Post Malone finished up his second night at Manchester’s AO Arena on Wednesday evening, which The Manc had the pleasure of going along to, and believe us when we tell you we weren’t prepared to have sucha special time.
Austin Richard Post, as he casually introduced himself to the audience, has been on the scene for over a decade now, releasing his first-ever single ‘White Iverson’ back in 2015 — the track that launched his career and has seen fans falling deeper and deeper in love with him over the years.
Even from the start and his debut album, Stoney, Post Malone‘s extremely palatable brand of rap, pop and R&B has meant that he’s never been just one thing or the other and that became abundantly clear the second he walked out on stage.
His entrance alone proved that still had gears we didn’t expect, opening the show with an atmospheric and suspense-building arrangement of ‘Reputation’ as massive spiralling lights, smoke and phone torches filled the room, before exploding almost demonically into ‘Wow.’ and kicking the show into fifth.
Just two songs in and we were already pretty mesmerised — the set design by creative director, Lewis James, alone a seriously impressive spectacle — then came what felt like the most relentless barrage of bangers, playing ‘Better Now’, ‘Psycho’, ‘Candy Paint’ and ‘I Fall Apart’ all back-to-back.
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We even got to hear him do ‘I Like You (A Happier Song)’ minus Doja Cat’s part, mind, but thankfully with the bonus of that wholesome little dance you might have seen him do on TikTok. If you know you know.
And ‘happier’ couldn’t have summed up the show any better: with each song, every single person in the room seemed twice as stoked as they were on the previous one, with the screams as he dropped the next track only getting louder as then show went on.
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Even when he slowed things down and got out his guitar to do acoustics like ‘Lemon Tree’ and ‘Stay’, it felt like one big sing-song around a campfire — you know, if the fire had 20,000 round it and was spitting out of pyros on stage. Then, of course, he swiftly reminded us he was a literal ‘rockstar’ and smashed up his guitar, something that always kind of frustrates but looks undeniably fun.
It was at this point we realised this guy isn’t just a rapper most people have heard on the radio anymore — he hasn’t been that for a long time: he’s a generational, genre-bending talent and an absolute god to his die-hards and we almost felt stupid for not realising just how good he was earlier.
Chants of ‘Posty, Posty!’ began ringing around the AO Arena between songs and the 27-year-old would simply soak it in and do another chuffed little dance every time. Everyone in there was enjoying themselves and so was he — him even more than us, to be fair.
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One of the lasting things we took away from the show, however, was just sincere and positive Post Malone comes across not just as an artist but as a bloke in general. We say it like we know him personally but that was kind of how the whole thing felt, like he was just up there being himself and we happened to be watching.
He stopped to savour the moment and tell the crowd how much he loved them at regular intervals, how much he’d missed being over in the UK and urging people to appreciate and look after each other. Then there was his speech about fatherhood, which had both him and most people watching on in tears.
So yeah, Post Malone at AO Arena Manchester night two was pretty ace.
The whole thing experience wasn’t just “the best party in the world” that night, to quote support act Rae Sremmurd (one the best and most enthusiastic we’ve seen in a long time, by the way), but it was just so positive — even Sremmurd’s Swae Lee was telling fans to grab their best mate and enjoy every second.
His time on stage with Posty for ‘Sunflower’ was a great moment too, one that pretty much encapsulated the entire night: a bunch of people singing and dancing their heads off to so many hits that you almost didn’t realise just how much quality music the man has put out.
As the show drew towards a close we got his latest single ‘Chemical’ — a lovely poppy little number which gives an idea of what his newly announced album, Austin, might sound like — as well as firm-favourite ‘Congratulations’, which feels like a lifetime ago but is still the perfect self-affirmation all these years later.
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That being said, it was only fitting that he ended with the track that started it all off, serenading the Arena with ‘White Iverson’ as they held aloft their drinks and swayed back and forth to what remains one of the most chill tunes he’s ever made. The song might be but we left with none.
Post Malone in Manchester night two confirmed one thing: we are now Posty stans for life.
Featured Image — Post Malone (via Instagram)/The Manc Group
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A big battle of the bands is happening in Manchester this week – and it’s all for charity
Danny Jones
A massive battle of the bands event is happening in Manchester this week, and it’s helping raise money for crucial grassroots organisations.
Better still, it’s happening at one of our favourite venues in the city centre: Band on the Wall.
Now, the beloved Northern Quarter institution hosts all kinds of live music throughout the year, so they’re no strangers to events like a battle of the bands competition. Teaming up with homegrown charity Forever Manchester and some other well-known faces, this is set to be a big one.
This brand new event will see local businesses and employees come together to form a band for one night only, to see who is the best of the best up on stage. Who knows? You could be about to see the best-kept secret…
Yes, Manc worker bees are banding together (quite literally) to form the exclusive super group and will be judged by a panel of audiophile aficionados.
It doesn’t matter whether you work in the industry, you do office admin or work in a cafe all day long; at the debut ‘Forever Manchester Rocks‘ competition, consider yourself a music god in the making.
The live on-stage battle is open to pre-existing bands who have already played together, but we’ll confess, we’re looking forward to seeing what those cobbled together specifically for this contest are going to sound like.
Finalists not only have the opportunity to perform at the most iconic venues, but the winners of this year’s competition will claim the inaugural ‘Manchester Business Rocks Legends’ trophy, as well as being invited to play the annual Forever Manchester Birthday Party at the Kimpton Clocktower in February.
Once again, the best part of this new battle of the bands event at Band on the Wall is that it’s all for the greater good, with important funding being generated for local community groups – a cause that both pursue with 24/7, 365 days a year.
If you’re interested in a last-minute sign-up, the rules for entering the competition are as follows:
A majority of band members must work at the same company or in the same industry
Covers or originals welcome – just bring your best 15-minute set
You bring the instruments and tunes – the backline, PA and sound engineer will be provided
Acts will be judged on talent, energy, crowd reaction, showmanship and amount of money raised.
Nick Massey CBE, chief exec at Forever Manchester, said: “As a region famed for its musical prowess, entrepreneurial spirit and its sense of community, Forever Manchester Rocks just made total sense to me as our next big occasion.
“It is a battle like no other, and we’re calling for businesses across the region to trade their KPIs for killer riffs to show us how they shine on stage… And it’s all in support of a fantastic cause, with the money raised helping to fund vital community initiatives in the Greater Manchester region.
“We can’t wait to see colleagues from across the region unleash their hidden talents and bring that Manchester energy to Band on the Wall on 10 December!”
For those looking to come along this Wednesday (10 Dec), you can grab your tickets HERE.
Featured Images — The Manc Group/Billy Weaver (supplied)
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The BRIT Awards announce Manchester host as Jack Whitehall, plus ticket info
Daisy Jackson
Jack Whitehall will host this year’s BRIT Awards, as the glittering music ceremony moves up to Manchester for the first time.
The BRIT Awards 2026 has now also confirmed that public tickets will be going on sale today, so us Mancs have a chance with being right in the action when the awards take place at the Co-op Live in February.
This is the first time in the nearly-50 year history of the BRITs that the show has moved north, with an exclusive broadcast with ITV1 and ITVX.
And Jack Whitehall will be back once again, after a five different gigs hosting the show down in London.
The BRIT Awards 2026 with Mastercard announced the news with an ‘Ode to Manchester’ video with Jack Whitehall, where he takes a green screen trip down the Curry Mile (except it’s actually the Northern Quarter), visits the Coronation Street cobbles, and pokes fun at the arrival of Soho House.
The comedian may be as southern as they come, but has special connections to Manchester, having studied at the University of Manchester – and later revisited those days in the sitcom Fresh Meat.
Jack credits the city as one of the most influential places that helped shape his early comedy career.
Jack said: “I am so excited to be coming back for this very special BRIT Awards in Manchester, a place that is so important to me.
“The city I started my comedy career in, it feels like a real full circle moment returning to host this historic night at the Co-op Live, a venue that is only a stone’s throw away from the comedy club I did my first 10 minute set in all those years ago.
“Hopefully I get a few more laughs than I did that night. I cannot wait.”
The BRIT Awards 2026 will be taking place at the Co-op Live in Manchester on 28 February – and tickets will be going on sale from 10am HERE.
Matthew Williamson with this year’s BRIT Award trophy. Credit: Supplied
Last week, the shortlist was revealed for the prestigious BRITs Critics’ Choice award (previous winners include Dua Lipa, Adele, The Last Dinner Party and more), with Jacob Alon, Rose Gray and SIENNA SPIRO the chosen three.
And this year’s physical BRIT Award is designed by internationally acclaimed British designer Matthew Williamson, inspired by his Manchester roots and built from an amber toned resin – resembling the golden honey of a worker bee.
Stacey Tang, Chair of the 2026 BRIT Awards Committee and Co-President of RCA Records at Sony Music UK said: “Jack is absolutely brilliant at his craft so we are thrilled to welcome him back and excited for the fun and mischief he’s bound to bring to the show again this year.
“His legacy hosting the awards speaks for itself and as the BRITs enters a new era, in a city familiar to him, there’s nobody better placed to take the helm of the biggest night in music.”
Danny Jones -
18th May 2023 
