Post Malone finished up his second night at Manchester’s AO Arena on Wednesday evening, which The Manc had the pleasure of going along to, and believe us when we tell you we weren’t prepared to have sucha special time.
Austin Richard Post, as he casually introduced himself to the audience, has been on the scene for over a decade now, releasing his first-ever single ‘White Iverson’ back in 2015 — the track that launched his career and has seen fans falling deeper and deeper in love with him over the years.
Even from the start and his debut album, Stoney, Post Malone‘s extremely palatable brand of rap, pop and R&B has meant that he’s never been just one thing or the other and that became abundantly clear the second he walked out on stage.
His entrance alone proved that still had gears we didn’t expect, opening the show with an atmospheric and suspense-building arrangement of ‘Reputation’ as massive spiralling lights, smoke and phone torches filled the room, before exploding almost demonically into ‘Wow.’ and kicking the show into fifth.
Just two songs in and we were already pretty mesmerised — the set design by creative director, Lewis James, alone a seriously impressive spectacle — then came what felt like the most relentless barrage of bangers, playing ‘Better Now’, ‘Psycho’, ‘Candy Paint’ and ‘I Fall Apart’ all back-to-back.
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We even got to hear him do ‘I Like You (A Happier Song)’ minus Doja Cat’s part, mind, but thankfully with the bonus of that wholesome little dance you might have seen him do on TikTok. If you know you know.
And ‘happier’ couldn’t have summed up the show any better: with each song, every single person in the room seemed twice as stoked as they were on the previous one, with the screams as he dropped the next track only getting louder as then show went on.
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Even when he slowed things down and got out his guitar to do acoustics like ‘Lemon Tree’ and ‘Stay’, it felt like one big sing-song around a campfire — you know, if the fire had 20,000 round it and was spitting out of pyros on stage. Then, of course, he swiftly reminded us he was a literal ‘rockstar’ and smashed up his guitar, something that always kind of frustrates but looks undeniably fun.
It was at this point we realised this guy isn’t just a rapper most people have heard on the radio anymore — he hasn’t been that for a long time: he’s a generational, genre-bending talent and an absolute god to his die-hards and we almost felt stupid for not realising just how good he was earlier.
Chants of ‘Posty, Posty!’ began ringing around the AO Arena between songs and the 27-year-old would simply soak it in and do another chuffed little dance every time. Everyone in there was enjoying themselves and so was he — him even more than us, to be fair.
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One of the lasting things we took away from the show, however, was just sincere and positive Post Malone comes across not just as an artist but as a bloke in general. We say it like we know him personally but that was kind of how the whole thing felt, like he was just up there being himself and we happened to be watching.
He stopped to savour the moment and tell the crowd how much he loved them at regular intervals, how much he’d missed being over in the UK and urging people to appreciate and look after each other. Then there was his speech about fatherhood, which had both him and most people watching on in tears.
So yeah, Post Malone at AO Arena Manchester night two was pretty ace.
The whole thing experience wasn’t just “the best party in the world” that night, to quote support act Rae Sremmurd (one the best and most enthusiastic we’ve seen in a long time, by the way), but it was just so positive — even Sremmurd’s Swae Lee was telling fans to grab their best mate and enjoy every second.
His time on stage with Posty for ‘Sunflower’ was a great moment too, one that pretty much encapsulated the entire night: a bunch of people singing and dancing their heads off to so many hits that you almost didn’t realise just how much quality music the man has put out.
As the show drew towards a close we got his latest single ‘Chemical’ — a lovely poppy little number which gives an idea of what his newly announced album, Austin, might sound like — as well as firm-favourite ‘Congratulations’, which feels like a lifetime ago but is still the perfect self-affirmation all these years later.
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That being said, it was only fitting that he ended with the track that started it all off, serenading the Arena with ‘White Iverson’ as they held aloft their drinks and swayed back and forth to what remains one of the most chill tunes he’s ever made. The song might be but we left with none.
Post Malone in Manchester night two confirmed one thing: we are now Posty stans for life.
Featured Image — Post Malone (via Instagram)/The Manc Group
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Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms