Noel Gallagher has given his first major interview since the long-dreamt-of Oasis reunion tour began this summer, and it’s quite surreal to hear some of the candid commentshe made in his most recent talkSPORT appearance.
Appearing on a radio show this week, the world-famous Mancunian songwriter spoke with lead anchor and friend, Andy Goldstein, as well as guest host Darren Bent, on how the tour has gone so far, even addressing talk of more shows next year.
Steady, let’s not get ahead of ourselves just yet…
Nevertheless, the clip of the rather off-the-cuff chat quickly went viral online, with the elder Gallagher brother beginning by stating that “it’s difficult to put into words”, joking that he’s “not usually” short for them – and that’s just the intro.
"I'm completely blown away."
"It's difficult to put into words. It's been truly amazing."
Noel Gallagher speaks on being 'blown away' on the response to Oasis' reunion gigspic.twitter.com/m8aKCCAoOb
As he goes on to explain, each night of the Live ’25 tour has had that element of “the first time”, especially given that each set of fans inside the various arenas each night is genuinely ending their 16-year wait every time they step out on stage.
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But, most notably, it’s what Noel goes on to say about his brother Liam that has been lapped up on social media, and it’s not hard to see why.
After being probed by Goldstein on what it’s like to be back playing with him post-reconciliation, the 58-year-old admitted, “It’s just great being back in the band with Liam” and the rest of the boys.
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Perhaps most surprisingly, Noel went on to say: “Liam‘s smashing it […] I’m proud of him”, confessing that he doesn’t think he can deliver that same level of stadium-size frontman energy night after night.
One part that particularly moved us and millions of others online was the moment he simply said, “I forgot how funny he was.”
We’re not crying, you are.
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👏 "It's great being back in the band with Liam. He forgot how funny he was."
While he wouldn’t be drawn into any overly emotional talk about reuniting with his previously estranged sibling and bandmate, reiterating that there are just not those kinds of people, you could clearly hear how touched the Manc music legend has been by the whole experience already.
Conceding that “when it’s all said and done, we’ll sit back and reflect on it”, the images of him welling up mid-song, laughing and joking with Liam, dancing with Bonehead as they play guitar opposite each other, and so many other moments paint a thousand words.
The reaction from fans has been just as wholesome and heartwarming, too; some joked that “the planet has well and truly healed”, another said, “You have no idea how happy this makes me,’ and one went so far as to say ‘I’ve never heard him talk about Liam like this.”
You can hear everything from the Oasis-related section of Noel Gallagher’s most recent talkSPORT interview in full down below:
We’ve heard Noel talking about Liam before, and multiple times in talkSPORT appearances, but he’s never given an interview like this.
Featured Images — Raph_PH (via Flickr)/Publicity Picture
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Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms