bit of frustration with you.”
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He then said he’s planning ‘something ridiculous’ for his Creamfields appearance to make it up to fans.
Josh Baker said in his full statement on Parklife: “I’ve taken a few days to process what happened at Parklife last weekend, and I wanted to share a few words.
“This one was always going to mean a lot. Growing up in Manchester, I’ve been going to Parklife since I was 16, so to be booked for such a big slot felt like a proper full-circle moment. But just as I stepped on stage, the music had to be cut. When I came on there were too many people trying to get into the arena and it quickly became unsafe, and therefore the stage had to be closed for the rest of the day.
“It’s gutting, but I want to be clear – the organisers made the right call. Safety has to come before everything. After seeing a few of the videos from the crowd, I’m just relieved the situation did not escalate and everyone remained safe.
“Still, it’s hard to explain how much it hurt not being able to play. I know so many of you were excited for that set and it honestly blew me away seeing that many people turning up.
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“Over the last few days, I’ve been trying to figure out how to make it right. I looked into doing a free follow-up show in Manchester, but the reality is, there are no suitable or possible venues which would hold anywhere near the amount of people who were trying to get in to see me play.
“The last thing I’d want is to announce something and end up disappointing even more people who couldn’t get tickets. After a lot of conversations and digging behind the scenes, we’ve had to accept that there’s no realistic way to do something that feels fair right now.
“I’m honestly so sorry to everyone who didn’t get to see the set. It was completely out of my hands, but that doesn’t make it hurt any less. Just know I’ve felt every bit of frustration with you.
“I really hope to see loads of you at Creamfields because I’m already planning something ridiculous to try and make this up to you in some way.”
Gig Review | The ‘West End Girl’ heads up North – Lily Allen at Aviva Studios in Manchester
Lonnie Bowes
Last night at Aviva Studios, the home of Factory International, Lily Allen performed the first of two intimate theatre shows in Manchester – here’s our review…
As part of her ‘West End Girl Tour’, Allen is performing in more considered spaces up and down the country alongside the bigger sold-out venues you might normally expect.
It’s a refreshing change of pace. Seeing a pop star slow things down and lean fully into theatre, something that perfectly aligns with the drama that’s surrounded her in recent years.
Supporting the show was a special ‘Dallas Minor Trio’: an orchestral string group that elegantly warmed up the crowd, taking on instrumental Allen classics, including ‘F**K You’ and ‘LDN’ to set the tone nicely, with a screen behind them as the patient Manchester crowd settled in and enjoyed an early singalong.
When the lights dimmed, Allen emerged through the curtains and opened with the tour’s namesake, ‘West End Girl’. From the moment she stepped onto the stage, she asserted herself firmly in the space – a set designed to resemble her own small apartment.
This is when the real show began. As Allen moved through the performance, the set behind her transformed from song to song, adding to the theatrical feel of the evening.
During ‘Madeline’, she appeared armed with a feather duster, fully committing to the domestic setting, while for ‘Relapse’, she dramatically spills the contents of her handbag across Factory International‘s adjustable floor.
Anyone who has listened to Allen’s recent material will know she’s been keeping all the receipts on her ex (can’t remember his name).
Credit: Henry Redcliffe (supplied via Factory International)
Elsewhere in the set, Allen delivered standout performances of ‘Pussy Palace’, ‘Nonmonogamummy’ and ‘Beg for Me’, songs that leaned fully into the confessional tone of the evening.
Each track landed with a mix of sharp humour and raw honesty, with Allen balancing moments of biting lyricism with the kind of self-aware storytelling that has long defined her songwriting.
By the end of the night, the performance felt less like a traditional pop concert and more like a piece of confessional theatre.
In the intimate surroundings of the Aviva Studios space, Lily Allen proved that sometimes scaling things down can make a story feel much bigger – and that her ability to turn personal chaos into compelling performance remains as sharp as ever.
Featured Images — The Manc Group/Henry Redcliffe (supplied)
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Manchester rock and blues veterans Proud Mary announce handful of reunion shows in 2026
Danny Jones
Veteran Manchester rock and blues band Proud Mary recently announced a limited run of UK reunion shows, including a fairly intimate hometown show.
The seasoned Northern outfit may have seen plenty of lineup changes and a long hiatus of sorts, but now they’re returning for just a small handful of comeback gigs across the country.
Ahead of their seminal debut album turning 25 years old this year, 2026 also seems them steadily creeping up on the best part of three decades as a group in some form or another.
For anyone uninitiated, the native 90s and early noughties name was the first band signed to Noel Gallagher’s Sour Mash Records in 2001.
Their first-ever LP, The Same Old Blues, still remains their most revered work to this day.
Dubbed by the older Burnage brother and legendary Manc musician as “a lesson in songwriting” in an interview with the NME way back when, they started out as long-time friends and turned into fellow studio peers.
As well as supporting the likes of Oasis, Neil Young, The Stereophonics, Paul Weller, Ocean Colour Scene, Ryan Adams, Noel’s High Flying Birds and more on various tours over the years, they also famously headlined Isle of Wight Festival in 2004.
Having collaborated with the likes of another Britpop legend, Gem Archer, as well as The Smiths’ Andy Rourke, not to mention gaining plaudits from so many other contemporaries, they’re likely one of your favourite bands’ old faithful bands.
It still sits as one of the biggest live highlights.
Moreover, in regional terms, rising local indie rock quintet Rosellas are also joining them on the road for all but one of the shows.
Unfortunately for us, it is their date at Manchester Academy 3 (sigh)…
However, we’re still getting a fairly nearby name, with fellow long-running Crewe icons The Train Set joining them here in 0161 on 16 May. You can grab your tickets HERE.
Both of the Manc bands have also featured in our artists of the month, by the way, in case you wanted to see who else was listed alongside them.
Daisy Jackson -
19th June 2025 
