If like me, you had resided in the fact that you’d never see the day that you’d be dancing with your pals and enjoying live music again, then you’re probably breathing a sigh of relief seeing the mass of gig and event announcements that are flooding your timelines.
But one person even more excited than us is Tom Kingham, co-founder of Open Beat, whose inaugural music event has been nearly two years in the making now.
Back in April last year, Open Beat were forced to wait it out like the rest of the music industry, after their launch night at Hatch was of course cancelled. Now, they’re full steam ahead with organising monthly live showcases of some of Manchester’s best unsigned talent.
And we’re finally allowing ourselves to get excited over the prospect.
Live music at Hatch. Credit: Hatch/Mike Garry
But lockdown wasn’t all bad for Open Beat – as Tom recalls it was almost a blessing in disguise. It gave them the unique chance to refine their idea and widen their circle of contacts. “We’d kind of planned [the first event] pretty quick last year and didn’t think long term,” he said. “But now we’ve had a good year to plan it, it’s kind of worked in our favour because we’ve managed to get so many more acts on the cards.
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“That’s how big the expansion has gone now and we’re not just looking at the indie bands now, we’re also looking at the Manchester grime and hip-hop artists, too.”
In the beginning, Tom admits there were worries over the longevity of Open Beat, wondering, “are we going to be able to keep it up? Are we going to be able to find more and more acts to bring through? Or is it just going to be the same people?” In the end, lockdown forced the guys to take it slow and make careful decisions – and the result is more focused and determined.
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One thing at the forefront of Open Beat’s ethos is promoting the city’s up-and-coming musicians. The idea for the event first came about in the summer of 2019, when Tom and fellow co-founder, Miftah Ali, realised there was little in the way of a big platform for up-and-coming artists to play live.
With a history in organising music events, Tom has experience with some of the biggest events in Manchester like Warehouse Project and Parklife. But he shares humble beginnings putting on student nights at the old Tiger Tiger in the Printworks back in the day. So, he understands how these things work on multiple levels.
But even after working with such big events, Tom likes to go back to his roots with intimate open mic nights and showcases every now and again. Simply because of the connection you get with a smaller audience. “It’s the intimacy – you get emotionally connected to it because it’s just you and them,” said Tom.
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“Of course, there’re other people around you. But it’s not another 60,000 people – it’s just you, them, their guitar and the same appreciation of that act as you in the same room.
“These [acts] are really, really good – they’re good enough to make it and sign a deal. It’s just them not being in the right place at the right time – and we want to get them in the right place at the right time.”
So this ended up being the driving force behind Open Beat – to give these amazing artists the large platform they deserve, whilst bringing likeminded music lovers together at the same time.
Tom believes these kinds of opportunities are limited for unsigned artists. “[Music] is sort of like a pyramid system, like there would be in football. There’s a lot of money at the top but the further and further you go down, there is less and we kind of want to even the odds as much as we can.”
Open mic night at The Whisky Jar. Credit: Jason S Kenny
Tom and Miftah have already managed to grow the Open Beat team. Joining them are two members of the music scene. The first being DJ and Unity Radio presenter, Jermaine Lee, who has made appearances at Parklife, Warehouse Project and Victoria Warehouse. The second being singer Joe McAdam, who has also ran the legendary open mic night at The Whisky Jar for seven years. Together, they make up a solid team with tons of industry knowledge.
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With this growing team, expansion is more likely. So, aside from soon becoming a recognised and well-respected Manchester promoter, naturally there are plans take the concept to other cities. In doing this, the guys hope to jump into the festival scene and host their own small stage as a platform to do what they do on an even bigger scale. Still using the same local and unsigned talent, but giving them opportunities that really don’t come along all too often.
Now that we’re allowed to play out again soon, the thought of hearing live music again makes us want to burst. To get ourselves prepared, The Manc Audio will be partnering with Open Beat over the next few months to bring you even more of Manchester’s unsigned music. So, you’ll be hearing plenty from them in the near future as they finally get to live out their summer 2019 masterplan.
Placebo are returning to Manchester with a special re-worked album tour for their 30th anniversary
Danny Jones
Placebo are coming back to Manchester city centre for a very special anniversary show celebrating their seminal debut album, which will be re-worked 30 years on from its release.
The beloved British alt-rock band, which first broke onto the indie, post-glam and pseudo-goth scene back in the mid-1990s, haven’t played here since November 2022, so it’s fair to say fans have been waiting for a return.
Last time out, they played the AO Arena, but this year they’ll be making a maiden visit to one of Europe’s biggest indoor entertainment venues.
Announcing the ‘RE:CREATED‘ re-release of their debut album and the accompanying anniversary tour this week, tickets are set to go on sale very soon.
Confirming just a handful of UK shows this December following a more extensive European run in autumn and winter 2026, they are the latest big rock name to book Co-op Live.
Placebo’s self-titled debut album, RE:CREATED
As mentioned, Placebo RE:CREATED features “powerful reworked and embellished versions of all ten tracks from the original album”, as well as two new bonus tracks.
The group say that these new songs are sort of like an ‘amplification’ of what made their inaugural studio outing such a success in the first place.
Speaking in an official statement, they said: “We think of this record as a director’s cut. We haven’t recreated it from scratch. We went back to the original master tapes and brought 30 years of playing these songs live back into the record.
“This project was about finally finishing the record, dragging it into the 21st century sonically, while preserving the integrity and the spirit of the original. It’s not about improving it; there’s nothing wrong with it – it’s about completing it.”
Signing off and getting tails up ahead of the tour, they added: “It’s a celebration of where we began, and a meeting point between who we were then and who we are now; a way of honouring that innocence, while letting the songs exist with the scale, confidence, and energy of the band we’ve become”.
JUST ANNOUNCED: Placebo: 30th Anniversary Tour Playing songs from ‘Placebo’ & ‘Without You I’m Nothing' Friday 4 December https://t.co/qwOm3NNGQH @coopuk members get first in line for tickets. Co-op Member Presale: 09:00 Wednesday 25 March General Sale: 09:00 Friday 27 March pic.twitter.com/MO72ui1ntW
It remains to be seen who, if anyone, will be supporting them for the limited run of domestic shows, but it has been revealed that they will also be playing some fan favourite songs from their sophomore LP, Without You I’m Nothing. You can see the rest of the gigs here in Britain and Ireland down below:
Placebo UK tour dates 2026
2 – Dublin, Ireland – 3 Arena 4th – Manchester, UK – Co-op Live Arena 5th – London, UK – OVO Arena Wembley 7th – Cardiff, UK – Utilita Arena
For those looking to secure early access, you can do so by pre-ordering the album (which drops on 19 June), with the pre-sale window opening at 9am on 24 March.
As for general admission, they will be available from the same time the following Friday, 27 March.
You can get ready to grab your tickets to see Placebo at Co-op Live in Manchester for their 30th anniversary gig right HERE.
They’re not the only big rock name that first back in the 90s set for a big Manc arena show this year.
Featured Images — Press shots (supplied via SJM Concerts)
Music
Review | What we made of Country 2 Country 2026, and why Manchester should be very excited
Danny Jones
Excuse me, but it looks like we might have a new favourite festival on the cards: Country 2 Country – and it’s very rare we gig in London and enjoy ourselves anyway near as much as we do up North, but now we’re already dreaming of just how good C2C Manchester could be.
In fact, scratch that, we know it is.
Billed as Europe’s biggest country music festival, there really isn’t anything quite like it here. Yes, there’s Buckle & Boots Festival closer to home, but there’s nothing in the folk and country world on this kind of massive scale, unless you go all the way to see the actual CMA Fest over in the US.
London’s also been lucky enough to host some very big names at BST Hyde Park too, but this fully-fledged arena weekender, complete with an outdoor festival hub, town square, trading post, a barn full of line-dancers, and SO much more, celebrates every single part of that culture.
By day, the aim is to make a little country town, complete with shops, food, drink and music aplenty. (Credit: Audio North)
But… We think the North can do it better.
So too did some of the acts and punters as well, by the way; we spoke to several people on-site who’d made the trip from all over because it was closer than Glasgow, Belfast or Berlin.
Up-and-coming British country rock artist, Bronnie – who was literally hours away from a move across the pond to pursue her dreams of living the cowgirl turned music artist experience down in the Southern states – said simply: “There’s always this feeling like there’s more fun to be had up North”
Moreover, the friends she’s already made over in America’s ‘Music City’, she says, have claimed that “the vibes are just better”, apparently. Not to sound too biased, but we obviously couldn’t agree more.
However, with the news that C2C is coming to Manchester city centre and Northern England for the very first time, people are already hopping mad at the idea of a Manc debut.
That’s to say that what The O2 in London isn’t special and will always be to most punters, we just know full well that our particular region is going to take to this new annual event like a duck to water.
A lot of the people we spoke to kept repeating the same: that working class connection, simple but relatable imagery, the pure poetry you’ll find not only in Nashville but creative cousins like Manchester.
The Broadway strip in Austin may be the spiritual home of this kind of music, but we Greater Mancunians lay claim to plenty of genres and some of the biggest artistic traditions ourselves.
With that in mind, we are convinced we’re going to leave a lasting impression when our inaugural Country 2 Country Festival comes to the AO Arena next year.
Our line dancing might leave a little to be desired, but we’ve got a whole year to work on it, not to mention plenty of time to dive even further into the UK’s growing country music obsession.
You can see more pictures from our 2026 C2C gallery down below.
Country fashion was everywhereThe official CMA Spotlight Stage was one of the bestNo one shyed away from a partyKruse Brothers were one of our favourite from the weekendAlana Springsteen was incredibleAnd by the evening, it’s a proper hedonist hoedown… (Credit: The Manc)