The full shortlist for the inaugural Nordoff and Robbins Northern Music Awards has been announced, and Tim Burgess is set to receive a huge honour.
The first-ever Northern Music Awards, set to take place in Manchester next month (before moving to different host cities in subsequent years), will be honouring the incredible talent of the northern music scene.
Across 15 awards categories, the event will champion everything from artist to venue to event to individual, who have all helped to make our corner of the UK such a global force in the music industry.
Created by the UK’s largest music therapy charity, Nordoff and Robbins, the awards will be taking place at the Albert Hall in Manchester on 23 April, with tickets on sale now.
And ahead of the glittering event, the Northern Music Awards have announced that indie superstar Tim Burgess will be honoured with the headline Northern Music Award 2024.
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The Worsley-born Charlatans frontman has five solo albums under his belt, as well as 13 with the indie rock band, and brought people together online (first in lockdown) with his ingenious Listening Parties.
The shortlist for the favourite northern festival award, sponsored by us here at The Manc, has been announced today as Sounds From The Other City in Salford, Beatherder in Lancashire, Tramlines in Sheffield, Kendal Calling in Cumbria, and Moovin in Stockport.
This is the only publicly-voted award, with voting closing on Wednesday 27 March.
Also announced today are the winners of the Disruptor in Music Award, sponsored by Notion Magazine, which goes to Rotherham’s indie-rock juggernauts The Reytons.
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Both The Reytons and Tim Burgess will be there to collect their awards in person on the night.
And the new shortlist for Music and Culture for Wellbeing highlights the power of music provision across the region, recognising projects that use music and culture to support and connect with people that face health, wellbeing, and socio-economic challenges.
Supported by the Greater Manchester Combined Authority, the shortlist for this award is Barnsley Libraries – Biblio Beats Festival; DanceSyndrome – Everybody Dance, Lancashire; Kirklees Council – Kirklees Year of Music; Manchester Camerata – Music in Mind; Royal Liverpool Philharmonic – Music and Health Programme; and Oyé Active Zone, Liverpool.
10 northern live music venues are in the running across two Inspirational Venue of the Year categories, sponsored by Skiddle.
The award for under 500 capacity sees Brudenell Social Club in Leeds, Future Yard in Birkenhead, Trades in Hebden Bridge and Manchester’s Night and Day, and Yes all shortlisted for the prize.
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Night & Day Cafe in Manchester. Credit: The Manc Group
The larger venues in the running for(under 2,000) are Albert Hall, Band on the Wall and New Century Hall – all in Manchester – along with Barbican in York and City Hall in Newcastle.
Nordoff and Robbins is the UK’s largest music charity and hopes that the event will be an essential fundraiser for a new centre in Salford, as well as kickstarting a new chapter celebrating the breadth of talent across the north of England.
Tim Burgess said: “It’s incredible to be recognised with the inaugural Northern Music Award. Music is important on so many levels, and I’m a firm believer in the unique way that it can connect people.
“It means a lot to me to be able to support the great work of Nordoff and Robbins, who use music therapy to unlock life for some of the most vulnerable people in society – and through the funds raised by everyone coming along to the Northern Music Awards we’ll be opening up music therapy to even more people across the North.”
Nadra Shah, Director of Engagement and Communications, Nordoff and Robbins, said: “Music is powerful, it’s universal, it breaks down barriers and it allows us to communicate in ways that otherwise some may not be able to – it’s the heartbeat of our organisation.
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“The Northern Music Awards is a chance for us to shine a light on those who work tirelessly to make sure live music is available and accessible throughout the North of England.
“We are excited to honour some of the industry’s much loved venues and festivals alongside an array of live performances and appearances from some of the most celebrated artists from the region.”
Sarah Slater, vice president – music and festivals, Ticketmaster UK, said: “We’re proud to be supporting the first ever Northern Music Awards and celebrating everyone who helps to bring live music to the north of England.
“It’s also an honour to be helping to raise funds for Nordoff and Robbins’ life-changing music therapy work, it has such an astoundingly positive impact for some of the most vulnerable people in society.”
You can find out more and book £40 public tickets for the inaugural Northern Music Awards here.
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Premium package tickets are also available to book. The package includes access to both the industry and public awards, live performances, canapes, a two-course evening meal and an alcohol and non-alcohol drinks package. Tickets are £250 with packages available. Email [email protected] for details.
The full list of nominees for the 2024 Nordoff and Robbins Northern Music Awards
Special Recognition Award, Sponsored by SJM Concerts
Melanie C
Northern Icon
Lisa Stansfield
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Northern Music Award 2024, Sponsored by Live Nation
Tim Burgess
Newcomer of the Year, Sponsored by PizzaExpress Live
Inspirational Venue of the Year (under 500), Sponsored by Skiddle
Brudenell Social Club – Leeds
Future Yard – Birkenhead
Night and Day – Manchester
Trades – Hebden Bridge
Yes – Manchester
Inspirational Venue of the Year (under 2,000), Sponsored by Skiddle
Albert Hall – Manchester
Band on the Wall – Manchester
Barbican – York
City Hall – Newcastle
New Century Hall – Manchester
Music Moment of the Year, Sponsored by Raymond Weil
TBA on the night
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Industry Icon, Sponsored by Tysers Live
Michael Adex, NQ
Music and Culture for Wellbeing Award, Supported by the Greater Manchester Combined Authority
Barnsley Libraries – Biblio Beats Festival
DanceSyndrome – Everybody Dance, Lancashire
Kirklees Council – Kirklees Year of Music
Manchester Camerata – Music in Mind
Royal Liverpool Philharmonic – Music and Health Programme
Oye Active Zone, Liverpool
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An unmissable Whitney Houston tribute event is returning to Greater Manchester
Thomas Melia
A much-adored and cherished Whitney Houston tribute show is returning to Greater Manchester later this year for not one but two different shows, each channelling the charisma and energy of the pop legend.
To celebrate the 10th anniversary of the phenomenal theatre production, ‘Queen of the Night’, the show is visiting a multitude of stages and venues all across the UK.
0161 had to receive at least one date on this tour, partly due to being the music capital of the North and also due to the fact that this is a city many fans of the 80s diva will forever hold close to their hearts.
Houston played her final ever concert performance of her career here in this very city back in 2010, taking up residence in AO Arena for two nights of world-renowned ballads and mesmerising live vocals.
This tribute show is set to include some of the diva’s biggest and much-loved hits like ‘I Will Always Love You’, ‘How Will I Know’ and ‘The Greatest Love of All’, the audience is sure to be singing along.
Adenike Adewale is taking on the role of the American R’n’B Pop singer and is no stranger to the stage or TV, featuring on The Voice in 2021 where she sang a Whitney classic, making it to the semi-finals.
Fast forward to 1 June and the tour returns to Greater Manchester and legendary city centre space, Bridgewater Hall: an incredible room more than fit for renditions of the powerhouse vocalist.
A pair of stunning venues, two stunning shows and one incomparable voice.
It’s not only our lovely region the Queen of the Night experience will be visiting; our friends over at The Hoot have plenty of nearby opportunities to sing along too, with Yorkshire dates in Hull, Halifax, Harrogate and Bradford to name a few.
I’m definitely saving all my love for when this show visits us later this year in March, and after I buy out the front row for all my friends I’ll certainly relate to the smash 1993 single ‘I Have Nothing’.
Tickets are on sale already now – you can grab yours HERE.
Better Man has bombed at the box office – but is the Robbie Williams biopic any good?
Danny Jones
So, Robbie Williams’ biopic Better Man has been out for a little while now and the question on many people’s lips – you know, apart from ‘why is he a monkey?’ – is, quite simply, is it any good?
Many of you may have already seen it, others may have absolutely no interest in hearing about Robbie‘s already well-publicised exploits (be they in ape form or otherwise), or maybe you’ve just been waiting to hear whether it’s any good before heading out to the cinema.
Well, if you’re judging it purely by the current headlines circulating online, you’d be forgiven for thinking it’s absolute rubbish. So far, Better Man has ‘tanked’ at the box office, making just over $1 million compared to a budget of nearly $110m (£90.8m).
However, given how pivotal the US viewing figures are, a big chunk of the commercial disappointment has come down to Americans largely not knowing who Robbie Williams even is and it’s no surprise that it’s done a little better here in the UK – though still not stellar. But again, ticket sales aside, is it good?
Better Man – Review
I wasn’t sure a (very good) CGI monkey Robbie Williams film was going to be any good either based solely on the trailer, but they nailed it.
*Once again, some spoilers ahead – though it is his life story, so we’re not really spoiling anything…
I’ll start this off by admitting that for all his foibles and controversies of the years, I am a Robbie fan; his music was always on in my house as a kid and well into my teens. Being born in the mid-90s, he was probably one of the first big pop stars to ever enter my world.
Growing up obsessed with football too, a charismatic, mainstream rock and roll-spirited figure in the mainstream who also loved the beautiful game and even took influence from chants heard around the grounds in his songwriting always made him extra appealing to me.
All that is just to say that I’m fully aware there’s probably some bias here, so I’ll still try to be as impartial and ‘objective’ as you can be with a film review. But back to the point, the short answer is yes: it’s good – very good, in my opinion.
If you’re similarly fond of the frenetic, funny and ferocious showman, you’ll obviously have a vested interest in looking back on his career thru a (somewhat simian) Lens, but even if you’re not, I still think you can get a lot of of the film and a greater insight into a captivating life story.
Monkey see, monkey do—make me sad, very sad…
This scene (among many) had us welling up. (Credit: Paramount Pictures)
For starters, put simply: as daft as it may seem, the monkey thing does work. It may come across like a strange gimmick when you first see the trailers but it doesn’t take much digging to realise that there’s quite a well-thought-out three-pronged approach behind it.
One of the first things the 50-year-old singer said on the press tour for this film is that he’s always felt “unevolved” and it’s something that’s brought up a couple of times in the film itself, so making him an ape rather than a modern Homo sapien is one way to way to communicate that.
Plus, not only does it obviously make any sad moments – and there are a lot of them – even more emotional and tear-jerking, especially during the scenes during Robbie’s childhood, but it also plays into the sad reality that he’s felt like a performing monkey for the majority of his life.
When you stop and think about the reasoning behind it feels a lot more considered than on first impression, and it certainly helps you empathise and, more importantly, sympathise with the troubled character you’re seeing on screen.
Robert vs Robbie
A very clever movie poster to boot.
And that’s pretty much the rub right there: this was always going to be at least a somewhat self-indulgent watch, not just because it’s a biopic but because it’s Robbie and that’s what his persona is about – but it is and always has been a performance in every sense of the word and the film does a great job of trying to distinguish ‘Robbie’ from Robert.
From seeing the origins behind being given that name specifically, his younger years and affectionate albeit mostly fraught relationship with his father; how the boom of Take That engulfed his entire world and even more so once he went solo, as well as the version of himself he’s shown to the world for last three decades, it’s clear he’s often struggled to find the line between the two himself.
It’s also very important to state the cheeky, cocksure Robbie Williams you were expecting to watch the rise of throughout this biopic has wrestled with a much lower opinion of himself than you could ever imagine. It’s a driving force behind the film and manifests in all manner of problematic and unpleasant ways, just as it did in real life. You see him see a lot of them in the crowd throughout the duration, in fact.
Because for anyone who isn’t aware, a lot of Robbie’s experiences are problematic and unpleasant; the early days as a boyband commodity, his substance abuse, struggles with mental health and beyond are all laid bare on screen in fairly graphic detail at times. A lot of the situations these issues spring from would feel hard to believe were it not for the fact it’s a true story with very little embellishment, if at all.
Manchester references are a bonus
One of the things that did stand out as a particularly surreal aspect of the film was the handful of references to Robbie’s intersection with Mancunian culture, which simultaneously felt familiar and somehow like going back in time to peep behind the curtain at a world that very few saw first-hand.
Again, the behind-the-scenes examination of how Take That transpired and those very dangerous, inappropriate and frankly unlawful series of events in nightclubs over on the likes of Canal Street feels like a fever dream (as it did for Robbie).
Perhaps the biggest buzz we got was the not-so-surprise appearance by the Gallagher brothers and ‘The Robster’s obsession with Oasis. The look is exactly what you’d expect and Liam‘s accent might not be perfect but it still gave us a thrill without feeling like pointless lip service.
All that being said, is the much-talked Robbie biopic a good enough film to warrant popping out to the pictures? Well, I’d certainly say so. Not only are the visuals and the CGI itself pretty flawless, but the motion capture is done so well that it never felt like I was taken out of the film at any point – even the very particular Stoke and Cheshire accents of Robbie and Gary Barlow are very convincing.
We knew there was going to be lots of humour too but there’s also a lot of impressive stuff the director does that I wasn’t expecting.
One of those is the transitions: there are lots of clever tonal switches done with great camerawork and effects (particularly during one driving sequence and some of the flashback frames) and they really do help covertly shift the mood so some of the darker moments don’t give you full on whiplash.
And lastly, the director’s fingerprints can be felt all over the movie as Michael Gracey’s The Greatest Showman pedigree certainly makes sections of the film feel more like a musical than I was expecting – but in a good way. Big bold cabaret choreography fitting of the man himself.
After all, we all know most Robbie tunes are bangers but seeing them brought to life in these new and interesting ways really does make Better Man a better film than we’d even hoped for and it’s certainly good enough to be performing a lot better than it is at the box office right now. Maybe give it a go.
As far as I’m concerned, big stunning set pieces like this are just the tip when it comes to what makes the Robbie biopic a good film.
Daisy Jackson -
20th March 2024 
