Liam Gallagher has issued an apology “on behalf of [his] family” for his brother’s cover of a song by another legendary Manchester band.
Stop the presses, breaking news – the Gallagher brothers are slagging each other off again.
In what will be a shock to absolutely no one, Liam Gallagher has hopped onto his favourite social media platform Twitter once again this week to take another unprovoked aim at his beloved older brother – and this time, call him out for his recent cover of the iconic 1980 hit ‘Love Will Tear Us Apart’ by fellow Manchester band Joy Division.
Noel Gallagher recently performed a rendition of the Joy Division classic on BBC Radio 2 as part of the radio station’s popular Piano Room series, and was accompanied by his band, High Flying Birds, for the track, alongside the BBC Concert Orchestra.
The former Oasis co-lead vocalist and guitarist explained that he had chosen to cover the song as he would often play “this version of it at home down the years”.
But Noel did reveal to host Vernon Kay that he was cautious about doing so, and went on to express some initial trepidation about performing his rendition and putting it out into the world, mainly because “it’s such an iconic song, and being from Manchester… well, this is going to be tricky.”
The 56-year-old admitted he kept asking himself “How can I get away with that?”
ADVERTISEMENT
He continued: “But now I’ve got my own studio, I went and did a little demo of it and I was like ‘you know what? I think I might be able to pull this off.”
One person who clearly didn’t think Noel could “pull this off” was his brother Liam, though.
Reacting to the cover in typical Liam Gallagher fashion, the former Oasis frontman wrote in a now-viral tweet yesterday evening: “I must once again apologise on behalf of my family for r kid’s p*ss poor and damn rite blasphemous version of Joy Division’s Love Will Tear Us Apart.
ADVERTISEMENT
“Tut f***ing tut SORRY.”
And unfortunately for Noel, the comments underneath BBC Radio 2’s post of a snippet of the cover on its official Instagram account appears to show that a fair few others agree with Liam on this one.
“If you wanna win a race, choose NG as a competitor. The only one that’s been able to destroy Oasis, his band, the music. Terrible cover,” one person wrote.
“That’s a terrible terrible cover,” another person simply stated.
A third wrote in the comments: “Kinda sounds boring doesn’t it? I love Noel, but this cover ain’t it chief,” while a fourth added: “I hope he realise by himself that this is one of his worst covers ever,” and another, at least politely, claimed it was: “Definitely a bit different to the original.”
Of course, there are two sides to every story though, and there’s also plenty of positive comments and reactions under the video too to balance out the less-than-favourable takes.
So for now, this exchange will just get added to the seemingly never-ending Gallagher row saga.
Featured Image – BBC
Audio
Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.
The Warehouse Project reveals return to Rotterdam for second-ever overseas event
Danny Jones
The Warehouse Project has confirmed it will be returning to Rotterdam in 2025 for just its second-ever overseas event.
After debuting abroad in 2023 with an action-packed few days in the city of Rotterdam – whose art scene, music culture and even canal network bears lots of similarities to Manchester – Warehouse Project is coming back for more.
There’s just over a month left of the 2024 WHP calendar; you’d think they’d be getting ready to wind down and enjoy the Christmas breather, but not so: the organisers are already planning what is set to be one of their biggest and best long weekends to date.
Set to take place over the early May bank holiday, the Dutch port city will once again play host to one of Manchester’s legendary club nights.
The second biggest city in the Netherlands behind Amsterdam, the next edition of Warehouse’s international series is set to return to Rotterdam RDM – a warehouse space very reminiscent of both Depot Mayfield and their original home at Victoria Warehouse.
WHP x RDM II is already being billed as an “unforgettable weekend” and if any of this year’s mainline events here in Manchester are anything to go by, they’re bound to live up to that promise.
There’s also a full FAQ page for anyone looking to find out more information regarding Rotterdam, the venue itself, travel and more.
As well as revealing the dates (2-4 May 2025), the organisers have already teased a good chunk of the lineup, with the likes of Chris Stussy, Peach, Four Tet b2b with Sammy Virji, salute and many more already confirmed.
With a slew of incredible acts, multiple afterparties on boats and other local venues, as well as plenty of opportunity to see the rest of Holland’s ‘Manhattan on the Maas’, this is going to be SO good.
We were lucky enough to have been sent to sample their inaugural Rotterdam date back in April of 2023 and, we have to say, it was an absolute blast.
Take it from us, if you’re considering being a part of this next event you won’t regret and we’ll be putting together an extensive guide to help you feel prepared for raving overseas. Registration for early access is already live, so sign up fast if you want to give yourself the best chance of being there.
Limited presale and accommodation packages will be available to those who have applied at 9am on Monday, 2 December (UK customers only). General admission tickets will go live from 9am n Tuesday, 3 December sale for UK and Dutch customers starts Tuesday 3rd December at 9am GMT/10am CET.
Rotterdam 2025 will be here before you know it, so take a boots-on-the-ground at what an international Warehouse Project date looks like down below: