We love digging up little glimpses of the old world and nuggets of what Greater Manchester used to be like back in the day, but unearthing a song all about how wonderful Stockport is might just be up there with one of the best things we’ve ever come discovered.
Yes, we fully appreciate how surprising and potentially funny that sentence alone might be to a lot of you, but please just bear with us.
We’ll confess that finding this gem of a track came from nothing more than a stroke of sheer luck and the whims of the YouTube algorithm during one of the late-night scrolling on our phones, at which we point we stumbled across what appeared to be an ode to the town of Stockport.
Simply entitled, ‘Stockport’, the song was performed by Liverpool-born easy-listening star and all-round crooner, Frankie Vaughan, who was a big recording artist throughout the 1950s and, without further ado, here’s what it sounds like. Are you ready?
The best and likely only song about how great Stockport is. Simply glorious.
Yes, that is a real single that was genuinely recorded in the old Cheshire borough back in 1983, and not at the legendary Strawberry Studios as you might have expected, but in the equally iconic Plaza Theatre located in the town centre.
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Believed to have been recorded as a bit of a wink and a nod by Vaughan and lyricist Geoff Morrow, a songwriter and businessman from London, the tune came about as a response to an article by the Mail on Sunday which essentially dragged Stockport’s name through the dirt.
While the details surrounding exactly how that article led to this collaboration are equally muddy, it’s thought that the Mail set up a competition for someone to write about how great the area was as a kind of apology — i.e. giving the locals a chance to paint it in a better light like no one else could.
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However, perhaps because SK residents weren’t overly keen to shout about the region themselves, it turned out Morrow asked Vaughan to do it as the two were friends and (tongue firmly in cheeky, we expect), the 60s/70s cabaret singer gave it his full big band best. It was a big story at the time, too.
The result is an almost Sinatra-esque soliloquy all about the place that has gone on to be dubbed ‘the new Berlin’ by some and was voted Greater Manchester’s town of culture in 2023, but we dare say few would have expected it to have such a reputation today — including the blokes who created it.
From the almost Coronation Street-like opening second or two, to Frankie Vaughan’s insistence upon occasionally letting loose a laugh at the end or even sometimes in the middle of a lyric, there are moments when this song very much feels like a bit of a parody, but I guess we’ll never know.
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As someone born in Stockport myself, I feel I have some authority to assume that lines like “there’s nowhere that can beat it”, “the houses seem to say ‘come in'”, and “there’s nowhere finer” were sung at least a little bit sarcastically but, regardless, we’re very happy to have pulled this love letter out from the very back of the Manc music draw.
Nevertheless, in all seriousness, the Stockport of the mid to late-20th century is very different from the one we’ve come to know of today, boasting plenty of new cultural hotspots, highly-regarded restaurants and bars, not to mention a new wave of local artists like Blossoms, Fuzzy Sun, Findlay and more.
Fellow Stopfordians might smirk at the suggestion of their town being “where it’s at”, as Frankie Vaughan puts it with such questionable sincerity, but the honest truth is that it’s still one of our favourite places to go in and around Manchester and has a special place in our hearts.
The only difference is that we’re fairly sure our love comes from a very different place than the songs did. Exhibit A through Z.
Featured Images — Helder Rock (via YouTube)/Stockport Library Archive Footage/The Manc Group
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Antony Szmeirek announces second album along with biggest UK tour dates yet
Danny Jones
Greater Manchester spoken word artist Antony Szmeirek has finally revealed the name, cover art and release date for his second album, along with his biggest run of UK tour dates yet.
The Tameside teacher turned full-time artist dropped his maiden record, Service Station at the End of the Universe, back in February 2025, and now, just over a year on from its launch, he’s getting ready to deliver his highly anticipated follow-up.
Entitled Decoding Birdsong, the sophomore studio project is scheduled for this summer, with a series of live shows booked for the following autumn.
Having already dropped lead single ‘The Heron’ earlier this year, Szmeirek has just released the opener from his upcoming LP, which is simply called ‘Chalk’; he’s also unveiled the rest of the tracklist and a rather striking bit of album artwork.
The Hyde-born artist is making big moves not only within the spoken word space but across multiple genres, with his music blending everything from indie, hip-hop, electronica and more.
His latest song, for instance, is more of an acid-house-esque meets contemporary EDM outing, and has quickly gone down as a popular addition among fans.
On the album name itself, he’s never one to shy away from a weird title or two – case in point, ‘The Great Pyramid of Stockport’ from his debut and ‘Dave’s Angling Superstore’ on this new record.
The 34-year-old carries that same idiosyncrasy throughout his lyricism and creative concepts, as well.
‘Chalk’ is a perfect example of this, as the song is inspired by The Edge of Everything documentary: a film about the career of legendary British snooker player, Ronnie O’Sullivan.
Here’s the music video…
As for his latest raft of live shows, these will be some of the biggest domestic gigs that the local lad has played in his career so far.
In addition to a pair of hometown shows here in Manchester, he is set to play a dozen different cities across Great Britain and Ireland.
Antony Szmierek UK/IE tour dates – October 2026
We’ve highlighted the Northern stops for you, too:
Featured Images — Press shots via Zak Watson (supplied via SJM Concerts)
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Pussycat Dolls cancel wave of tour dates due to poor ticket sales
Daisy Jackson
Pussycat Dolls have finally addressed the swirling rumours that they would be cancelling their upcoming PCD Forever world tour.
The girl group announced a major comeback as a trio – Nicole Scherzinger, Kimberly Wyatt, and Ashley Roberts – and their biggest international run in years.
The new Pussycat Dolls tour included a significant run of shows in Europe, including a Manchester date at Co-op Live.
But now it appears the rumours of low demand are true, and the group are cancelling an entire leg of their world tour – though thankfully, Manchester appears to have made it through safely.
In an open letter shared with fans, Pussycat Dolls said that they have had to take ‘an honest look’ at the tour and have made ‘the difficult and heartbreaking decision’ to cancel a number of concerts.
The Buttons singers will now play just one of their scheduled dates in North America, which will be the WeHo Pride event in LA, acknowledging the importance of performing at the LGBTQ+ celebration.
Addressing rumours that European dates would also be cancelled, they wrote: “Our UK and European dates are still moving forward as planned, and the response has been incredible, with several shows already sold out.
“We are putting everything into making this show a true celebration of the music and the memories, for the fans who have been with us from the beginning and those discovering us for the first time.
“We’re working hard to create the kind of show we’ve always dreamed of bringing to you. We cannot wait to bring this reunion to Europe and make these nights unforgettable.”
Pussycat Dolls signed off: “Thank you for your love, patience, and support.”