We love digging up little glimpses of the old world and nuggets of what Greater Manchester used to be like back in the day, but unearthing a song all about how wonderful Stockport is might just be up there with one of the best things we’ve ever come discovered.
Yes, we fully appreciate how surprising and potentially funny that sentence alone might be to a lot of you, but please just bear with us.
We’ll confess that finding this gem of a track came from nothing more than a stroke of sheer luck and the whims of the YouTube algorithm during one of the late-night scrolling on our phones, at which we point we stumbled across what appeared to be an ode to the town of Stockport.
Simply entitled, ‘Stockport’, the song was performed by Liverpool-born easy-listening star and all-round crooner, Frankie Vaughan, who was a big recording artist throughout the 1950s and, without further ado, here’s what it sounds like. Are you ready?
Yes, that is a real single that was genuinely recorded in the old Cheshire borough back in 1983, and not at the legendary Strawberry Studios as you might have expected, but in the equally iconic Plaza Theatre located in the town centre.
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Believed to have been recorded as a bit of a wink and a nod by Vaughan and lyricist Geoff Morrow, a songwriter and businessman from London, the tune came about as a response to an article by the Mail on Sunday which essentially dragged Stockport’s name through the dirt.
While the details surrounding exactly how that article led to this collaboration are equally muddy, it’s thought that the Mail set up a competition for someone to write about how great the area was as a kind of apology — i.e. giving the locals a chance to paint it in a better light like no one else could.
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However, perhaps because SK residents weren’t overly keen to shout about the region themselves, it turned out Morrow asked Vaughan to do it as the two were friends and (tongue firmly in cheeky, we expect), the 60s/70s cabaret singer gave it his full big band best. It was a big story at the time, too.
The result is an almost Sinatra-esque soliloquy all about the place that has gone on to be dubbed ‘the new Berlin’ by some and was voted Greater Manchester’s town of culture in 2023, but we dare say few would have expected it to have such a reputation today — including the blokes who created it.
From the almost Coronation Street-like opening second or two, to Frankie Vaughan’s insistence upon occasionally letting loose a laugh at the end or even sometimes in the middle of a lyric, there are moments when this song very much feels like a bit of a parody, but I guess we’ll never know.
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As someone born in Stockport myself, I feel I have some authority to assume that lines like “there’s nowhere that can beat it”, “the houses seem to say ‘come in'”, and “there’s nowhere finer” were sung at least a little bit sarcastically but, regardless, we’re very happy to have pulled this love letter out from the very back of the Manc music draw.
Nevertheless, in all seriousness, the Stockport of the mid to late-20th century is very different from the one we’ve come to know of today, boasting plenty of new cultural hotspots, highly-regarded restaurants and bars, not to mention a new wave of local artists like Blossoms, Fuzzy Sun, Findlay and more.
Fellow Stopfordians might smirk at the suggestion of their town being “where it’s at”, as Frankie Vaughan puts it with such questionable sincerity, but the honest truth is that it’s still one of our favourite places to go in and around Manchester and has a special place in our hearts.
The only difference is that we’re fairly sure our love comes from a very different place than the songs did. Exhibit A through Z.
Featured Images — Helder Rock (via YouTube)/Stockport Library Archive Footage/The Manc Group
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The Prodigy announce HUGE gigs at The Warehouse Project this year
Thomas Melia
EDM band The Prodigy are bringing their electronic punk and big beats to the crowds of Manchester this December.
As The Warehouse Project kicks off a great series of gigs with its 2024 opening season, what a way to make it even better than with not one, but two The Prodigy headline dates.
The Disrupta Tour 2024 sees the Essex-formed band stopping off in Bridlington first before taking on the mighty 10,000-capacity crowd at The Warehouse Project in Manchester for two nights.
They are no stranger to the clubbers’ paradise as The Prodigy have performed at the prestigious event in 2019 and are now returning to the immense venue in December.
Known for their singles like ‘Firestarter’ and ‘Breathe’ the crowd is in for an electric night of high-energy raving and rocking as they perform tracks taken from their many hit-packed albums.
Taking to The Warehouse Project stage on Saturday 14 December and Sunday 15 December, crowds are treated to a weekend of live music from The Prodigy that is guaranteed to be unforgettable.
They sure know how to control a crowd, after all Manchesterhas been a staple tour stop for the iconic act since they first debuted in the 90’s, and they have played a collection of live music venuesacross the city.
What’s even more special, besides the fact they’re returning to Manchester, is the Sunday 15 December show at The Warehouse Project is a late curfew. The band are continuing the party til 1am for lucky guests who just can’t get enough of the EDM tracks.
For the last shows of the year, this musical act is ready to bring the heat. The band are merging their signature sounds of electric rock and rave anthems to create a show that will blow your mind.
Liam Howlett, the group’s co-founder and leader, is stoked too, saying: “We will be there armed with a sonically fresh attack. Let it disrupt ya…”.
Tickets to The Prodigy’s The Disrupta Tour 2024, including their shows at The Warehouse Project, go on fan presale, 19 September at 10am and general sale on 20 September at 10am – get your tickets here.
The Prodigy 2024 tour dates
Friday 13 Dec – Bridlington Spa, Bridlington
Saturday 14 Dec – The Warehouse Project, Manchester*
Morrissey: Johnny Marr now has ‘100%’ of The Smiths rights to tour without him – and one potential replacement is trending
Danny Jones
Morrissey has come out to claim that former bandmate Johnny Marr now holds all the rights to The Smiths and their music, even stating that he can now go on and tour without him – and there’s already a very big name being floating around for his replacement.
Yes, as per Mr ‘Bigmouth Strikes Again’ himself, the co-songwriter and lead guitarist recently acquired “100% trademark rights/intellectual property” despite Morrisey himself having coined the “musical unit name ‘The Smiths’ in May 1982.”
It is said that this application was secured without any consultation from the former frontman or any chance to object on the 65-year-old’s part.
Although the fellow Manc music legend himself is yet to come out and comment on the reports made on the official Morrissey Central website, fans are already speculating whether Marr is gearing up to head out on tour, the internet was quick to drum up what many are calling the ideal stand-in for a singer.
If there is any justice in the world, Marr will immediately tour with Rick Astley as the new Smiths’ front man and I for one will be at the front of the queue for tickets. https://t.co/Pg8LPe35TV
Though it might have seemed a slightly mad suggestion a few years ago, there are literally tonnes of accounts and music fans from all over calling for Rick Astley to be called in as a replacement frontman should Marr actually end up taking The Smiths back out on tour.
The ‘Never Gonna Give You Up’ singer and Lancashire-born 80s pop star has been enjoying what we’ve affectionately referred to as the ‘Rick-naissance’ over the past few years, playing main stage slots at the likes of Glastonbury, Kendal Calling, Bestival and continuing to release new music.
Going on to not only become friends with the group but reiterate what an incredible singer he is – covering classics such as ‘There Is a Light That Never Goes Out’, ‘This Charming Man’ and even the likes of ACDC to tens of thousands on the Pyramid Stage – he’s quietly become one the UK’s favourite all-round performers once again.
That being said, it’s safe to say some people have other thoughts on the suggestion; many believe Marr wouldn’t be interested in doing it, others were aghast at the suggestion or some offered a much easier alternative that’s already proven to be a more than viable option…
People suggesting Johnny Marr should tour as The Smiths with Rick Astley as vocalist. Fuck off. FUCK OFF.
Nevertheless, there seem to be many more people in the pro-Astley camp than there are in the anti, with one user writing, “Johnny Marr, Rick Astley is waiting by the phone!”, and another in America adding: “If Marr tours Smiths songs with Rick Astley in the US, I’m going to every date in the south.”
As explained in the full post entitled, ‘The Plot Thickens’, Morrissey and his representation said that not only can Marr “now tour as The Smiths using the vocalist of his choice” but doing so will also “also prohibit Morrissey from using the name whilst also denying [him] considerable financial livelihood.”
The plot thickens indeed but, for now, there’s nothing concrete to any of this talk beyond what Morrissey has claimed regarding trademark rights and what a lot of fans would clearly love to see: some kind of The Smiths’ comeback tour featuring Marr and the mighty Rick Astley.
Hey, who knows? We’ve finally got an Oasis reunion and much stranger things have happened – and we’re talking just this week alone…
No backing, no label, all @TheReytons — with a little bit of @GNev2 now too, apparently… 👀