As part of its 60th-anniversary celebrations, New Century Hall has announced a brand new scholarship opportunity for one student to attend the dBs Institute of Sound & Digital Technologies, located right within the building and their fledgling Manchester campus.
Located in the basement of New Century over in NOMA, which has quickly become one of Manchester’s best entertainment venues and food halls, the dBs Institute’s brand new state-of-the-art Manc campus offers a range of courses including Music Production, Sound Engineering, Sound Design, Game Development and more.
In this instance, the upcoming scholarship will see one person enrolled on their BSc (Hons) Live Sound degree: a full-time, three-year course designed to provide in-depth knowledge and practical application of all the skills required to design, build and operate professional sound systems at a range of live events.
Both organisations are particularly interested in hearing from prospective students who might not have felt able to apply for this or similar courses previously due to personal or financial reasons.
Credit: New Century x dBs Institute of Sound & Digital Technologies
Promising a jam-packed course full of exciting opportunities and access to various industry connections, as well as giving graduates all the skills needed to progress onto a successful career in sound, students will learn everything from current mixing technologies, acoustics and modern speaker systems, to sound system optimisation techniques, as well as analogue and digital live sound production.
Alongside practical skills crucial to working in live sound, the course also includes guidance on what it takes to succeed in the industry, including how to set up your own business, work within a team, hone communication skills and more to give you the best chance of earning employment in the industry.
They aren’t just dumping a load of technical skills on your plate, the dBs Institute and New Century are aiming to provide the full package. Perhaps the best part about this collaboration is the fact that the course is studied in-house at the popular gig and events space.
With the dBs’ £3 million Manchester base opening up in 2022, boasting four studios, four production suites and many more specialist facilities, not only will you be learning right in the city centre but you’ll also be gaining practical industry experience throughout the degree by simply heading upstairs.
The dBs x New Century scholarship goes far beyond teaching the Live Sound curriculum.
The venue isn’t just housing the course, New Century will also support the chosen student with mentoring sessions by working professionals, shadowing key industry events, industry connections, work experience and further career support.
Built in 1963 as a state-of-the-art dance hall before being reopened as the multi-purpose space we know and love today, New Century wants to continue to be at the forefront of the music and events industry — which includes helping burgeoning talents develop and establish their careers.
Managing Director Abby Moore said of the scholarship: “We’re really excited to be able to partner with dBs Institute to offer this place – the student community located in our basement is a key part of our ecosystem at New Century… This scholarship feels like the perfect way to celebrate the city’s incredible live music history, and look ahead to its exciting future.”
As dBs Manchester, Head of Centre Dom Kane added: “We’re proud to be collaborating with New Century to offer this exciting opportunity for one student to join us on the Live Sound degree this coming September.
“dBs is all about challenging conventions and pushing the boundaries in terms of sound, music and digital technology and we’re always excited to hear from passionate individuals. Working in this industry is for everyone. If you have the drive and enthusiasm to work in live events, we want to hear from you.”
To apply for the scholarship, eligible students will need to submit an application statement which demonstrates their passion for live sound and their future career aspirations in the industry. As per the brief, the statement should be “original, engaging and provide a clear and concise insight into their motivation for pursuing a career in live sound.”
A selection committee will then review all application statements and create a shortlist of the most compelling and deserving applicants, at which point the remaining candidates may be invited for an interview or asked to provide additional information as part of the final selection process.
The deadline to apply is 30 April 2024 and applicants can submit their application HERE. You check out all available courses on dBs Institute’s website.
Featured Image — New Century Hall/dBs Institute Manchester
Audio
Gorillaz announce huge Manchester arena gig on upcoming UK and Ireland tour
Daisy Jackson
Gorillaz are well and truly back, and they’ve announced a huge Manchester gig on the upcoming The Mountain Tour.
The legendary band, created by musician Damon Albarn and artist Jamie Hewlett, will be performing at the Co-op Live arena next spring.
Gorillaz is a virtual band made up of singer 2D, bassist Murdoc Niccals, drummer Russel Hobbs and Japanese guitar prodigy Noodle.
The huge tour announcement comes along with the announcement of their new album, The Mountain, which features a whole myriad of collaborations including Johnny Marr, IDLES’ Joe Talbot and Dennis Hopper.
It’s their ninth studio album and promises to be a ‘playlist for a party on the border between this world and whatever happens next, exploring the journey of life and the thrill of existence’.
The Gorillaz The Mountain Tour will visit arenas across the UK and Ireland next Spring, with support from Trueno, and follows the sold-out 5-star House of Kong exhibition and four triumphant performances at Copper Box Arena.
Manchester will get the new Gorillaz tour first, with the band kicking things off at Co-op Live on 21 March before heading to cities including Leeds, Cardiff, Nottingham, and Liverpool.
The BRIT and Grammy-winning virtual band formed following a collision of mishaps, meetings and pure luck to blow up a pre-digital world.
The album will officially release on 20 March 2026.
General on sale begins at 11am on Friday 19 September HERE.
Gorillaz’ ‘The Mountain Tour’ dates in full
MARCH 21 – Co-op Live, Manchester 22 – BP Pulse Live, Birmingham 24 – OVO Hydro, Glasgow (support from Trueno) 25 – First Direct Arena, Leeds 27 – Utilitia Arena, Cardiff (support from Trueno) 28 – Motorpoint Arena, Nottingham (support from Trueno) 29 – M&S Bank Arena, Liverpool (support from Trueno) 31 – SSE Arena, Belfast
APRIL 1 – 3Arena, Dublin (support from Trueno)
JUNE 20 – Tottenham Hotspur Stadium, London (support from Sparks and Trueno)
Featured image: Press image
Audio
The adopted Manc indie pop star with that we’re backing to win the Mercury Prize this year
Danny Jones
The 2025 Mercury Music Prize shortlist is officially out, and we’re proud to say that the North has been well represented once again this time around, with multiple names from the top end of the nation featured among the nominees – including an adopted Manchester-based rising star.
You know what, cratch that: she might as well be a Manc music queen at this point, if you ask.
We may be heavily biased here, but with indie and alt-pop artist CMAT making her way onto the Mercury Music Prize award shortlist this year, our vote is practically already cast.
If you haven’t listened to CMAT yet, then you’re seriously missing out, and following the release of her latest LP, Euro-Country, at the end of August, it’s little surprise she’s earned the Mercury nod.
She may be Irish-born, but the ‘Dubyone Diana’ truly started to make a name for herself in Manchester, and you’re damn right we’re taking her as one of our own.
Moving to 0161 as a teenager with her old band, Bad Sea, she was just 17 when she got here; now 29 and making fairly different music to the kind she did as part of the previous duo, she’s grown massively in popularity over the last few years – and she’s done a lot of it from right here in Greater Manchester.
From playing the city centre music venue circuit to stunning crowds at the likes of Kendal Calling and Glastonbury Festival, she’s come a long way in a relatively short amount of time.
Come on, if this isn’t award-winning energy, then we don’t know what is…
We welcome her to keep leaning into country music as much as she wants.
There’s another reason we want CMAT to win the Mercury Prize
It isn’t just because we’re somewhat biased local fans that we’re putting our money on her winning the 2025 Mercury Prize: she nearly already did this time last year for her sophomore outing, Crazymad, For Me, having released three impressive studio albums in less than 36 months.
“As she was reading it, I had this weird flip in my stomach, that I didn’t want to win the Mercury Prize for THAT record, because I had a feeling I could make something better.
“Two days later, I started to make EURO-COUNTRY. The Mercury Prize put a bottle rocket up my bum, to try and do something a bit more cutting edge and experimental and intense, if that makes sense.”
She signed off by adding, “I didn’t necessarily expect to be nominated again as a result, but I am very happy to have been.” We had a feeling she would, to be honest, hence why she was among our artists of the month – not even a fortnight before the shortlist was announced, no less.
Unsurprisingly, the likes of Fontaines D.C. and Sam Fender are also on there after a standout 12 months for both artists, but we’re sticking with CMAT for our 2025 Mercury Prize winner. After all, surely she can’t miss out two years in a row?