We love digging up little glimpses of the old world and nuggets of what Greater Manchester used to be like back in the day, but unearthing a song all about how wonderful Stockport is might just be up there with one of the best things we’ve ever come discovered.
Yes, we fully appreciate how surprising and potentially funny that sentence alone might be to a lot of you, but please just bear with us.
We’ll confess that finding this gem of a track came from nothing more than a stroke of sheer luck and the whims of the YouTube algorithm during one of the late-night scrolling on our phones, at which we point we stumbled across what appeared to be an ode to the town of Stockport.
Simply entitled, ‘Stockport’, the song was performed by Liverpool-born easy-listening star and all-round crooner, Frankie Vaughan, who was a big recording artist throughout the 1950s and, without further ado, here’s what it sounds like. Are you ready?
The best and likely only song about how great Stockport is. Simply glorious.
Yes, that is a real single that was genuinely recorded in the old Cheshire borough back in 1983, and not at the legendary Strawberry Studios as you might have expected, but in the equally iconic Plaza Theatre located in the town centre.
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Believed to have been recorded as a bit of a wink and a nod by Vaughan and lyricist Geoff Morrow, a songwriter and businessman from London, the tune came about as a response to an article by the Mail on Sunday which essentially dragged Stockport’s name through the dirt.
While the details surrounding exactly how that article led to this collaboration are equally muddy, it’s thought that the Mail set up a competition for someone to write about how great the area was as a kind of apology — i.e. giving the locals a chance to paint it in a better light like no one else could.
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However, perhaps because SK residents weren’t overly keen to shout about the region themselves, it turned out Morrow asked Vaughan to do it as the two were friends and (tongue firmly in cheeky, we expect), the 60s/70s cabaret singer gave it his full big band best. It was a big story at the time, too.
The result is an almost Sinatra-esque soliloquy all about the place that has gone on to be dubbed ‘the new Berlin’ by some and was voted Greater Manchester’s town of culture in 2023, but we dare say few would have expected it to have such a reputation today — including the blokes who created it.
From the almost Coronation Street-like opening second or two, to Frankie Vaughan’s insistence upon occasionally letting loose a laugh at the end or even sometimes in the middle of a lyric, there are moments when this song very much feels like a bit of a parody, but I guess we’ll never know.
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As someone born in Stockport myself, I feel I have some authority to assume that lines like “there’s nowhere that can beat it”, “the houses seem to say ‘come in'”, and “there’s nowhere finer” were sung at least a little bit sarcastically but, regardless, we’re very happy to have pulled this love letter out from the very back of the Manc music draw.
Nevertheless, in all seriousness, the Stockport of the mid to late-20th century is very different from the one we’ve come to know of today, boasting plenty of new cultural hotspots, highly-regarded restaurants and bars, not to mention a new wave of local artists like Blossoms, Fuzzy Sun, Findlay and more.
Fellow Stopfordians might smirk at the suggestion of their town being “where it’s at”, as Frankie Vaughan puts it with such questionable sincerity, but the honest truth is that it’s still one of our favourite places to go in and around Manchester and has a special place in our hearts.
The only difference is that we’re fairly sure our love comes from a very different place than the songs did. Exhibit A through Z.
Featured Images — Helder Rock (via YouTube)/Stockport Library Archive Footage/The Manc Group
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Gig tickets, signed merch and more up for grabs in important Headstock charity fundraiser
Daisy Jackson
Some huge music-related prizes have been announced as part of a major charity fundraising campaign for the music industry.
Headstock, a Manchester-based music and mental health social enterprise, is running a Crowdfunder campaign with prizes including tickets to huge arena shows, signed merch, and loads more.
Headstock has announced the campaign to raise funds for the support of MUSIC 85258, a 24/7 confidential text support service launched last year to support those working in the music industry.
The text support service is run in partnership with Music Minds Matter and delivered by Shout.
Headstock’s mission since its inception has been to deliver music-led solutions to tackle the growing mental health crisis, both within the music industry and beyond.
The dedicated mental health text support service has already drummed up loads of support, including being signposted back-of-house in key venues like the AO Arena, Co-op Live, and Warehouse Project.
Now, Headstock is running a fundraiser campaign to keep this vital service thriving, pulling together some major prizes across multiple prize draws.
These prizes have been donated by local Manchester bands and venues, and include VIP Parklife tickets, VIP to shows at the AO Arena and Co-op Live, season passes for WHP, and signed merch from the likes of Elbow, Courteeners and New Order.
To enter each prize draw, make a donation to the Crowdfunder – the bigger your donation, the more entries you will receive.
You can see all the prizes up for grabs and make a donation below – or you can just donate to Headstock HERE.
All the prizes in the Headstock fundraiser
Aitch – A pair of tickets to see Aitch’s headline show at Mayfield Depot + 4x signed albums – HERE
Parklife – 2x pairs of VIP tickets to Parklife 2026 – HERE
All money raised will be donated to mental health charity, Shout, who deliver MUSIC 85258 – a free, confidential and 24/7 text support service for anyone working within the music industry.
MUSIC 85258 is a de-escalation service for anyone working in the music industry who is struggling with their mental health. It is a partnership between Headstock, Music Minds Matter and Shout, with Mental Health Innovations providing the underlying service through Shout’s network of trained volunteers. To use the service, anyone that is struggling simply needs to text the word “MUSIC” to 85258 to connect with a volunteer for in-the-moment support.
Richard Ashcroft announces all-North West lineup of support acts for Alexandra Palace headliner
Danny Jones
Wigan’s finest, Richard Ashcroft, has announced an all-North-Western lineup for his upcoming headline show at ‘Ally Pally’.
The former Verve frontman is not only riding a fresh wave of popularity thanks to supporting Oasis on their incredible Live ’25 world tour, but also recently released his long-awaited new album, Lovin’ You.
Not just a Manc music icon but one of the biggest names to have come out of his borough, specifically, the legendary lyricist is finally getting more like the kind of recognition he deserves, and is making sure to pay that exposure forward in the best way possible.
He could have picked from all manner of big British acts as supports at Alexandra Palace, but Richard Ashcroft has chosen to keep flying the regional flag by picking a group he’s spent the last few months with, as well as a fellow Greater Manchester act.
That’s right: as well as signing up Liverpool’s very own Oasis Live ’25 openers, Cast, as one of the warm-up acts, the 54-year-old has also chosen another native Wigan artist in the form of The Lathums to join him for the momentous headline show.
Much-loved not only in their hometown but across Manchester and beyond, the indie favourites – who also released their latest studio LP, Matter Does Not Define, back in February – the young band are only getting better and becoming more established as time goes on.
Having already played the likes of the AO Arena here in Manchester and booked numerous big festival slots of the past few years, we reckon you can pretty much bank on them headlining this historic and bucket list venue for themselves in the future.
In terms of Cast, the scousers continue one of the busiest years for touring in their career by supporting ‘King Richard’, having followed up supporting ‘LG’ in 2024 to both Gallagher brothers over the summer.
As for Ashcroft himself, we’re glad to see him back releasing new music, and can confirm his seventh record is a great listen.
By no means our favourite, but just a taste of his latest sound.
Now, if you were wondering why we’re talking about this show over any of the other gigs (namely the Northern ones) on his upcoming UK run, it’s because most of the tour has now sold out.
His Co-op Live date was obviously the first to go, with Cardiff’s Principality Stadium going shortly after, and extra dates being added in the likes of London, Liverpool and over in Leeds.
If you do happen to be in the capital already or are willing to make a trip to London for the show, there are still some tickets left for Richard Ashcroft at Ally Pally in July 2026.
Cannot wait to hear how this sounds in that storied room: