Friday night’s gig at New Century Hall was one of those where you’re so stunned by the show that you’re left wishing the act in front of you was Manc so you could claim them as you’re own – but sadly Novo Amor is a Welshman and we had to give him back.
The stage name for the highly impressive multi-instrumentalist and producer, Ali John Meredith-Lacey, in truth seeing him for the first time here in Manchester proved that the Novo Amor really is the sum of many talented parts.
Much like Bon Iver in that sense and in style, sound and approach to making music, for without Justin Vernon and co. there would be no Novo, one of our first worries was that he would be unable to carry over the level of production and sound design heard on the albums to the stage performance.
That’s where his full band came in, who ensured not only that the whole thing sounded virtually studio-perfect but took a step beyond what we ever thought we’d get to hear at a Novo Amor gig. And it all started with Ed Tullet performing under his own stage name Lowswimer for the opening act.
Lowswimmer supporting Novo Amor in Manchester (Credit: The Manc Audio)
Anyone who listens to Novo will likely be aware of the little sub-group of artists that all swim in the same circle, from Ali himself to the likes Gia Margaret, Sean Carey (part of Bon Iver) and Yvette Young, to Hailaker – Tullet being one-half opposite Jemima Coulter – as well as Lowswimmer and several others.
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He might have only played a handful of songs with only a guitar, including a couple of beautiful Hailaker tracks, but it was more than enough to leave an impression of the very sincere artist who clearly has a massive influence on all of those around him.
Explaining that this would be his second to last show perform with Novo Amor due to health issues and the general toll of touring, having helped write, record, produce and play the bulk of music ever put out under that name since day dot, it was a fittingly sombre and intimate warm-up.
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However, even in delivering the more stripped-back set we were already half expecting from the headliner, we almost managed to get both sides of this little mini-music community: the quieter acoustic stuff where big vocals moments are left to shine, and they did, as well as the real deal.
There was even a moment when tiny embers began to flicker as if you were listening to the guitar around a campfire.
When Ali and the rest of his band finally walked out on stage, with Ed himself receding back into what looked to be the more comfortable position just outside of the spotlight, it suddenly dawned on us that it wouldn’t just be a few folky guitars and some nice piano playing.
After the Lowswimmer’s ironically low-lit stage had somehow managed to hide a quietly better-budget backdrop, the stage suddenly began to light up as Novo Amor wandered on to pick up their instruments and play and from here on out we were just as captivated by the lights and effects as we were the music.
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Be it thin but sharp white lines tracing the borders of light boxes like a weird game of snake; solid blocks of electric blues, warm yellows and moody reds appearing on perfectly-timed musical cues or dots delicately twinkling into a slow-moving constellation, each song felt like an experience.
Not sure we’ll ever get over seeing this track being introduced in such a stunning way and in a venue as eye-catching as New Century:
Novo Amor stuns Manchester with ‘Same Day, Same Face’, fresh from his new album Collapse List at New Century.
Similar to Ed when he was busy tuning his guitar, Ali let on that his talent lies in bringing these intricately built-up tracks to life not only in record form but in translating them for the live shows too, choosing to ask ChatGPT for some ‘on-stage banter in the style of Novo Amor’ to fill the gaps.
Truthfully, as much as both parties said they were ‘not good at this kind of stuff’, he did a good job at handling the short lulls between songs by letting people ask questions, daft or not, as well as making sure water got to those feeling faint in the hot room. Everyone was fine, don’t worry.
In fact, when one girl seemingly passed out nearer to the front of the crowd as he came towards the end of fan favourite Halloween (you have no idea how gorgeous that song sounds with a full room of people singing it back, by the way), he still managed to check on her whilst quietly playing the outro. A total pro.
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Those were the three key letters here in every sense the more we think about it; be it the effortless professionalism in recreating what you hear in your headphones down to the tee and then some live, or the production levels and simple but striking set design behind them, it was verging on surreal.
We might not have been anticipating such a put-together set and overall level of production both in terms of sound and the often mesmerising visuals but we don’t know why, because we absolutely should’ve.
This is what you get when you put a group of extremely talented musicians and multi-instrumentalists together in one place. They might make highly complex, heavily layered and often delicate sounds with electronics and technology playing a big role, but they also know how to ramp it up for an audience.
All we can pray is that the next time Novo is back in Manchester he brings at least one half of Hailaker along again and maybe a surprise showing from another corner of this collective.
A special shout-out has to go to Ed as well; we have no shame in admitting that watching Ali looking on at his long-term creative partner and mate with a smile as he signed off his time with the live band by belting out the final tune had us welling up.
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Novo Amor might not be from Manchester but we want him back soon.
Madison Beer announces massive Manchester show at Co-op Live arena
Danny Jones
Yes, not long after a breakout period in her career, rising pop star Madison Beer has announced an extensive series of arena shows, including one right here in Manchester at Co-op Live.
Heading to major cities in mainland Europe before arriving here in the UK for just a pair of British shows and then moving on to North America, the 26-year-old singer-songwriter has gone from playing small rooms just a few short years ago to now playing some of the biggest rooms an artist could hope for.
Madison Beer got her first taste of fame after Justin Bieber shared her YouTube cover of Etta James’ ‘At Last’ way back in 2012, but it’s been quite the journey for the New York-born vocalist over the past decade or so.
Announcing the new tour in support of her third studio LP, Locket, which is scheduledfor release later this week (16 January), Beer will be coming to Manchester in late spring.
Confirming the concert themeslves, the venue wrote: “Two-time GRAMMY-nominated, platinum-selling artist Madison Beer is heading to Co-op Live with the locket tour.
“This tour marks the first time her forthcoming new album, locket [stylised in all lowercase] will be played live for the masses.”
Best known for tracks like ‘Selfish’, ‘make you mine’, as well as her most recent singles ‘yes baby’ and bittersweet’, she has hundreds of millions of followers all over the world and across her Instagram and TikTok platforms alone.
With that in mind, booking a room as big as Co-op Live was only a matter of time, really.
Madison will be arriving in Manchester on 31 May and bringing along a trio of rotating support acts with her on the road.
As you can see, Cuban-American alt-pop singer Isabel LaRosa will be joining her fellow contemporaries on stage later this year.
Just 21 years old, she might be a few years behind Beer, but she still has a passionate cult following of her own, even at such a young age.
The pre-sale window for Madison Beer’s Manchester gig at Co-op Live will be available to official members from 10am on Monday, 19 January, or by signing up/pre-ordering via her mailing list.
As for general admission, tickets will go live at the same time the following Wednesday (21 Jan). You can get ready to grab yours HERE.
It really is a great time for pop music once again – so much so that even themed nights centred entirely around smash-hit albums are being put on…
Featured Images — Justin Higuchi (via Flickr)/Press shot (supplied)
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Huge artists announce intimate charity gigs for BRITs Week 26 for War Child
Daisy Jackson
A huge line-up of intimate charity shows from some of the world’s hottest artists has been announced, ahead of the BRIT Awards coming to Manchester.
BRITs Week 26 for War Child will see major artists playing their most intimate shows, taking over grassroots venues across the UK.
These exclusive shows are in aid of War Child, to help fund aid, education, and specialist mental health support for the rights of children whose lives have been affected by war.
Posters have been popping up all around Manchester announcing the upcoming shows, and now the full line-up has been released.
The BRITs Week 26 for War Child will see artists including Fatboy Slim, Myles Smith, and Josh Baker performing at intimate venues in cities such as Manchester, Nottingham, and Newcastle.
Also joining the gig series this year are Lambrini Girls, Jacob Alon, kwn, Rossi., Jack Savoretti and Katherine Jenkins OBE.
The gig series, delivered by DHL, will be the biggest yet and offers fans a chance to see one-off performances from some of the most exciting names in music in smaller, iconic venues, with all proceeds going towards War Child’s vital work.
Previous War Child gigs locally have included Manc music icons The 1975 performing at the 550-capacity Gorilla.
BRITs Week will take place around The BRIT Awards 2026 with Mastercard, taking place on Saturday 28 February at the Co-op Live – the first time in the awards’ 50-year-history that it’s left the capital city behind.
The very special opening night show on 12 February will see Grammy Award-winning Fatboy Slim performing at the Boiler Shop in Newcastle.
And up here in Manchester, War Child has teamed up with The Warehouse Project to put on two nights at YES – one with Mixmag’s Year Defining DJ Josh Baker, and the other with DJ Mag’s One to Watch Rossi.
Further announcements are expected in the coming weeks.
Clare Sanders-Wright, Head of Live Music at War Child, said: “BRITs Week is back for its 13th year, and once again the lineup is nothing short of extraordinary. The atmosphere at these shows is always electric, with fans getting the rare opportunity to experience their favourite artists up close in some of the UK’s most beloved intimate venues.
“Right now, one in five children globally are living with the devastating impact of war. That’s more than 520 million children worldwide, facing violence no child should ever have to endure.
“I want to extend a huge thank you to the artists and their teams for giving their time, passion and talent to make these shows possible. Their support helps War Child continue our vital work to protect, educate and stand up for children caught in conflict, and to champion our message that No Child Should Be Part of War. Ever.”
The full lineup for BRITs Week 26 for War Child is below
12 February – Fatboy Slim – Boiler Shop, Newcastle
16 February – Lambrini Girls – The Garage, London
24 February – Myles Smith – Rescue Rooms, Nottingham
25 February – Jack Savoretti and Katherine Jenkins OBE – Emerald Theatre, London
25 February – kwn – Patterns, Brighton
25 February – Josh Baker – YES, Manchester
26 February – Rossi. – YES, Manchester
27 February – Jacob Alon – Music Hall at Assembly Rooms, Edinburgh
Fans can sign up to the War Child pre-sale HERE, which closes at 3pm Wednesday 14 Jan. Pre-sale begins 10am on Thursday 15 January.
General sale then begins at 10am on Friday 16 January HERE.
There are also £10 prize draws to win tickets to all shows open HERE.
Danny Jones -
12th April 2024 
